By Jack London

"No, Maria," he went on; "Nick and Joe won't have to peddle milk, and all the kids can go to school and wear shoes the whole year round. It will be a first-class milk ranch—everything complete. There will be a house to live in and a stable for the horses, and cow-barns, of course. There will be chickens, pigs, vegetables, fruit trees, and everything like that; and there will be enough cows to pay for a hired man or two. Then you won't have anything to do but take care of the children. For that matter, if you find a good man, you can marry and take it easy while he runs the ranch."

And from such largess, dispensed from his future, Martin turned and took his one good suit of clothes to the pawnshop. His plight was desperate for him to do this, for it cut him off from Ruth. He had no second-best suit that was presentable, and though he could go to the butcher and the baker, and even on occasion to his sister's, it was beyond all daring to dream of entering the Morse home so disreputably apparelled.

He toiled on, miserable and well-nigh hopeless. It began to appear to him that the second battle was lost and that he would have to go to work. In doing this he would satisfy everybody—the grocer, his sister, Ruth, and even Maria, to whom he owed a month's room rent. He was two months behind with his type-writer, and the agency was clamoring for payment or for the return of the machine. In desperation, all but ready to surrender, to make a truce with fate until he could get a fresh start, he took the civil service examinations for the Railway Mail. To his surprise, he passed first. The job was assured, though when the call would come to enter upon his duties nobody knew.

It was at this time, at the lowest ebb, that the smooth-running editorial machine broke down. A cog must have slipped or an oil- cup run dry, for the postman brought him one morning a short, thin envelope. Martin glanced at the upper left-hand corner and read the name and address of the TRANSCONTINENTAL MONTHLY. His heart gave a great leap, and he suddenly felt faint, the sinking feeling accompanied by a strange trembling of the knees. He staggered into his room and sat down on the bed, the envelope still unopened, and in that moment came understanding to him how people suddenly fall dead upon receipt of extraordinarily good news.

Of course this was good news. There was no manuscript in that thin envelope, therefore it was an acceptance. He knew the story in the hands of the TRANSCONTINENTAL. It was "The Ring of Bells," one of his horror stories, and it was an even five thousand words. And, since first-class magazines always paid on acceptance, there was a check inside. Two cents a word—twenty dollars a thousand; the check must be a hundred dollars. One hundred dollars! As he tore the envelope open, every item of all his debts surged in his brain—$3.85 to the grocer; butcher $4.00 flat; baker, $2.00; fruit store, $5.00; total, $14.85. Then there was room rent, $2.50; another month in advance, $2.50; two months' type-writer, $8.00; a month in advance, $4.00; total, $31.85. And finally to be added, his pledges, plus interest, with the pawnbroker—watch, $5.50; overcoat, $5.50; wheel, $7.75; suit of clothes, $5.50 (60 % interest, but what did it matter?)—grand total, $56.10. He saw, as if visible in the air before him, in illuminated figures, the whole sum, and the subtraction that followed and that gave a remainder of $43.90. When he had squared every debt, redeemed every pledge, he would still have jingling in his pockets a princely $43.90. And on top of that he would have a month's rent paid in advance on the type-writer and on the room.

By this time he had drawn the single sheet of type-written letter out and spread it open. There was no check. He peered into the envelope, held it to the light, but could not trust his eyes, and in trembling haste tore the envelope apart. There was no check. He read the letter, skimming it line by line, dashing through the editor's praise of his story to the meat of the letter, the statement why the check had not been sent. He found no such statement, but he did find that which made him suddenly wilt. The letter slid from his hand. His eyes went lack-lustre, and he lay back on the pillow, pulling the blanket about him and up to his chin.

Five dollars for "The Ring of Bells"—five dollars for five thousand words! Instead of two cents a word, ten words for a cent! And the editor had praised it, too. And he would receive the check when the story was published. Then it was all poppycock, two cents a word for minimum rate and payment upon acceptance. It was a lie, and it had led him astray. He would never have attempted to write had he known that. He would have gone to work—to work for Ruth. He went back to the day he first attempted to write, and was appalled at the enormous waste of time—and all for ten words for a cent. And the other high rewards of writers, that he had read about, must be lies, too. His second-hand ideas of authorship were wrong, for here was the proof of it.

