Title: AAT14- High Ren dates
23. The High Renaissance is usually dated
*a. 1495 – 1527
b. 1460 – 1564
c. 1500 – 1535
d. 1500 – 1600
Title: AAT14- High Ren center
24. The High Renaissance was centered in
Title: AAT14- vernacular" refers Italian
40. The "vernacular" refers to
d. the Dialogues of Plato
e. the Lives of Vasari
Title: AAT14- Renaissance pope
22. Who was not a Renaissance pope?
a. Julius II
b. Paul III
*c. John Paul II*
d. Clement X
Title: AAT14- correct patron
25. Which work matches the correct patron?
a. Sistine Chapel Ceiling -- Sixtux IV
*b. Tempietto -- Ferdinand and Isabella
c. School of Athens -- Agostino Chigi
d. Mehmet II -- Giovanni Bellini
e. Venus of Urbino -- Philip II of Spain
Title: AAT14- patron saint of Venice
26. The patron saint of Venice is
*a. Saint Mark
b. Saint Peter
c. Saint Matthew
d. Saint Sebastian
e. Saint John the Evangelist
Title: AAT14- stigmata
27. Which best describes the stigmata?
a. an outcast
b. the Flagellation
c. the arrows of Saint Sebastian
*d. the wounds of Christ
e. a painting by Giotto
Title: Define artist birthplaces
28. Match the artist with his place of birth
*a. Giorgione -- Castelfranco
b. Michelangelo -- Siena
c. Leonardo -- Padua
d. Raphael -- Milan
e. Bramante – Venice
Title: AAT14- Tempietto martyrium
1. The Tempietto was a
b. little temple
Title: AAT14- Tempietto no ionic frieze
2. Which is NOT a feature of the Tempietto?
a. a Doric peristyle
b. a balustrade
c. a dome
*d. an Ionic frieze
e. a cella
Title: Vasari of Raphael
Giorgio Vasari, the 16th-century biographer, referred to what artist as "an artist as talented as he was gracious."
b. da Vinci
The Renaissance artist Raphael was not appreciated until after his death.
Title: AAT14- Raphael studied with Perugino
3. Raphael learned at the elbow of
c. Fra Angelico
Title: Raphael Leo X portrait
Raphael painted a splendid portrait of Pope Leo X posed with his nephews, both cardinals of the church.
Title: The School of Athens
The School of Athens was an important Greek center for teaching the art of fresco painting.
Title: Raphael Sch Athens fresco
Raphael's School of Athens was created in what medium?
Title: AAT14- Raphael’s School of Athens -Plato and Aristotle
5. Who were two important figures in Raphael’s School of Athens?
a. David and Goliath
b. Venus and Adonis
*c. Plato and Aristotle
d. Alexander the Great and Socrates
Title: Raphael and Michelangelo- Vatican
Raphael and Michelangelo worked on paintings in the Vatican at the same time.
Raphael- Betrothal of the Virgin
Title: AAT14- Raphael- Betrothal of the Virgin
4. Which is NOT a feature of Raphael's Betrothal of the Virgin?
a. round arches
b. an angry suitor
c. a bearded priest
*d. a pseudo-peripteral temple
e. a pediment
Title: Fresco wet plaster
Fresco can best be defined as _________________________________.
a. a method of painting that employs hot wax
b. a watercolor
*c. a method of painting in wet plaster
d. a type of oil painting
e. a printmaking technique
Fresco is ___________
a. Painting with hot colored wax
b. Water soluble colored plastic polymer paint
c. Egg and water emulsion
*d. Watercolor on fresh lime plaster
e. Utilization of tusche in serigraphy
Title: AAT14- Leonardo appren to Verrocchio
8. Leonardo was apprenticed to
Title: AAT14- Leonardo did more drawings than pts
6. Which is NOT true of Leonardo da Vinci?
a. he made anatomical drawings
b. he was a uomo universale
c. he wrote backwards
*d. he made more paintings than drawings
e. he made more paintings than sculptures
7. Who advertised his services by saying: “In time of peace I believe I can give perfect satisfaction and to the equal of any other in architecture and the composition of buildings.”?
b. El Greco
*d. Leonardo da Vinci
Title: Leonardo advised drw nature
Leonardo da Vinci advised artists in his Treatise on Painting never to sketch from life or nature.
Title: Leonardo mirror writing
Besides being an artist _______ was also an architect, engineer, inventor, scientist, mathematician, and musician. His notebooks, written in an eccentric "mirror" handwriting, continue to fascinate scholars.
