Paál, László
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Petényi, Géza (Budapest, 28 October 1889 - Budapest, 4 September 1965) – Physician. In 1914 he obtained his Medical Degree from the University of Budapest. During World War I (1914-1918) he was Medical Officer; from 1918 to 1924, physician in the White Cross Children’s Hospital in Budapest. In 1922 he became an honorary lecturer; in 1922 and 1923 acting Director of one of its Clinics; from 1924 to 1926 Chief Physician there; and from 1937 to 1945, its Head Physician and Director. In 1945 and 1946 he was Chief Physician of the National Children’s Hospital. Between 1946 and 1965 he was Professor of Pediatrics in the Medical School of the University of Budapest; from 1949 Professor and Head of the School and, from 1946, Director of No. 2 Pediatric Clinic. He was engaged in the study of rickets, childhood infectious diseases and the treatment of tuberculosis with antibiotics. His works include On Poliomyelitis (A poliomyelitisről) (1934) and Pediatrics (Gyermekgyógyászat) (1955, 3rd enlarged edition. 1961). He was one of the leading pediatricians of his age. He was a member of the Hungarian Academy of Sciences (corresponding 1949, ordinary 1960). He was awarded the Kossuth Prize in 1950. – B: 1730, 1777, 1160, T: 7456. Péter, Gábor (Gabriel) (Benjamin Eisenberger) (Újfehértó, 14 May 1906 - Budapest, 23 January 1993) – Politician, political Chief of Police. Originally, he worked as a tailor, and joined the workers’movement in the 1920s. He became a Communist Party member in 1931, and participated in the work of the Red Aid (Vörös Segély), and that of the Trade Union’s opposition. In 1943 he became a member of the leadership of the Peace Party (Békepárt). From January 1945 he was the leader of the Political Department of the Capital City Police; later, that of the State Defense Detachment (Államvédelmi Osztály – ÁVO), and subsequently, leader of the State Security Police (State Defense Authority – Államvédelmi Hatóság – AVH). He had a decisive role in the preparation of Communist mock-trials after the Communist political take-over in 1948, e.g in the Rajk-trial. In 1952 he was dismissed from his high position and was expelled from the Communist Party (Magyar Dolgozók Pártja – MDP). On 3 January 1953 he was arrested in the villa of Rákosi, and sentenced for life by the Military Tribune; in 1957 the sentence was commuted to 14 years in prison. In January 1959 he was freed by amnesty, and he worked as a librarian until his retirement. He was one of the most powerful politicians during the harshest period of Communist dictatorship in Hungary. – B: 1105, 1031, T: 7103.→ State Security Police; Rajk, László, Rákosi, Mátyás. Péter, János (John) (Alsónyék, 28 October 1910 - Budapest, 26 February 1999) – Bishop of the Reformed Church, politician and Foreign Minister. He studied Theology at the Reformed Theological Academies of Budapest, Paris, Glasgow and Berlin. He was an assistant minister in the Soli Deo Gloria Student Association, then at the Calvin Square Church, Budapest. Between 1936 and 1946 he was Minister at the Institute of the Filadelfia Deaconesses, Budapest. In the fall of 1945, he worked at the Ministry of Foreign Affairs. From 1946, he filled a key position at the office of Zoltán Tildy, the President of Hungary. In this capacity, he conveyed messages from the Communist Party leader, Mátyás Rákosi, to the leaders of the Reformed Church. He was a reporter of the Press and Foreign Department of the Reformed General Convent (1948); Bishop of the Transtibiscan Church District (Tiszántúli Református Egyházkerület) (1949-1956), and concurrently Bishop of the Cistibiscan Church District (Tiszáninneni Református Egyházkerület) (1953-1956). He condemned the Revolution of 1956, and resigned from the bishoprics. He became the appointed leader of the Cultural Contacts Institute (Kultúrkapcsolatok Intézete), then Deputy Foreign Minister between 1958 and 1961 and Foreign Minister from 1961 to 1973. He was a ‘T’ (secret) member of the Communist Party from 1949. He was President of the Parliament from 1973. He was the author of a number of articles and studies, which included theological and political themes. He wrote a commentary on the Book of Job. He was the recipient of several prestigious medals. – B: 0910, T: 7103.