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Music research postgraduates, 2014­–15 Term 2 Student (* = part-time) Supervisor Adviser


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MUSIC RESEARCH POSTGRADUATES, 2014­–15 Term 2

Student (* = part-time) Supervisor Adviser
Alekseeva, Elena Brian Lock Mark Bowden

Musical composition and sound design for contemporary dance


AlSalhi, Ahmed Rachel Beckles Willson Henry Stobart

A Comparative Study of Saut Music in Kuwait and Bahrain


Asaba, Yuiko Henry Stobart Shzr Ee Tan

Tango in Japan: Music, Dance and Eroticism


Bank, Katherine Helen Deeming Stephen Rose

Music and Minde in Early Seventeenth Century England


Bath, Naomi Rachel Beckles Willson Erik Levi

Futures for Hungarian folk music: Institutions and performance strategies today


Bennett, Elizabeth Stephen Rose/ Helen Deeming

Rupert Ridgewell (BritLib)

Lies, truth and religious identification in 16th-century music printing
Bettencourt Mendes, Nuno Nick Cook Geoff Baker

Modernism and Modernity in Portuguese Music of Freitas Branco (1890-1955)


Blickhan, Samantha Helen Deeming Stephen Rose

The Influence of Digital Media on the Study of Medieval Music: Notation in British Song Manuscripts, 1150-1300


Brady, Clare* Julian Johnson Stephen Downes

From Seconda Prattica to the Italian avant-garde: vocal music tradition in the collaborative works of Luciano Berio and Cathy Berberian


Bruno, Chelsea Brian Lock Anna Morcom

Electronic music composition and modular synthesis


Burton, Susan Geoff Baker/Henry Stobart (ST) Tina K. Ramnarine

Take Your Harem Pants Off, Baby: Ethnicity, Modernity and Tradition in the Musical Practice of the

Bosnian Krajina
Cattell, Katie Julian Johnson (SD) Paul Harper-Scott

Temporality and Subjectivity in Variation Form


Conde, Alfons* Brian Lock Helen Grime

Composition


Cordeiro, Miguel* Brian Lock Mark Bowden

Composition


Cryne, Michael* Mark Bowden Helen Grime

Composition: Musical and Dramatic Structure: Narrative and Non-Narrative Coherence


Curran, David Mark Berry/Stephen Downes David Charlton

A study into the aesthetic outlook of the French composer Hector Berlioz

Dachri, Zoi* Brian Lock Helen Grime

Composition


Day, Rebecca Paul Harper-Scott Stephen Downes

Philosophical, Analytical and Psychoanalytic Conceptions of Subjectivity in Mahler’s Musical Modernism


Dearden, Nathan* Mark Bowden Brian Lock

Composition for Voice in Music Theatre


Destribois, Clemence Stephen Rose (HD) Paul Harper-Scott

Pitch Organization in Seventeenth-Century Ensemble Music


Dunnahoe, Sean Helen Deeming Stephen Rose

Anglo-Baltic Exchange in Swedish, Finnish and Norwegian Music Manuscripts up to the Thirteenth Century


Etxeberria Adrien, Xabier Henry Stobart (AM) Geoff Baker

Participatory Ethnomusicology and Indigenous Music in Ecuador


Feeny, Antony Anna Morcom/Shzr Ee Tan Alan Bradshaw [Marketing]

Economic and Business Models and the Development of Western Classical Music


Gentili, Barbara Erik Levi Mark Berry

Belcanto and Verismo as


Graham, Michael* Paul Harper-Scott Kiernan Ryan [English]

Shakespeare and British Opera: The Knot Garden


Green, Andrew Stobart, Henry (EL) Tina K. Ramnarine

Sounds of Solidarity: Music, the Zapatistas, and the Alter-Global


Harrison, Lucy Brian Lock Helen Grime

Composition. The Role of Context in the Compositional Process for Sound Installations and Film Scores


Heidemann, Diana-Maria* Shzr Ee Tan/ James Bennett tbc [Media Arts]

J.P.Kelly [MediaArts]/AM

Transmedia Music Concepts
Higgins, Gavin Mark Bowden Brian Lock

Music and dance


Hunter-Bradley, Louisa Stephen Rose Helen Deeming

The Officina Plantiniana as Music Publishers and Distributors [1555-1595]


Hyacinth, Natalie Henry Stobart/ tba [Geography]

David Gilbert [Geog]

Music and popular creativity in suburban faith communities
Kiladi, Maria* Erik Levi Stephen Downes

The London Labour Choral Union, 1920-1940: A Musical Institution of the Left


Knight, Douglas Julie Brown Carlo Cenciarelli

From the Ascetic to the Aesthetic: Classical Music in Non-Classical Cinema


Lachs, Vivienne (Hist/Mus) Rachel Beckles Wilson/ Julie Brown

David Cesarani [Hist]