The TRANSCONTINENTAL sold for twenty-five cents, and its dignified and artistic cover proclaimed it as among the first-class magazines. It was a staid, respectable magazine, and it had been published continuously since long before he was born. Why, on the outside cover were printed every month the words of one of the world's great writers, words proclaiming the inspired mission of the TRANSCONTINENTAL by a star of literature whose first coruscations had appeared inside those self-same covers. And the high and lofty, heaven-inspired TRANSCONTINENTAL paid five dollars for five thousand words! The great writer had recently died in a foreign land—in dire poverty, Martin remembered, which was not to be wondered at, considering the magnificent pay authors receive.

Well, he had taken the bait, the newspaper lies about writers and their pay, and he had wasted two years over it. But he would disgorge the bait now. Not another line would he ever write. He would do what Ruth wanted him to do, what everybody wanted him to do—get a job. The thought of going to work reminded him of Joe—Joe, tramping through the land of nothing-to-do. Martin heaved a great sigh of envy. The reaction of nineteen hours a day for many days was strong upon him. But then, Joe was not in love, had none of the responsibilities of love, and he could afford to loaf through the land of nothing-to-do. He, Martin, had something to work for, and go to work he would. He would start out early next morning to hunt a job. And he would let Ruth know, too, that he had mended his ways and was willing to go into her father's office.

Five dollars for five thousand words, ten words for a cent, the market price for art. The disappointment of it, the lie of it, the infamy of it, were uppermost in his thoughts; and under his closed eyelids, in fiery figures, burned the "$3.85" he owed the grocer. He shivered, and was aware of an aching in his bones. The small of his back ached especially. His head ached, the top of it ached, the back of it ached, the brains inside of it ached and seemed to be swelling, while the ache over his brows was intolerable. And beneath the brows, planted under his lids, was the merciless "$3.85." He opened his eyes to escape it, but the white light of the room seemed to sear the balls and forced him to close his eyes, when the "$3.85" confronted him again.

Five dollars for five thousand words, ten words for a cent—that particular thought took up its residence in his brain, and he could no more escape it than he could the "$3.85" under his eyelids. A change seemed to come over the latter, and he watched curiously, till "$2.00" burned in its stead. Ah, he thought, that was the baker. The next sum that appeared was "$2.50." It puzzled him, and he pondered it as if life and death hung on the solution. He owed somebody two dollars and a half, that was certain, but who was it? To find it was the task set him by an imperious and malignant universe, and he wandered through the endless corridors of his mind, opening all manner of lumber rooms and chambers stored with odds and ends of memories and knowledge as he vainly sought the answer. After several centuries it came to him, easily, without effort, that it was Maria. With a great relief he turned his soul to the screen of torment under his lids. He had solved the problem; now he could rest. But no, the "$2.50" faded away, and in its place burned "$8.00." Who was that? He must go the dreary round of his mind again and find out.

How long he was gone on this quest he did not know, but after what seemed an enormous lapse of time, he was called back to himself by a knock at the door, and by Maria's asking if he was sick. He replied in a muffled voice he did not recognize, saying that he was merely taking a nap. He was surprised when he noted the darkness of night in the room. He had received the letter at two in the afternoon, and he realized that he was sick.

Then the "$8.00" began to smoulder under his lids again, and he returned himself to servitude. But he grew cunning. There was no need for him to wander through his mind. He had been a fool. He pulled a lever and made his mind revolve about him, a monstrous wheel of fortune, a merry-go-round of memory, a revolving sphere of wisdom. Faster and faster it revolved, until its vortex sucked him in and he was flung whirling through black chaos.

