Clare Strand – 1973
BA Hons Degree Brighton – 1992-95
MA Royal College of Art – 1996-98
Lives and works in Brighton, England.
Solo Exhibitions
2011
Sleight, BrancoliniGrimaldi Gallery, London.
2009
Clare Strand Fotographie Und Video, Museum Fur Photograhie Braunschweig,
Germany.
Clare Strand Fotographie Und Video, Museum Folkwang, Essen, Germany.
2008
Clare Strand Recent Works, Fotografins Hus, Stockholm Sweden.
2005
The Betterment Room – Devices for Measuring Achievement, Senko Studio. Denmark.
2003
Gone Astray, London College of Communication, London.
2000
Wasted, Galleri Image, Aarhus, Denmark.
1998
Seeing Red, Museum of Photography Film and Television, Bradford, England; Imago
Festival, Universidad Salamanca, Spain; Viewpoint Gallery, Salford, England and
Royal Photographic Society, Bath England.
1997
The Mortuary, F-Stop Gallery, Bath.
Group Exhibitions.
2011
Signs Of A Struggle: Photography in the Wake of Postmodernism. V&A Museum. London.
The Wonders Of The Invisible World. Northern Gallery of Contemporary Art, Sunderland.
Falling Up: The Gravity of Art. The Courtauld Institute. London.
Trick of the Light. Core Gallery , Deptford. London.
Alias. Photomonth Krakow. Poland.
Perspectives on Black and White. Peter Lav Gallery. Copenhagen.
Elusive. Camberwell Art College. London.
Made in Britain – Contemporary Art from the British Council Collection 1980 – 2010 Sichuan Provincial Museum, Chengdu, Xi’an Art Museum, Hong Kong Heritage Museum and Hong Kong Heritage Museum
Between Times. Instants, intervals, durations, Centro de Arte La Regenta, in Las Palmas, Canary Islands, Spain.
The Seven Basic Propositions (web project)– commissioned by Interact http://interact.com.pt/17/the-seven-basic-propositions/
2010
Between Times. Instants, intervals, durations, Museo D´Arte Provincia di Nuoro.
Sardinia.
Women In Art Photography, Taschen Store London.
Between Times. Instants, intervals, durations, PhotoEspana. Teatro Fernan-Gomez
Arts Center, Madrid.
Noir Complex - City, Story, Destruction and Death, Brandenburgischer Kunstverein,
Germany.
Noir Complex - City, Story, Destruction and Death Magazin 4, Austria.
2009.
Time Timeless, Heinz Bossert Gallery, Cologne, Germany.
Images Recalled, Fotofestival Mannheim, Germany.
Theatres of the Real, PhotoMuseum Antwerp.
2008
Present Volume, Deutsche Bank, London.
2007
Seeing Is Believing, Photographers Gallery, London.
We Are Witnessing The Dawn Of An Unknown Science, Permanent Gallery, Brighton.
How We Are, Tate Britain, London.
2006
Restage, The Arts Gallery, London.
2005
Work, Museum Folkwang, Essen, Germany.
Made in Britain, Huis Marseille, Amsterdam, Holland.
2004
Fantastic Realism, Tallinn Town Hall, Estonia.
Xposeptembre, Fotografins Hus, Stockholm, Sweden.
2003
Someone Else and Gone Astray, Permanent Gallery, Brighton.
Floating, Maidstone Museum, Kent, England.
2002
Heart Of Glass, Mirror Gallery, London.
1999
Septembre De La Photo, Galerie Soardi, Nice, France.
Modern Times, Hassleblad Center, Gothemburg, Sweden.
1998
Les Anglais Vus Par les Anglais, Arles Projection, France
Inventories, The Old School, Hoxton Square, London.
Sorted, Ikon Gallery, Birmingham, England
Look at Me, The Kunsthal, Rotterdam, Holland. (Toured)
1997
Teen, Anita Chevalier Gallery, Paris (1997);
Private, Hockney Gallery, Royal College of Art, London.
1996
First Event, Shoreditch Foto Biennial, London.
