MUSIC RESEARCH POSTGRADUATES, 2014–15 Term 2
Student (* = part-time) Supervisor Adviser
Alekseeva, Elena Brian Lock Mark Bowden
Musical composition and sound design for contemporary dance
AlSalhi, Ahmed Rachel Beckles Willson Henry Stobart
A Comparative Study of Saut Music in Kuwait and Bahrain
Asaba, Yuiko Henry Stobart Shzr Ee Tan
Tango in Japan: Music, Dance and Eroticism
Bank, Katherine Helen Deeming Stephen Rose
Music and Minde in Early Seventeenth Century England
Bath, Naomi Rachel Beckles Willson Erik Levi
Futures for Hungarian folk music: Institutions and performance strategies today
Bennett, Elizabeth Stephen Rose/ Helen Deeming
Rupert Ridgewell (BritLib)
Lies, truth and religious identification in 16th-century music printing
Bettencourt Mendes, Nuno Nick Cook Geoff Baker
Modernism and Modernity in Portuguese Music of Freitas Branco (1890-1955)
Blickhan, Samantha Helen Deeming Stephen Rose
The Influence of Digital Media on the Study of Medieval Music: Notation in British Song Manuscripts, 1150-1300
Brady, Clare* Julian Johnson Stephen Downes
From Seconda Prattica to the Italian avant-garde: vocal music tradition in the collaborative works of Luciano Berio and Cathy Berberian
Bruno, Chelsea Brian Lock Anna Morcom
Electronic music composition and modular synthesis
Burton, Susan Geoff Baker/Henry Stobart (ST) Tina K. Ramnarine
Take Your Harem Pants Off, Baby: Ethnicity, Modernity and Tradition in the Musical Practice of the
Bosnian Krajina
Cattell, Katie Julian Johnson (SD) Paul Harper-Scott
Temporality and Subjectivity in Variation Form
Conde, Alfons* Brian Lock Helen Grime
Composition
Cordeiro, Miguel* Brian Lock Mark Bowden
Composition
Cryne, Michael* Mark Bowden Helen Grime
Composition: Musical and Dramatic Structure: Narrative and Non-Narrative Coherence
Curran, David Mark Berry/Stephen Downes David Charlton
A study into the aesthetic outlook of the French composer Hector Berlioz
Dachri, Zoi* Brian Lock Helen Grime
Composition
Day, Rebecca Paul Harper-Scott Stephen Downes
Philosophical, Analytical and Psychoanalytic Conceptions of Subjectivity in Mahler’s Musical Modernism
Dearden, Nathan* Mark Bowden Brian Lock
Composition for Voice in Music Theatre
Destribois, Clemence Stephen Rose (HD) Paul Harper-Scott
Pitch Organization in Seventeenth-Century Ensemble Music
Dunnahoe, Sean Helen Deeming Stephen Rose
Anglo-Baltic Exchange in Swedish, Finnish and Norwegian Music Manuscripts up to the Thirteenth Century
Etxeberria Adrien, Xabier Henry Stobart (AM) Geoff Baker
Participatory Ethnomusicology and Indigenous Music in Ecuador
Feeny, Antony Anna Morcom/Shzr Ee Tan Alan Bradshaw [Marketing]
Economic and Business Models and the Development of Western Classical Music
Gentili, Barbara Erik Levi Mark Berry
Belcanto and Verismo as
Graham, Michael* Paul Harper-Scott Kiernan Ryan [English]
Shakespeare and British Opera: The Knot Garden
Green, Andrew Stobart, Henry (EL) Tina K. Ramnarine
Sounds of Solidarity: Music, the Zapatistas, and the Alter-Global
Harrison, Lucy Brian Lock Helen Grime
Composition. The Role of Context in the Compositional Process for Sound Installations and Film Scores
Heidemann, Diana-Maria* Shzr Ee Tan/ James Bennett tbc [Media Arts]
J.P.Kelly [MediaArts]/AM
Transmedia Music Concepts
Higgins, Gavin Mark Bowden Brian Lock
Music and dance
Hunter-Bradley, Louisa Stephen Rose Helen Deeming
The Officina Plantiniana as Music Publishers and Distributors [1555-1595]
Hyacinth, Natalie Henry Stobart/ tba [Geography]
David Gilbert [Geog]
Music and popular creativity in suburban faith communities
Kiladi, Maria* Erik Levi Stephen Downes
The London Labour Choral Union, 1920-1940: A Musical Institution of the Left
Knight, Douglas Julie Brown Carlo Cenciarelli
From the Ascetic to the Aesthetic: Classical Music in Non-Classical Cinema
Lachs, Vivienne (Hist/Mus) Rachel Beckles Wilson/ Julie Brown
David Cesarani [Hist]
Yiddish songs of London 1880-1914 and their place in the political debates of the time