*a. Leonardo da Vinci
Besides being an artist, _______ was also an architect, engineer, inventor, scientist, mathematician, and musician. Who is this artist who, perhaps more than any other, represents the ideal Renaissance Man?
*e. Leonardo da Vinci
Leonardo - Virgin and Child with Saint Anne
9. Some experts say that the pyramidal style of the High Renaissance first emerges in the cartoon of _______.
a. Raphael’s Galatea
b. Michelangelo’s Sybils
*c. Leonardo’s Virgin and Child with Saint Anne
d. Masaccio’s Trinity
Title: Leonardo-Mona Lisa
The Mona Lisa was painted by Michelangelo.
Leonardo - Last Supper
Title: Restoration Leonardo-Last Supper
When Dr. Pinan Bramibilla Barcilon finishes restoring The Last Supper, it will look almost exactly as Leonardo left it.
Title: Leonardo Last Supper lin persp
In The Last Supper Leonardo da Vinci used linear perspective to create a sense of __________.
*a. deep space in the banquet hall
b. religious mystery
c. impending disaster
10. Which of the following is the best match?
*a. Leonardo’s Last Supper- Milan
b. Bramante’s Tempietto- Florence
c. The Sistine Chapel Siena
d. The Mona Lisa- Rome
11. Which is NOT by Leonardo?
a. Madonna and Child with Saint Anne
b. Mona Lisa
d. Vitruvian Man
e. Last Supper
Title: sfumato- Mona Lisa
The term "sfumato" in a painting, as exemplified by the Mona Lisa, refers to ________.
a. The smile on the model's face
b. A type of linear perspective
c. The kind of oil paint used
d. The sitter's pose
*e. A hazy, cloudy atmosphere
Title: AAT14- sfumato define
12. The term sfumato refers to:
a. the fashion of smoking while painting adopted soon after the discovery of America
*b. a smoky haze to convey depth and distance
c. aerial perspective
d. the style in imitation of the candle-smoke darkened walls of Roman churches
Order of Works
13. Which was completed earliest?
a. Raphael's School of Athens
b. Michelangelo's Sistine ceiling
c. Michelangelo's Last Judgment
*d. Leonardo's Last Supper
14. The pyramid was
a. the echo of ancient Egypt in the piazzas of Rome
b. a compositional arrangement much favored by High Renaissance artists
c. a stable, hierarchical structure for arranging figures in a composition
*d. b and c
15. Which is the correct chronological sequence of works by Michelangelo?
a. Moses, the Rome Pietà, David, the Sistine Ceiling
b. David, the Rome Pietà, the Sistine Ceiling, Moses
*c. the Rome Pietà, David, the Sistine Ceiling, Moses
d. David, Moses, Saint Peter's, the Sistine Ceiling
16. Terribilità refers to
a. Leonardo’s painting style
*b. traits of stubbornness and firmness Michelangelo shared with Pope Julius
c. Fra Angelico’s subtle messages
d. Raphael’s violent imagery in his Stanza della Segnatura
19. __________ commissioned Michelangelo to create his most famous works.
a. Lorenzo de' Medici
b. the Duke of Mantua
*c. Julius II
d. Francis I of France
20. Michelangelo was inspired by
a. Leonardo da Vinci’s single-minded dedication to sculpture
b. Classical mythology
*c. Neo-Platonic idea of the Medici Circle
d. The rough and tumble life he found in Renaissance Rome
Michelangelo – Architecture
21. The Campidoglio
a. was a piazza based on an ancient Roman space
c. illustrated Michelangelo's interest in urban planning
c. demonstrated the Popes’ ambitious plans for making Rome beautiful
*d. all of the above
Michelangelo - Sistine Chapel
Title: Sistine Chapel -Michelangelo
The artist who is best known for painting the famous ceiling of the Sistine Chapel in the Vatican is ________.
Title: AAT14- Sistine Ceiling-no christ
18. Which does NOT appear in the Sistine Ceiling frescoes?
Title: AAT14- Sistine Ceiling self-portrait
30. Michelangelo's self-portrait appears in
a. the Moses
*b. the Last Judgment
c. the Last Supper
d. the Creation of Adam
e. the Flood
Michelangelo - David
Title: Michelangelo David Florentine
Michelangelo created a monumental statue of what religious figure to serve as a symbol of the new Florentine republic?
c. Pope Julius II
e. St. Paul
Michelangelo - architect
Title: Michelangelo was the
Michelangelo was the architect and sculptor of the Medici Chapel in Rome.