1995
The Dead, National Museum of Photography, Film and Television, Bradford. England
Selected Publications
AnOther Magazine Autumn/Winter edition 12 page Fashion shoot.2011
Art Review, Snapshot Article and Contributor issue 53.2011
Aperture Magazine, Front Cover and 8 page article, essay written by David Campany.2010.
Between Times. Instants, intervals, durations, Catalogue. 2010.
L’insense, British Photography issue. France.2010
Frame 3 , steidl, text by Heide Hausler.2010.
Cent Magazine, issue 16. 2010.
Portfolio Catalogue 50th Anniversary, 2010.
Clare Strand Monograph Published by Photoworks and Steidl 2009.
British Journal of Photography, Front Cover and interview by Sue Steward 2009
Senko1 curated by Faye Dowling art directed by James Greenhow In association with
Senko Studio. 2009.
Images Recalled, Catalogue, Mannheim Festival.2009
Theatres of the Unreal, Catalogue Published by Photoworks and FotoMuseum
Antwerp. 2009
How We Are – Photographing Britain, Tate Publishing, 2007
Vitamin Ph, Published by Phaidon 2006.
Photoworks Magazine, Front cover and showcase of The Betterment Room. issue 4
Portfolio Catalogue Front Cover and Article by Val Williams issue 37.
Gone Astray Newspaper, 2003.
Field Study 1, published by P.A.R.C, 2003
Colour Photography, Aussoline, 2002.
Modern Times 1 catalogue, Hassleblad Center, 1999.
Recontres Photographiques, Lorient, 13th edition catalogue 1999.
Paris Photo Guide, No.1&No.7 1998/9
Imago 98 catalogue, 1998.
Look at Me catalogue, 1998.
Dutch Magazine, issue 4, 1998.
Portfolio catalogue, issue 23, 1996
Dazed and Confused, Article, Kodak Exposed, issue 18 (July 1996)
Venue Magazine, Interview with Mike Gartside, 1996.
Creative Camera, Essay by Val Williams, ‘Theatres of Attitudes’, 1995.
Creative Camera, Essay by David Chandler, Behold the New Flesh’ 1995
Reviews and Interviews
Eyemazing, Fall issue. Interview with Hilaire Avril. 2011
Time Out : Clare Strand : Sleight, 4 Stars Nina Caplan.
The Independent : Signs of a Struggle V&A by Ossian Ward .
The Independent: Clare Strand's sleight of hand by Matilda Battersby.
Spoonfed: Clare Strand at Brancolini Grimaldi by Jess Jones- Berney.
I-D online : Say Cheese – in a Postmodern way .(
Photonews, Article written by Torsten Scheid, 2010.
PhotoNews, Article by Kerstin Stremmel 2009.
Grafick Magazine Review by Benidict Burbridge. 2009
Svenska Dagbladet , Review by Clemens Poellinger, 2008
Fulltable :Essay by Dr Chris Mullen, ‘Enigmas of the Ordinary’ 2008.
Fulltable :Essay by Dr Chris Mullen ‘An Introduction to Unseen
Agents’ 2008
Flasher.com interview with Wendy Taylor 2008
Saatchi Gallery.co.uk interview with Anna Finel Honnigman.2008.
The Independent, Article by Charlotte Cripps, ‘The Spirit Enquiry’, 2007.
Black Book Magazine, Article by Caroline Smith ‘ The New Landscape’ 2000.
Venue Magazine, Interview with Mike Gartside.1996
The Guardian, Interview with Val Williams.1995
Commissions and Awards
Phoenix Brighton, Residency Brighton, 2005;
The IPRN, Artist in Residence, Folkwang Museum, Germany 2003/4
The New Towns Project, Where Did They Go? Commissioned by Fotonet South 2003
Artist in Residence, London College of Printing Sept 2001- 2002
Arts Council Award, 2009,
Arts Council Major Award 2004
The Painter Stainers Award 1998
Deutsche Bank Award 1998.
Collections
Arts Council of England, The British Council, V&A Museum, The National Media Museum, Bradford. and Private collections. |