→Kádár, Period of. Péter, King (also known as Peter Orseolo (1011 - 1058) – Son of the Doge, who was banished by Venice, and that of the unknown daughter of Reigning Prince Géza–István (991-997). He died in exile in 1026. Upon the death of his father, he entered the Court of King István I (St. Stephen, 997-1038), where, in 1030, he was appointed leader of the Royal Armies and later on was appointed the King's Successor. He swore allegiance to the widowed Queen Gizella and her estates upon the King's death. Instead, he imprisoned her and confiscated her properties. As King, between 1038 and 1041, he implemented István’s policies. In 1041 he was driven from the throne by followers of Sámuel Aba (1041-1044). He fled to Regensburg, Bavaria, and returned with armed assistance from Emperor Henry III. In the Battle of Ménfő, Sámuel Aba was defeated and beheaded. On 26 May 1046 at Fehérvár, King Peter offered Hungary as a vassal to King Henry in payment for his help, and he was appointed chief feudal lord. The presentation of the spear symbolized the allegiance. Then he started to confiscate properties of the nobles. In 1046, the disgruntled Estates invited the sons of Vászoly, who overthrew, blinded and imprisoned the King. He became a prisoner of King András I (1046-1060) at Székesfehérvár, where he soon died. He was buried in the Cathedral of Pécs. – B: 1230, 0883, T: 7658→Aba, Sámuel; András I., King. Péter, Rózsa (Rose) (Politzer) (Budapest, 17 February 1905 - Budapest, 16 February 1977) – Mathematician. She pursued her higher studies at the University of Budapest, and also at the Budapest Polytechnic in the School of Political Economy of the Faculty of Commercial Education. From the 1930s up to 1948 she was a high school teacher; she received her Ph.D. in 1935. During World War II, she was forbidden to teach because of her Jewish origin. Between 1947 and 1955 she was Professor and Head of a School at the Teachers’ College, and, from 1955 until her retirement in 1976 she was Professor of Mathematics at the University of Budapest. Rózsa Péter was internationally recognized as a pursuer of mathematical logic. She was a member of the Editorial boards of the Journal of Symbolic Logic and Zeitschrift für mathematische Logik und Grundlagen der Mathematik. She made her mark in the theory of recursive functions and their application for computers. Her works in popularizing mathematics are also important. She carried out wide-ranging activity in the modernization of the teaching of mathematics in schools and in the raising of standards for the education of mathematics teachers. She was interested in poetry, theater and the cinematic art (wrote critiques of films). She was member of the Hungarian Academy of Sciences (corresponding, 1973). Her works include Recursive Functions (1967; translated by István Földes; appeared also in German, Russian and Chinese), and Playing with Infinity: Mathematics for Everyman (Játék a végtelennel) (1943, 1962), translated into 14 languages. She was awarded the Kossuth Prize in 1951 and the State Prize in 1970. – B: 0872, 0883, 1031, T: 7103, 7456. Péterfi, Tibor (Dés, now Dej, Romania, 22 June 1883 - Budapest, 13 January 1953) – Physician. In 1905 he obtained his Medical Degree from the University of Kolozsvár (now Cluj-Napoca, Romania) where, from 1905 to 1908, he worked at the Department of Zoology under István Apáthy. From 1908 to 1914 he was a demonstrator in the No. 1 Clinic of Anatomy at the University of Budapest. In 1916 he became an honorary lecturer there. In 1918 he was Professor of Anatomy at the University of Pozsony (now Bratislava, Slovakia). During the time of the Hungarian Council (Soviet) Republic (21 March 1919 - 1 August 1919) he played a role, so afterward, he had to emigrate. He worked in Prague, Jena, Berlin, and Constantinople. From 1935 to 1946 he was Professor at the University of Istanbul. In 1946 he was able to return to Hungary (during the Communist regime, when Hungary was occupied by Soviet Russian forces), and he became a professor at the University of Budapest. He was an outstanding histologist. He was mainly interested in the pathological anatomy of the visceral organs. He developed the methodology of microsurgery. His works include Histology (Szövettan) (1909) and Die mikrochirurgische Methode (Jena, 1923). – B: 1730, 1160, T: 7456.