Yiddish songs of London 1880-1914 and their place in the political debates of the time
Lebedinski, Ester Stephen Rose Helen Deeming

Roman Vocal Music in England, 1660-1710: Court, Connoisseurs, and the Culture of Collecting


Lee, Annabelle Shzree Tan/Mark Berry/EL Derrick Chong [Management]

The Effects of Social Media Techniques of Concert Halls in London and New York: Marketing and Promotion of Classical Music Concerts


Marsden, Hannah Tina K. Ramnarine Anna Morcom

Western Music in India


McCarthy, Rachel Paul Harper-Scott Erik Levi

Women and Listening in Early- to Mid-Twentieth-Century Britain


Mercieca, Nathan Paul Harper-Scott Mark Berry

Music, Writing, and the Self: the Ethics of Musicology


Millard, Russell* Stephen Downes (EL) Paul Harper-Scott

Gender and Narrative in Ravel’s Daphnis et Chloé


Morra, Salvatore Rachel Beckles Willson Tina K. Ramnarine

The Tunisian ʻūd Soundscape


Moynihan, Sarah* Paul Harper-Scott Mark Berry

Sibelius: Post-‘Crisis’


Paine, Christina* Katharine Ellis/Erik Levi Henry Stobart

Angelica Catalani’s London Career


Parkinson, Tom Brian Lock Mark Bowden

Music for theatre/dance


Plans, Elise Brian Lock Shzr Ee Tan

Adaptive music for mobile devices


Pons, Elena Stephen Rose (HD) Paul Harper-Scott

Arranging the Canon: Keyboard Arrangements, Publishing Strategies and the Rise of Musical Classics, 1750-1820


Porton, Jennie* Tina K. Ramnarine Erik Levi

Contemporary Conservatoires and their Practices


Ranasinghe, Shanika Anna Morcom Carlo Cenciarelli

Ethnographic Studies of Nostalgia in Popular Music


Santos, Sorana Brian Lock Mark Bowden

Composition


Sarakatsanos, Anastasios Brian Lock/Sue Clayton Anna Morcom

Composition


Singh, Simran Tina K. Ramnarine Julie Gallagher [Politics]

Politics, Power and Identity: Popular Music in Fragile States


Sorayyapour, Giti Rachel Beckles Willson Shrz Ee Tan

/Geoff Baker

‘The Revolution Will Not Be Terrorised’: Hip-Hop framing Global War on Terror resistance through Anti-Colonial discourse: the case of Lowkey
Springthorpe, Nigel* Stephen Rose Henry Stobart

The Works of Johann Georg and Johann Christian Röllig, with Thematic Catalogue


Stuart-Rees, Roya Stephen Rose Henry Stobart

London’s original Academy of Ancient Music c.1710–1810


Tarrant, Chris Paul Harper-Scott Julian Johnson

Schubert, Sonata Theory, Psychoanalysis: Traversing the Fantasy in Schubert's Sonata Forms


Thomson, Kelvin* Mark Bowden Stephen Downes

Portfolio of Compositions: Stratifying Modernist and Postmodernist Techniques of Musical Composition


Van der Heijden, Frieda Helen Deeming/Ruth Harvey [Fr] Stephen Rose

A full view of Paris, BnF fr. 12786


Vavva, Georgia Tina K. Ramnarine Anna Morcom

Professional Music Making in Recession Athens: Globalisation, Cosmopolitanism and Human Agency


Ventura, Laura Stephen Rose (HD) Geoff Baker

Iconographical Representations of Women Making Music, 1500-1650: A Study of Cultural and Social Conventions


Vos, Stephanie Tina K. Ramnarine Erik Levi

‘Patterns in the Whole’: Contexts and Styles in South African Music of Exile


Walters, Adam* Brian Lock/Helen Grime (SD) Tina K. Ramnarine

Traditional Music as a Basis for New Art Music: A Caribbean Case Study


Wang, Weida Shzr Ee Tan/Erik Levi Derrick Chong [Management]

Record business & music


Wettermark, Esbjorn Tina K. Ramnarine Shzr Ee Tan

Socio-Musical Interaction and Sentiment in Vietnamese Opera


Whiter, Christopher Brian Lock Helen Grime

Composition


Whittaker, Laryssa Tina K. Ramnarine Anna Morcom

Beyond "Mzansi's Golden Economy": Inequality in neoliberal South Africa and the economics of development through music education


Williams, Jessica Paul Harper-Scott Mark Berry

Mythology and Politics in Twentieth-Century British Music


Wilson, Tom Brian Lock Mark Bowden

Pop composition: expanded application of pop songwriting aesthetics


Young, Katie Anna Morcom/ (HS) Geoff Baker

Simon David [Geog]



Global Bollywood in Northern Ghana: Tracing the Post-Colonial Circulation of Hindi Film Songs in Tamale, 1957-Present
Supervisions continue throughout sabbaticals; students temporarily change adviser during sabbaticals, (temporary advisers shown with initials).


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