Music research postgraduates, 2014–15 Term 2 Student (* = part-time) Supervisor Adviser
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| MUSIC RESEARCH POSTGRADUATES, 2014–15 Term 2
Student (* = part-time) Supervisor Adviser Alekseeva, Elena Brian Lock Mark Bowden Musical composition and sound design for contemporary dance AlSalhi, Ahmed Rachel Beckles Willson Henry Stobart A Comparative Study of Saut Music in Kuwait and Bahrain Asaba, Yuiko Henry Stobart Shzr Ee Tan Tango in Japan: Music, Dance and Eroticism Bank, Katherine Helen Deeming Stephen Rose Music and Minde in Early Seventeenth Century England Bath, Naomi Rachel Beckles Willson Erik Levi Futures for Hungarian folk music: Institutions and performance strategies today Bennett, Elizabeth Stephen Rose/ Helen Deeming Rupert Ridgewell (BritLib) Lies, truth and religious identification in 16th-century music printing
Modernism and Modernity in Portuguese Music of Freitas Branco (1890-1955) Blickhan, Samantha Helen Deeming Stephen Rose The Influence of Digital Media on the Study of Medieval Music: Notation in British Song Manuscripts, 1150-1300 Brady, Clare* Julian Johnson Stephen Downes From Seconda Prattica to the Italian avant-garde: vocal music tradition in the collaborative works of Luciano Berio and Cathy Berberian Bruno, Chelsea Brian Lock Anna Morcom Electronic music composition and modular synthesis Burton, Susan Geoff Baker/Henry Stobart (ST) Tina K. Ramnarine Take Your Harem Pants Off, Baby: Ethnicity, Modernity and Tradition in the Musical Practice of the Bosnian Krajina
Temporality and Subjectivity in Variation Form Conde, Alfons* Brian Lock Helen Grime Composition Cordeiro, Miguel* Brian Lock Mark Bowden Composition Cryne, Michael* Mark Bowden Helen Grime Composition: Musical and Dramatic Structure: Narrative and Non-Narrative Coherence Curran, David Mark Berry/Stephen Downes David Charlton A study into the aesthetic outlook of the French composer Hector Berlioz Dachri, Zoi* Brian Lock Helen Grime Composition Day, Rebecca Paul Harper-Scott Stephen Downes Philosophical, Analytical and Psychoanalytic Conceptions of Subjectivity in Mahler’s Musical Modernism Dearden, Nathan* Mark Bowden Brian Lock Composition for Voice in Music Theatre Destribois, Clemence Stephen Rose (HD) Paul Harper-Scott Pitch Organization in Seventeenth-Century Ensemble Music Dunnahoe, Sean Helen Deeming Stephen Rose Anglo-Baltic Exchange in Swedish, Finnish and Norwegian Music Manuscripts up to the Thirteenth Century Etxeberria Adrien, Xabier Henry Stobart (AM) Geoff Baker Participatory Ethnomusicology and Indigenous Music in Ecuador Feeny, Antony Anna Morcom/Shzr Ee Tan Alan Bradshaw [Marketing] Economic and Business Models and the Development of Western Classical Music Gentili, Barbara Erik Levi Mark Berry Belcanto and Verismo as Graham, Michael* Paul Harper-Scott Kiernan Ryan [English] Shakespeare and British Opera: The Knot Garden Green, Andrew Stobart, Henry (EL) Tina K. Ramnarine Sounds of Solidarity: Music, the Zapatistas, and the Alter-Global Harrison, Lucy Brian Lock Helen Grime Composition. The Role of Context in the Compositional Process for Sound Installations and Film Scores Heidemann, Diana-Maria* Shzr Ee Tan/ James Bennett tbc [Media Arts] J.P.Kelly [MediaArts]/AM Transmedia Music Concepts
Music and dance Hunter-Bradley, Louisa Stephen Rose Helen Deeming The Officina Plantiniana as Music Publishers and Distributors [1555-1595] Hyacinth, Natalie Henry Stobart/ tba [Geography] David Gilbert [Geog] Music and popular creativity in suburban faith communities
The London Labour Choral Union, 1920-1940: A Musical Institution of the Left Knight, Douglas Julie Brown Carlo Cenciarelli From the Ascetic to the Aesthetic: Classical Music in Non-Classical Cinema Lachs, Vivienne (Hist/Mus) Rachel Beckles Wilson/ Julie Brown David Cesarani [Hist] Yiddish songs of London 1880-1914 and their place in the political debates of the time