→Council (Soviet) Republic of Hungary; Micromanipulator. Péterfy, Jenő (Eugene) (Buda, 8 July 1850 - Károlyváros, now Karlovac, Croatia 5 November 1899) – Literary historian, essayist, critic. He obtained a B.A. Degree in Education from the University of Budapest. From 1872 he worked as a high school teacher right until his death. He wrote music critiques for the daily, Pester Lloyd (1874 - 1876); from 1878 he was the critic of Concord (Egyetértés). From 1881 his literary, esthetic and historical essays and critiques appeared in the Budapest Review (Budapesti Szemle), e.g. on Arany, Bajza, Eötvös, Jókai, Kemény, Dante and Ibsen. He joined Pál Gyulai’s circle and, from 1887, he was a member of the Kisfaludy Society. In 1888 he became an honorary lecturer at the University, but he lectured for only half a year. From 1896 he also taught at the Eötvös College of the University of Budapest. In his last years, Péterfy was occupied with the history of Greek Literature. A large section of it was completed, when he shot himself on the Budapest-Fiume (Rijeka) express train near Károlyváros. He was one of the greatest artists of Hungarian essay writing. His essays show a highly cultured writer, thinking in a refined, wide-ranging way, his critiques being visionary, mixed with irony and humor. He was also an outstanding translator of works of C.F. Meyer, Plato, B. Saint-Hilaire and Taine. A collection of his music critiques appeared in 1931. His Bánk bán of József Katona was published in 1883. His collected works were published in 3 volumes in 1901-1903. – B: 0883, 1068, 1257, T: 7456.→Gyulai, Pál; Arany, János; Bajza, József; Eötvös, József; Jókai, Mór Kemény, Zsigmond. Pethe, Ferenc (Francis) (Kisszántói) (Szentmihály, now Mihai Viteazu, Romania, 30 March 1763 - Szilágysomlyó, now Simuleu Silvaniei, Romania, 22 February 1832) – Agriculturalist, writer, journalist, polymath. After completing his studies at the Reformed College of Debrecen in 1788, he set out for further studies in Utrecht, where he spent eight years. He also traveled in Europe and learned the printing trade. In 1796 in Vienna he founded and edited the first Hungarian agriculturist paper, the Investigating Hungarian Farmer (Vizsgálódó Magyar Gazda), but it soon became bankrupt. From 1898 to 1801 he was one of the organizers, leader and teacher of the Georgikon in Keszthely. From 1801 to 1814 he was in the service of Prince Eszterházy, worked on a rented estate, and was active in writing. He launched a newspaper, the National Farmer (Nemzeti Gazda), in Vienna, and later in Pest. He lived from the income of his rented estate and commercial activities. In Kolozsvár (now Cluj-Napoca, Romania), in 1827 he launched the first Hungarian political newspaper of Transylvania (Erdély, now in Romania), entitled Home News (Hazai Híradó); later, he changed its name to Transylvanian News (Erdélyi Hríadó). He wanted to further scientific life and urged for social and economical reforms. He pioneered the construction of windmills and the development of agricultural and industrial plants. He also proved the untenability of agricultural production based on the feudal system. He created some 200 new words. With his initiatives, he was ahead of his time. His works include European Measure Collection, vols. i-ii (Európai mértéktár, I-II), translation (1829-1830); The Chemial Root of Agriculture (A földmívelési kímia gyökere), after H. Davy (1815), and Natural History... (Természethistória...) (1815). He was awarded the Marczibányi Prize. – B: 0883, 1257, 1122, T: 7103. Pethes, Sándor (Alexander) (Kassa, now Košice, Slovakia, 28 May 1899 - Budapest, 29 June 1981) – Actor. He completed his studies at the Academy of Dramatic Art in Budapest, in 1920. From 1916 he was a member of the Apollo Cabaret; in 1921-1922 a member of the Renaissance Theater (Renaissance Színház). From 1922 until 1949 he was a member of the National Theater (Nemzeti Színház). In the meantime, he appeared in numerous theaters, including the Operetta Theater (Operettszínház) (1927 and 1934); he often appeared in Cabarets with György Dénes and in a solo role as well. He played in the following theaters: Podium Cabaret (1921), Pest (1923); Békeffi Cabaret (1924); Andrássy Avenue (1924, 1927, 1932); Teréz Boulevard (1926, 1928); New York (1930); Comedians (1931), and the Podium Cabaret in 1936, 1945-1948. From 1949 to 1954 