Michelangelo - carving
Title: Michelangelo - carving
A marble sculpture by Michelangelo would be a good example of the carving method.
Title: Michelangelo sculptor
Michelangelo considered himself always to be by nature a ____________________.
Title: Michelangelo not Cornaro Chapel
Michelangelo was the architect and sculptor of the Cornaro Chapel in Rome.
17. Michelangelo approached the stone he was to carve
*a. looking to bring out the forms hidden within
b. with great fasting and prayer
c. imposing his will on it from all sides in a demonstration of terribilità
d. trying to get inspiration from the stone’s outward shape
Title: Define chiaroscuro
The term "chiaroscuro" refers to blurred, hazy background forms that can give a sense of depth to a painting.
The term "chiaroscuro" means____________.
a. personal magnetism
b. clarity of colors
c. a hazy or misty effect
e. a fresco technique
31. Which is true?
a. Gentile Bellini had two sons, Jacopo and Giovanni
b. Giovanni Bellini had two sons, Gentile and Jacopo
c. Jacopo Bellini was the father of Gentile, Giovanni, and Mantegna
*d. Jacopo Bellini had two sons and one daughter*
32. Jacopo Bellini's style is best known today from his
33. Gentile Bellini's rich textures and ability to convey character appealed to
a. the ruler of Venice
*b. the Sultan in Constantinople*
c. the Byzantine Patriarch
d. the Pesaro family
34. The Venetian artist who most influenced Giorgione and Titian was
a. Jacopo Bellini
b. Andrea Mantegna
c. Gentile Bellini
*d. Giovanni Bellini
itle: AAT14- Venetian-Flanders
36. The surface details in 16th-century Venetian painting show influence from
c. the International Style
Title: AAT14- Tempesta subject debate
37. Which is true?
a. Titian painted the Tempesta
b. There are crowds of figures in the Tempesta
c. The main colors of the Tempesta are gray and black
*d. The subject of the Tempesta is a matter of debate
e. The subject of the Tempesta is now understood
Title: AAT14- Giorgione
35. Giorgione demonstrated the superiority of painting over sculpture by
a. a description in his autobiography
*b. painting a nude man with reflections from two sides
c. making a sculpture and a painting of a man
d. dictating a comparison to Vasari
e. making sculptures with mirrors
TGiorgione - Col Tempo
Title: AAT14- Giorgione
38. Col Tempo refers to
a. an Italian proverb
b. a book by Aretino
*c. a painting by Giorgione
d. a painting by Titian
Title: AAT14- Titian Giorgione nudes
39. The two Venetian artists who painted reclining nudes are
a. Giovanni and Gentile Bellini
b. Titian and Giovanni Bellini
c. Giorgione and Gentile Bellini
*d. Titian and Giorgione
e. Jacopo and Gentile Bellini
Title: AAT14- Titian self-port Allegory of Prudence
29. Titian's self-portrait appears in
a. the Rape of Europa
b. the Pesaro Madonna
c. the Galatea
*d. the Allegory of Prudence
e. the Tempest
Title: AAT14- Titian
18. Which are by Titian?
a. Charles V at Mühlberg, the Rape of Europa, and Saint Francis in Ecstasy
b. The Tempesta, the Allegory of Prudence, and the Sleeping Venus
*c. the Allegory of Prudence, the Venus of Urbino, and the Pesaro Madonna
d. The Tempesta, the Rape of Europa, and the Venus of Urbino
e. the Rape of Europa, Sleeping Venus, and Sultan Mehmet II
Title: AAT14- Titian -Allegory of Prudence
19. The theme of the Allegory of Prudence is
a. the relationship of humans to animals
20. Which painting is based on Ovid's Metamorphoses?
*a. the Rape of Europa
b. the Allegory of Prudence
c. the Venus of Urbino
d. the Sleeping Venus
e. the Mona Lisa
1. Using the examples in this chapter, discuss the meanings and functions of the circular plan in Renaissance buildings.
2. Describe the development of the New Saint Peter's. Discuss the contributions of the various architects who worked on it.
3. What are the differences between Giotto's and Michelangelo's Last Judgment? To what do you attribute the differences?
4. How does High Renaissance Venetian painting compare with that of Rome?
5. How does the School of Athens exemplify the High Renaissance?
6. Compare Titian's Assumption of the Virgin with his Pesaro Madonna. Consider context, patronage, and style.
7. Compare Raphael's Galatea with his Madonna of the Meadow. What does this comparision suggest about his range of subject matter?
3. sculptured wall motif
sculptured wall motif