Quite naturally he found himself at a mangle, feeding starched cuffs. But as he fed he noticed figures printed in the cuffs. It was a new way of marking linen, he thought, until, looking closer, he saw "$3.85" on one of the cuffs. Then it came to him that it was the grocer's bill, and that these were his bills flying around on the drum of the mangle. A crafty idea came to him. He would throw the bills on the floor and so escape paying them. No sooner thought than done, and he crumpled the cuffs spitefully as he flung them upon an unusually dirty floor. Ever the heap grew, and though each bill was duplicated a thousand times, he found only one for two dollars and a half, which was what he owed Maria. That meant that Maria would not press for payment, and he resolved generously that it would be the only one he would pay; so he began searching through the cast-out heap for hers. He sought it desperately, for ages, and was still searching when the manager of the hotel entered, the fat Dutchman. His face blazed with wrath, and he shouted in stentorian tones that echoed down the universe, "I shall deduct the cost of those cuffs from your wages!" The pile of cuffs grew into a mountain, and Martin knew that he was doomed to toil for a thousand years to pay for them. Well, there was nothing left to do but kill the manager and burn down the laundry. But the big Dutchman frustrated him, seizing him by the nape of the neck and dancing him up and down. He danced him over the ironing tables, the stove, and the mangles, and out into the wash-room and over the wringer and washer. Martin was danced until his teeth rattled and his head ached, and he marvelled that the Dutchman was so strong.

And then he found himself before the mangle, this time receiving the cuffs an editor of a magazine was feeding from the other side. Each cuff was a check, and Martin went over them anxiously, in a fever of expectation, but they were all blanks. He stood there and received the blanks for a million years or so, never letting one go by for fear it might be filled out. At last he found it. With trembling fingers he held it to the light. It was for five dollars. "Ha! Ha!" laughed the editor across the mangle. "Well, then, I shall kill you," Martin said. He went out into the wash- room to get the axe, and found Joe starching manuscripts. He tried to make him desist, then swung the axe for him. But the weapon remained poised in mid-air, for Martin found himself back in the ironing room in the midst of a snow-storm. No, it was not snow that was falling, but checks of large denomination, the smallest not less than a thousand dollars. He began to collect them and sort them out, in packages of a hundred, tying each package securely with twine.

He looked up from his task and saw Joe standing before him juggling flat-irons, starched shirts, and manuscripts. Now and again he reached out and added a bundle of checks to the flying miscellany that soared through the roof and out of sight in a tremendous circle. Martin struck at him, but he seized the axe and added it to the flying circle. Then he plucked Martin and added him. Martin went up through the roof, clutching at manuscripts, so that by the time he came down he had a large armful. But no sooner down than up again, and a second and a third time and countless times he flew around the circle. From far off he could hear a childish treble singing: "Waltz me around again, Willie, around, around, around."

He recovered the axe in the midst of the Milky Way of checks, starched shirts, and manuscripts, and prepared, when he came down, to kill Joe. But he did not come down. Instead, at two in the morning, Maria, having heard his groans through the thin partition, came into his room, to put hot flat-irons against his body and damp cloths upon his aching eyes.
CHAPTER XXVI
Martin Eden did not go out to hunt for a job in the morning. It was late afternoon before he came out of his delirium and gazed with aching eyes about the room. Mary, one of the tribe of Silva, eight years old, keeping watch, raised a screech at sight of his returning consciousness. Maria hurried into the room from the kitchen. She put her work-calloused hand upon his hot forehead and felt his pulse.

"You lika da eat?" she asked.

He shook his head. Eating was farthest from his desire, and he wondered that he should ever have been hungry in his life.

"I'm sick, Maria," he said weakly. "What is it? Do you know?"

"Grip," she answered. "Two or three days you alla da right. Better you no eat now. Bimeby plenty can eat, to-morrow can eat maybe."

Martin was not used to sickness, and when Maria and her little girl left him, he essayed to get up and dress. By a supreme exertion of will, with rearing brain and eyes that ached so that he could not keep them open, he managed to get out of bed, only to be left stranded by his senses upon the table. Half an hour later he managed to regain the bed, where he was content to lie with closed eyes and analyze his various pains and weaknesses. Maria came in several times to change the cold cloths on his forehead. Otherwise she left him in peace, too wise to vex him with chatter. This moved him to gratitude, and he murmured to himself, "Maria, you getta da milka ranch, all righta, all right."