he was member of the Youth Theater (Ifjúsági Színház), in 1955-1956 the Petőfi and Jókai Theaters; in 1957-1959 member of the Hungarian People’s Army Theater (Magyar Néphadsereg Színháza); and from 1960 to 1981 he played in the Comedy Theater (Vígszínház). Sándor Pethes was also invited to appear on the Merry Stage (Vídám Színpad) in 1956, the Literary Stage (Irodalmi Színpad) in 1959 and 1974, and the Bartók Stage (Bartók Színpad) in 1960 and 1962. He lectured on the theatrical profession at the College of Dramatic Art, run by the National Actors’ Association (1935-1946), and also at the Academy of Dramatic Art (1949-1950). He excelled in vaudevilles, comedies and comic roles with his original caricaturing ability, and full-blooded playing. His roles included Puck (Ösztövér) in Shakespeare’s A Midsummer-Night’s Dream (Szeniványéji álom); Porter in Shakespeare’s Macbeth; Lysander in Molière’s The Bores (Les Fâcheux, Kotnyelesek); Berreh in Vörösmarty’s Csongor and Tünde; Emperor Francis in Rostand’s The Eaglet (A sasfiók), and Captain Gál in F. Molnár’s The Glass Slipper (Üvegcipő). There are more than 150 feature films to his credit, including Rag-tags (Rongyosok) (1925); The Blue Idol (A kék bálvány) (1931); This Villa is for Sale (Ez a villa eladó) (1935); Pagans (Pogányok) (1937); Orient Express (1943); Hot Fields (Forró mezők) (1949); Alba Regia (1961), The Sparrow is Also a Bird (A veréb is madár) (1968); The Black City (A fekete város) (1971), and The Nameless Castle (A névtelen vár) (1982). He received the titles of Artist of Merit in 1954, and Outstanding Artist in 1974. – B: 1445, 0883, 1031, T: 7456. Pethő, Sándor (Alexander) (Pásztori, 1 March 1885 - Balatonfüred, 25 August 1940) – Historian and political writer. He pursued his university studies in he University of Kolozsvár (now Cluj-Napoca, Romania), Naples, and Halle, Germany. From 1909 to 1918 he taught history at the High School of the District VIII of Budapest. Later, he turned to literary and journalistic work. In 1912 he was Editor for the journal Life (Élet); then Correspondent for the paper Hungarians (A Magyarság) later, its Editor-in-Chief (1934-1938). He was also Editor for the paper New Hungarian Review (Uj Magyar Szemle). In 1938 he was founder, with Gyula Hegedüs, and Editor for the paper Hungarian Nation (Magyar Nemzet). He died in a car accident. Smaller studies and articles by him appeared in various papers and journals. His works include From Világos to Trianon (Világostól Trianonig) (1925); Artúr Görgey (Görgey Artúr) (1930), and History of the Hungarian Nation (A magyar nemzet története) co-authored with Miklós Asztalos (1933). – B: 0883, 1257, 1068, T: 7456. Peti, Sándor (Alexander) (Kiskunhalas, 17 November 1898 - Budapest, 6 April 1973) – Actor and teacher of acting. He studied in Kálmán Rózsahegyi’s School of Dramatic Art. In 1921 he started his career in the Apollo Cabaret. During the years 1923-1924, 1926-1932 and 1933-1934 he was member of the Andrássy Boulevard Theater (Andrássy-úti Színház). He also played in the Hungarian Theater (Magyar Színház) (1924-1925), and from 1929 to 1933 and 1934 to 1940 in the Comedy Theater (Vígszínház). He appeared again in the Hungarian Theater in 1929 and, until 1942, on a number of stages in Budapest. For several years during World War II he could not appear on stage. From 1946 to 1956 he was member of the National Theater (Nemzeti Színház); from 1957 to 1960 the Petőfi Theater, from 1960 to 1963 the Jókai, and, in 1963 and 1964 the Thalia Theater. In 1954 he also appeared on the Small Stage (Kis Színpad). Sándor Peti retired in 1964, though he was still engaged by the Thalia Theater (Thália Színház) from 1967 to 1969. From 1951 to 1953 he taught acting at the Academy of Dramatic Art. He interpreted character and episode roles with originality, with characteristic pose, and true- to-life renditions. He shot several Hungarian films and also one film in Berlin (1926). His roles included Mascarille in Molière’s The Pretentious Young Ladies (Les Précieuses Ridicules, Kényeskedők); Tobias Boffen in Shakespeare’s Twelfth Night (Vízkereszt); Doolittle in Shaw’s Pygmalion, and the Barman (Csapos) in F. Molnár’s Delila. There are more than 40 feature films to his credit, including The Blue Idol (A kék bálvány) (1931); The Men Are All Crazy (A férfi mind őrült) (1937); Gentlemen’s