Roman Vocal Music in England, 1660-1710: Court, Connoisseurs, and the Culture of Collecting Lee, Annabelle Shzree Tan/Mark Berry/EL Derrick Chong [Management] The Effects of Social Media Techniques of Concert Halls in London and New York: Marketing and Promotion of Classical Music Concerts Marsden, Hannah Tina K. Ramnarine Anna Morcom Western Music in India McCarthy, Rachel Paul Harper-Scott Erik Levi Women and Listening in Early- to Mid-Twentieth-Century Britain Mercieca, Nathan Paul Harper-Scott Mark Berry Music, Writing, and the Self: the Ethics of Musicology Millard, Russell* Stephen Downes (EL) Paul Harper-Scott Gender and Narrative in Ravel’s Daphnis et Chloé Morra, Salvatore Rachel Beckles Willson Tina K. Ramnarine The Tunisian ʻūd Soundscape Moynihan, Sarah* Paul Harper-Scott Mark Berry Sibelius: Post-‘Crisis’ Paine, Christina* Katharine Ellis/Erik Levi Henry Stobart Angelica Catalani’s London Career Parkinson, Tom Brian Lock Mark Bowden Music for theatre/dance Plans, Elise Brian Lock Shzr Ee Tan Adaptive music for mobile devices Pons, Elena Stephen Rose (HD) Paul Harper-Scott Arranging the Canon: Keyboard Arrangements, Publishing Strategies and the Rise of Musical Classics, 1750-1820 Porton, Jennie* Tina K. Ramnarine Erik Levi Contemporary Conservatoires and their Practices Ranasinghe, Shanika Anna Morcom Carlo Cenciarelli Ethnographic Studies of Nostalgia in Popular Music Santos, Sorana Brian Lock Mark Bowden Composition Sarakatsanos, Anastasios Brian Lock/Sue Clayton Anna Morcom Composition Singh, Simran Tina K. Ramnarine Julie Gallagher [Politics] Politics, Power and Identity: Popular Music in Fragile States Sorayyapour, Giti Rachel Beckles Willson Shrz Ee Tan /Geoff Baker ‘The Revolution Will Not Be Terrorised’: Hip-Hop framing Global War on Terror resistance through Anti-Colonial discourse: the case of Lowkey
The Works of Johann Georg and Johann Christian Röllig, with Thematic Catalogue Stuart-Rees, Roya Stephen Rose Henry Stobart London’s original Academy of Ancient Music c.1710–1810 Tarrant, Chris Paul Harper-Scott Julian Johnson Schubert, Sonata Theory, Psychoanalysis: Traversing the Fantasy in Schubert's Sonata Forms Thomson, Kelvin* Mark Bowden Stephen Downes Portfolio of Compositions: Stratifying Modernist and Postmodernist Techniques of Musical Composition Van der Heijden, Frieda Helen Deeming/Ruth Harvey [Fr] Stephen Rose A full view of Paris, BnF fr. 12786 Vavva, Georgia Tina K. Ramnarine Anna Morcom Professional Music Making in Recession Athens: Globalisation, Cosmopolitanism and Human Agency Ventura, Laura Stephen Rose (HD) Geoff Baker Iconographical Representations of Women Making Music, 1500-1650: A Study of Cultural and Social Conventions Vos, Stephanie Tina K. Ramnarine Erik Levi ‘Patterns in the Whole’: Contexts and Styles in South African Music of Exile Walters, Adam* Brian Lock/Helen Grime (SD) Tina K. Ramnarine Traditional Music as a Basis for New Art Music: A Caribbean Case Study Wang, Weida Shzr Ee Tan/Erik Levi Derrick Chong [Management] Record business & music Wettermark, Esbjorn Tina K. Ramnarine Shzr Ee Tan Socio-Musical Interaction and Sentiment in Vietnamese Opera Whiter, Christopher Brian Lock Helen Grime Composition Whittaker, Laryssa Tina K. Ramnarine Anna Morcom Beyond "Mzansi's Golden Economy": Inequality in neoliberal South Africa and the economics of development through music education Williams, Jessica Paul Harper-Scott Mark Berry Mythology and Politics in Twentieth-Century British Music Wilson, Tom Brian Lock Mark Bowden Pop composition: expanded application of pop songwriting aesthetics Young, Katie Anna Morcom/ (HS) Geoff Baker Simon David [Geog] Global Bollywood in Northern Ghana: Tracing the Post-Colonial Circulation of Hindi Film Songs in Tamale, 1957-Present Supervisions continue throughout sabbaticals; students temporarily change adviser during sabbaticals, (temporary advisers shown with initials). |