Lebedinski, Ester Stephen Rose Helen Deeming
Roman Vocal Music in England, 1660-1710: Court, Connoisseurs, and the Culture of Collecting
Lee, Annabelle Shzree Tan/Mark Berry/EL Derrick Chong [Management]
The Effects of Social Media Techniques of Concert Halls in London and New York: Marketing and Promotion of Classical Music Concerts
Marsden, Hannah Tina K. Ramnarine Anna Morcom
Western Music in India
McCarthy, Rachel Paul Harper-Scott Erik Levi
Women and Listening in Early- to Mid-Twentieth-Century Britain
Mercieca, Nathan Paul Harper-Scott Mark Berry
Music, Writing, and the Self: the Ethics of Musicology
Millard, Russell* Stephen Downes (EL) Paul Harper-Scott
Gender and Narrative in Ravel’s Daphnis et Chloé
Morra, Salvatore Rachel Beckles Willson Tina K. Ramnarine
The Tunisian ʻūd Soundscape
Moynihan, Sarah* Paul Harper-Scott Mark Berry
Sibelius: Post-‘Crisis’
Paine, Christina* Katharine Ellis/Erik Levi Henry Stobart
Angelica Catalani’s London Career
Parkinson, Tom Brian Lock Mark Bowden
Music for theatre/dance
Plans, Elise Brian Lock Shzr Ee Tan
Adaptive music for mobile devices
Pons, Elena Stephen Rose (HD) Paul Harper-Scott
Arranging the Canon: Keyboard Arrangements, Publishing Strategies and the Rise of Musical Classics, 1750-1820
Porton, Jennie* Tina K. Ramnarine Erik Levi
Contemporary Conservatoires and their Practices
Ranasinghe, Shanika Anna Morcom Carlo Cenciarelli
Ethnographic Studies of Nostalgia in Popular Music
Santos, Sorana Brian Lock Mark Bowden
Composition
Sarakatsanos, Anastasios Brian Lock/Sue Clayton Anna Morcom
Composition
Singh, Simran Tina K. Ramnarine Julie Gallagher [Politics]
Politics, Power and Identity: Popular Music in Fragile States
Sorayyapour, Giti Rachel Beckles Willson Shrz Ee Tan
/Geoff Baker
‘The Revolution Will Not Be Terrorised’: Hip-Hop framing Global War on Terror resistance through Anti-Colonial discourse: the case of Lowkey
Springthorpe, Nigel* Stephen Rose Henry Stobart
The Works of Johann Georg and Johann Christian Röllig, with Thematic Catalogue
Stuart-Rees, Roya Stephen Rose Henry Stobart
London’s original Academy of Ancient Music c.1710–1810
Tarrant, Chris Paul Harper-Scott Julian Johnson
Schubert, Sonata Theory, Psychoanalysis: Traversing the Fantasy in Schubert's Sonata Forms
Thomson, Kelvin* Mark Bowden Stephen Downes
Portfolio of Compositions: Stratifying Modernist and Postmodernist Techniques of Musical Composition
Van der Heijden, Frieda Helen Deeming/Ruth Harvey [Fr] Stephen Rose
A full view of Paris, BnF fr. 12786
Vavva, Georgia Tina K. Ramnarine Anna Morcom
Professional Music Making in Recession Athens: Globalisation, Cosmopolitanism and Human Agency
Ventura, Laura Stephen Rose (HD) Geoff Baker
Iconographical Representations of Women Making Music, 1500-1650: A Study of Cultural and Social Conventions
Vos, Stephanie Tina K. Ramnarine Erik Levi
‘Patterns in the Whole’: Contexts and Styles in South African Music of Exile
Walters, Adam* Brian Lock/Helen Grime (SD) Tina K. Ramnarine
Traditional Music as a Basis for New Art Music: A Caribbean Case Study
Wang, Weida Shzr Ee Tan/Erik Levi Derrick Chong [Management]
Record business & music
Wettermark, Esbjorn Tina K. Ramnarine Shzr Ee Tan
Socio-Musical Interaction and Sentiment in Vietnamese Opera
Whiter, Christopher Brian Lock Helen Grime
Composition
Whittaker, Laryssa Tina K. Ramnarine Anna Morcom
Beyond "Mzansi's Golden Economy": Inequality in neoliberal South Africa and the economics of development through music education
Williams, Jessica Paul Harper-Scott Mark Berry
Mythology and Politics in Twentieth-Century British Music
Wilson, Tom Brian Lock Mark Bowden
Pop composition: expanded application of pop songwriting aesthetics
Young, Katie Anna Morcom/ (HS) Geoff Baker
Simon David [Geog]
Global Bollywood in Northern Ghana: Tracing the Post-Colonial Circulation of Hindi Film Songs in Tamale, 1957-Present
Supervisions continue throughout sabbaticals; students temporarily change adviser during sabbaticals, (temporary advisers shown with initials). |