Then he remembered his long-buried past of yesterday.

It seemed a life-time since he had received that letter from the TRANSCONTINENTAL, a life-time since it was all over and done with and a new page turned. He had shot his bolt, and shot it hard, and now he was down on his back. If he hadn't starved himself, he wouldn't have been caught by La Grippe. He had been run down, and he had not had the strength to throw off the germ of disease which had invaded his system. This was what resulted.

"What does it profit a man to write a whole library and lose his own life?" he demanded aloud. "This is no place for me. No more literature in mine. Me for the counting-house and ledger, the monthly salary, and the little home with Ruth."

Two days later, having eaten an egg and two slices of toast and drunk a cup of tea, he asked for his mail, but found his eyes still hurt too much to permit him to read.

"You read for me, Maria," he said. "Never mind the big, long letters. Throw them under the table. Read me the small letters."

"No can," was the answer. "Teresa, she go to school, she can."

So Teresa Silva, aged nine, opened his letters and read them to him. He listened absently to a long dun from the type-writer people, his mind busy with ways and means of finding a job. Suddenly he was shocked back to himself.

"'We offer you forty dollars for all serial rights in your story,'" Teresa slowly spelled out, "'provided you allow us to make the alterations suggested.'"

"What magazine is that?" Martin shouted. "Here, give it to me!"

He could see to read, now, and he was unaware of the pain of the action. It was the WHITE MOUSE that was offering him forty dollars, and the story was "The Whirlpool," another of his early horror stories. He read the letter through again and again. The editor told him plainly that he had not handled the idea properly, but that it was the idea they were buying because it was original. If they could cut the story down one-third, they would take it and send him forty dollars on receipt of his answer.

He called for pen and ink, and told the editor he could cut the story down three-thirds if he wanted to, and to send the forty dollars right along.

The letter despatched to the letter-box by Teresa, Martin lay back and thought. It wasn't a lie, after all. The WHITE MOUSE paid on acceptance. There were three thousand words in "The Whirlpool." Cut down a third, there would be two thousand. At forty dollars that would be two cents a word. Pay on acceptance and two cents a word—the newspapers had told the truth. And he had thought the WHITE MOUSE a third-rater! It was evident that he did not know the magazines. He had deemed the TRANSCONTINENTAL a first-rater, and it paid a cent for ten words. He had classed the WHITE MOUSE as of no account, and it paid twenty times as much as the TRANSCONTINENTAL and also had paid on acceptance.

Well, there was one thing certain: when he got well, he would not go out looking for a job. There were more stories in his head as good as "The Whirlpool," and at forty dollars apiece he could earn far more than in any job or position. Just when he thought the battle lost, it was won. He had proved for his career. The way was clear. Beginning with the WHITE MOUSE he would add magazine after magazine to his growing list of patrons. Hack-work could be put aside. For that matter, it had been wasted time, for it had not brought him a dollar. He would devote himself to work, good work, and he would pour out the best that was in him. He wished Ruth was there to share in his joy, and when he went over the letters left lying on his bed, he found one from her. It was sweetly reproachful, wondering what had kept him away for so dreadful a length of time. He reread the letter adoringly, dwelling over her handwriting, loving each stroke of her pen, and in the end kissing her signature.

And when he answered, he told her recklessly that he had not been to see her because his best clothes were in pawn. He told her that he had been sick, but was once more nearly well, and that inside ten days or two weeks (as soon as a letter could travel to New York City and return) he would redeem his clothes and be with her.