Fun (Úri muri) (1949); Merry-Go-Around (Körhinta) (1955); Thistle (Bogáncs) (1958); Sleepless Years (Álmatlan évek) (1959); The Golden Man (Aranyember) (1962); Swan Song (Hattyúdal) (1963), and An Everyday Story (Hétkönapi történet) (1966). He received the title of Merited Artist in 1958. – B: 1445, 1427, T: 7456. Pető, András (Andrew) (Szombathely, 11 September 1893 - Budapest, 11 September 1967) – Physician. He obtained his Medical degree from the University of Vienna. From 1918 to 1929 he was a demonstrator at the Biological Institute there; later, he became the Head of the Institute for Invalid Rehabilitation. From 1922 he was involved in kinesitherapy at the Institute at Semmering. From 1922 to 1938 he served as Physician, and later as Senior Physician at the Private Sanatorium in Semmering. In 1938 Pető returned to Hungary and began to organize the institutional foundations of conductive kinesitherapy. Between 1945 and 1963 he was a professor at the Institute of Handicapped Children; from 1950, Director of the Institute of Kinesitherapy. From this Institute, he developed the Institute of the Pedagogy for the Motor Disordered in 1963, where he established the Conductive Education: a System for Overcoming Motor Disorder. His work became recognized abroad as well. They include Introduction to the Conductive Kinesitherapy (Bevezető a konduktiv mozgáspedagógiába) (1962). He is the founder of conductive education. His method became a “Hungaricum”. The Conductive Teacher and Education Training Institute (Mozgássérültek Pető András Nevelőképző és Nevelőintézete) was named after him. – B: 1730, 1778, T: 7456. Petőcz, András (Andrew) (Budapest. 27 August 1959 - ) – Writer and poet. He completed his higher studies at the Hungarian Literature and History Departments of the University of Budapest in 1985. Between 1981 and 1983 he was leading Editor for the periodical, Presence (Jelenlét). In 1983 he founded the Studio Art, and in 1985-1986 he worked at the Gorkij Library, Budapest. From 1985 he was a member of the Hungarian Workshop (Magyar Műhely) in Paris, and its Editor between 1989 and 1992. In 1989 and 1990 he was Editor for the periodical New Writing (Új Írás). From 1989 on, he produced video-films, and exhibits of his visual-poems. He is the leading person of the New Avant-garde Movement. His works include Collected Tyroclonist Poems (Összegyűjtött tyroclonista versek), poems (1983); The Majesty of Being in Sign. Writings 1982-1990 (A jelben létezés méltósága. Írások 1982-1990) (Paris-Budapest 1990); The Invisible Presence (A láthatatlan jelenlét), poems (1990); Farewell of the Traveler (Az utazó búcsúja), poems and translations (1996), and La métaphore d’Europe (1996). He is a recipient of the Lajos Kassák Prize (Paris, 1967), the Standard Prize of Fine-literature Publishers (1989), the Graves Prize (1990) and the Attila József Prize (1996).– B: 1257, 0878, T: 7103. P  etőfi, Sándor (Alexander) (Kiskőrös, 1 January 1823 - Fehéregyháza, 31 July 1849) – Leading Hungarian lyric poet. He attended school at Kecskemét, Sárszentlőrinc, Pest, and later at Aszód, where he began writing poetry. His attraction toward the theater was awakened here. He also studied in Selmecbánya (now Banská Stiavnica, Slovakia), from where he went to Pest on foot, and, for a while, was an extra at the National Theater (Nemzeti Színház). In 1839 he was enlisted in the army at Sopron; but became ill and was discharged. He joined a touring theatrical company, where he first appeared before the national public. He continued his studies at the Reformed College of Pápa, Soon he became an actor and performed in Székesfehérvár and Kecskemét. Here, his new-sounding poems were published, creating a great stir with increasing frequency. Through the influence of Mihály Vörösmarty, the Nemzeti Kör (National Literary Circle) published his poems under the title Petőfi’s Poems 1842-1844 (Petőfi versei 1842-1844) in 1844. He became Assistant Editor for the Pest Fashion Magazine (Pesti Divatlap). By this time, he was the organizer and indisputable leader of radical-minded young intellectuals’ and the writers’ circle, who frequented the Pilvax Coffee House of Budapest. The publication of The Hammer of the Community (Helység kalapácsa), a comic heroic poem, was quickly followed by John the Hero (János vitéz), in 1845. A period of crises in his life was brought about by disappointment in love, unjust attacks on his poetry, the grave financial situation of his parents, and the deadlocked political life; but he quickly recovered from this critical stage. After this, his poetry and his role in organizing literary activities were determined by the ideas of liberating the Hungarian people from the oppression of the Habsburg rule of Austria, and a world revolution. In 1846, he organized the Society of the Tens (Tizek Társasága) of young writers, which he intended to become Hungary’s intellectual leading force; but this Society could never evolve. During this time, he met the poet János (John) Arany, with whom he shared a uniquely beautiful bond of friendship. In 1846 he fell in love with Júlia Szendrey, the daughter of an estate bailiff in Erdőd. His love and marriage gave birth to famous love poems: The Trembling Bush (Reszket a bokor); At the End of September (Szeptember végén), and What Shall I Call You? (Minek nevezzelek?).
On 15 March 1848, he headed the youth of Pest as poet and politician. His now famous poem, the National Song (Nemzeti Dal), which he recited on the steps of the National Museum, became the anthem of the Revolution and War of Independence. He was voted onto many important committees and delegations, organized mass meetings, and became a Captain of the National Guard. His contribution even influenced the work of the National Assembly (Diet) in Pozsony (now Bratislava, Slovakia). On 15 October 1848, he enlisted in the Hungarian Territorial Army as Captain. First, he was a training officer; then, in January 1849, he set off to the Transylvanian (Erdély) Front in the War of Independence from Habsburg Rule, where General József Bem appointed him as his aide-de-camp, and accepted and protected him as his own son. During his Transylvanian military service, he wrote war correspondence and motivational, panegyric poetry and also carried out services for Bem as a dispatch rider. On the first such occasion, he fell out with the Minister of Defense, Lázár Mészáros, resigned his commission, and returned to Bem as a trooper. He participated in Bem’s campaigns, regained his rank; indeed, Bem promoted him to a Major. When he was in Debrecen again, Deputy Minister of Defense, György Klapka, attacked and insulted him, so he left the army and proceeded to Pest, where he lived in poverty, ignoring the glorious spring campaigns of the Freedom Fight. It was after the Hungarian Government had fled from Pest that he left for Transylvania on 18 July 1849, and re-joined General Bem. On 31 July 1849, during the retreat that followed the lost battle at Fehéregyháza, he disappeared around 6 o’clock in the afternoon. It is surmised that he was stabbed to death by the pursuing Russian lancers and buried in a mass grave. For a long time, the nation’s general public did not want to accept the fact of his death, and the legend of Petőfi was born. The rumor spread that he did not die at the battlefield but that he was in hiding, or that he was in captivity in Siberia. Petőfi was a giant of Hungarian lyric poetry, even on a world scale. He is the best known and most popular Hungarian poet abroad. Translations of his poems began already during his lifetime, in 1845; by the time of his death, over a hundred of his poems had been translated, mainly into German. Between 1846 and 1860, from some of his 850 poems, 700 were translated into approximately 50 languages and published. His most often translated poem is The Trembling Bush…(Reszket a bokor…). Setting of his lyrics to music already began in 1843. According to a bibliography of 1930, 510 musical compositions by some 180 composers were inspired by 202 poems of Petőfi. Since then, however, this number has increased even more significantly. In Hungary, Sándor Petőfi’s poems are the most frequently published in the large-size editions. Between 1945 and 1960 alone, more than a million copies of his works were published, in spite of the fact that his poetic activity spanned no more than six years. A number of societies and institutions have been named after him; many sculptures have been erected to his memory in Hungary and in Transylvania, and even in several places outside Hungary, for example in the cities of Buffalo (USA) in 1929, and Cleveland (USA) in 1930. – B: 0883, 1288, 1257, T: 7659. |