But Ruth did not care to wait ten days or two weeks. Besides, her lover was sick. The next afternoon, accompanied by Arthur, she arrived in the Morse carriage, to the unqualified delight of the Silva tribe and of all the urchins on the street, and to the consternation of Maria. She boxed the ears of the Silvas who crowded about the visitors on the tiny front porch, and in more than usual atrocious English tried to apologize for her appearance. Sleeves rolled up from soap-flecked arms and a wet gunny-sack around her waist told of the task at which she had been caught. So flustered was she by two such grand young people asking for her lodger, that she forgot to invite them to sit down in the little parlor. To enter Martin's room, they passed through the kitchen, warm and moist and steamy from the big washing in progress. Maria, in her excitement, jammed the bedroom and bedroom-closet doors together, and for five minutes, through the partly open door, clouds of steam, smelling of soap-suds and dirt, poured into the sick chamber.

Ruth succeeded in veering right and left and right again, and in running the narrow passage between table and bed to Martin's side; but Arthur veered too wide and fetched up with clatter and bang of pots and pans in the corner where Martin did his cooking. Arthur did not linger long. Ruth occupied the only chair, and having done his duty, he went outside and stood by the gate, the centre of seven marvelling Silvas, who watched him as they would have watched a curiosity in a side-show. All about the carriage were gathered the children from a dozen blocks, waiting and eager for some tragic and terrible denouement. Carriages were seen on their street only for weddings and funerals. Here was neither marriage nor death: therefore, it was something transcending experience and well worth waiting for.

Martin had been wild to see Ruth. His was essentially a love- nature, and he possessed more than the average man's need for sympathy. He was starving for sympathy, which, with him, meant intelligent understanding; and he had yet to learn that Ruth's sympathy was largely sentimental and tactful, and that it proceeded from gentleness of nature rather than from understanding of the objects of her sympathy. So it was while Martin held her hand and gladly talked, that her love for him prompted her to press his hand in return, and that her eyes were moist and luminous at sight of his helplessness and of the marks suffering had stamped upon his face.

But while he told her of his two acceptances, of his despair when he received the one from the TRANSCONTINENTAL, and of the corresponding delight with which he received the one from the WHITE MOUSE, she did not follow him. She heard the words he uttered and understood their literal import, but she was not with him in his despair and his delight. She could not get out of herself. She was not interested in selling stories to magazines. What was important to her was matrimony. She was not aware of it, however, any more than she was aware that her desire that Martin take a position was the instinctive and preparative impulse of motherhood. She would have blushed had she been told as much in plain, set terms, and next, she might have grown indignant and asserted that her sole interest lay in the man she loved and her desire for him to make the best of himself. So, while Martin poured out his heart to her, elated with the first success his chosen work in the world had received, she paid heed to his bare words only, gazing now and again about the room, shocked by what she saw.

For the first time Ruth gazed upon the sordid face of poverty. Starving lovers had always seemed romantic to her,—but she had had no idea how starving lovers lived. She had never dreamed it could be like this. Ever her gaze shifted from the room to him and back again. The steamy smell of dirty clothes, which had entered with her from the kitchen, was sickening. Martin must be soaked with it, Ruth concluded, if that awful woman washed frequently. Such was the contagiousness of degradation. When she looked at Martin, she seemed to see the smirch left upon him by his surroundings. She had never seen him unshaven, and the three days' growth of beard on his face was repulsive to her. Not alone did it give him the same dark and murky aspect of the Silva house, inside and out, but it seemed to emphasize that animal-like strength of his which she detested. And here he was, being confirmed in his madness by the two acceptances he took such pride in telling her about. A little longer and he would have surrendered and gone to work. Now he would continue on in this horrible house, writing and starving for a few more months.

"What is that smell?" she asked suddenly.

"Some of Maria's washing smells, I imagine," was the answer. "I am growing quite accustomed to them."

"No, no; not that. It is something else. A stale, sickish smell."

Martin sampled the air before replying.

"I can't smell anything else, except stale tobacco smoke," he announced.

"That's it. It is terrible. Why do you smoke so much, Martin?"

"I don't know, except that I smoke more than usual when I am lonely. And then, too, it's such a long-standing habit. I learned when I was only a youngster."

"It is not a nice habit, you know," she reproved. "It smells to heaven."