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MICHAEL VS JASON

A Screenplay by Spencer Hall and Max Shrek

Based on Characters Created by John Carpenter, Debra Hill, Victor Miller, and Ron Kurz

 

 



INTRODUCTION

(Fade in. We see the SPADAMACK FILMS logo. Blood then appears on the screen and forms the following:

 

“So frowned the mighty combatants that Hell



grew darker at their frown; so matched

they stood; for never but once more was

wither like to meet so great a foe.

 

See, with what heat these dogs of Hell



Advance to waste and havoc yonder world…”

 

-        Milton, Paradise Lost)



 

(We see words appear on screen)

 

(TITLE: NOVEMBER 1ST, 2002)



 

CUT TO:


 

HALLOWEEN: RESSURECTION CLIP

 

INT. MORGUE



 

We see a door burst open, and two guys bring in a body on a gurney to the girl there.

 

ORDERLY:


Hey, how’s it going?

 

CORONER:



You gotta be kidding me. Another one?

 

ORDERLY:



It’s your lucky night. You got a celebrity.

 

CORONER:



Ooh, let me get my autograph book.

 

They put in on the slab.



 

ORDERLY:


I’m not kidding. It’s Michael Myers.

CORONER:


What?

 

They then start to leave.



 

ORDERLY:


Get me a copy of that autography book will ya?

 

CORONER:



Yeah, sure.

 

ORDERLY (As Leaving):



She cracks me up.

 

The CORONER then unzips the bag and looks at the body of MICHAEL MYERS. His mask is charred and decayed and all the hair is gone. The CORONER then leans over him and his eyes pop open



 

 

CUT TO:



 

The opening credits. We hear the original Halloween theme mixed with the Friday the 13th KI KI KI MA MA MA. They are just like the ones from Halloween, except the pumpkin is replaced with a hockey mask.)

 

SCENE 1

 

FADE IN.



 

We see words appear on screen.

 

(TITLE: HADDONFIELD, IL, OCTOBER 30TH, 2004)



 

CUT TO:


 

EXT – HADDONFIELD STREET

 

(We pan seeing all the houses as we hear “Laurie’s Theme” playing until we get to a single house)



 

 

MALE VOICE:



Hope you have a good time, honey!

 

(We see the words “STRODE REALITY” on the car)



 

FEMALE VOICE:

I will!

 

(We see a young girl, ELLIE STRODE comes out of the house, with a bunch of stuff, and she then walks down the street)



 

 

CUT TO:



 

EXT – ANOTHER HADDONFIELD STREET

 

(She stops in front of a house, ELLIE goes on the porch and we hear screaming from inside)



 

 

MALE VOICE:



Shut up, you fucking filthy whore!

 

 



FEMALE VOICE:

Don’t speak to your mother like that, you cock-sucking bastard!

(ELLIE chuckles)

 

 



FEMALE VOICE:

Listen the fact of the matter is Crystal Lake is fucking cursed, you’re not going!

 

 

MALE VOICE:



Cunt, shut up!

 

 



FEMALE VOICE:

That’s it, if I have to fucking tie you to the wall, you’re not going to Camp Blood.

 

 

MALE VOICE:



You can’t stop me!

 

 



FEMALE VOICE:

Yes, I can, you fucker!

 

 

(A boy, ROY WATERSON, then walks out of the door and sees ELLIE)



 

 

FEMALE VOICE:



Fine, you wanna get sliced and diced? FINE BY ME!

 

(ROY looks back inside and yells back at his mom)



 

 

ROY:



I have just as much a chance as I do hear! Does the word, “Boogeyman” ring any bells?

 

 



FEMALE VOICE:

MICHAEL MYERS IS DEAD! He died two years ago!

 

 

ROY:



Bullshit! The coroner was found dead and no body! Doesn’t exactly sound like he’s dead?

 

 



FEMALE VOICE:

Okay, listen, I give up. I HOPE YOU ENJOY CAMP BLOOD, ROY!

 

 

(ROY looks at ELLIE)



 

 

ROY:



What?

 

(ELLIE laughs, then gets serious)



 

ELLIE:


What was she talking about? Camp Blood?

 

 



ROY:

Oh nothing, ‘l. She’s just believes the local Crystal Lake legends about some psycho in a hockey mask who murders teenagers.

 

 

ELLIE:



What?

 

 



ROY:

It’s no big deal. They’re just legends. Nothing more.

 

 

(They then go over to his truck)



 

 

ELLIE:



Listen, do you mind holding my stuff until I get to Crystal Lake?

 

 



(She then puts her stuff in his truck)

 

 



ROY:

Sure, no problem, but I gotta warn ya. I may get to Crystal lake later than everyone else.

 

 

ELLIE:



It’s okay. Tis stuff is killing my back, anything would be better than to lug this around any longer.

 

 



ROY:

Okay, well, I’m going over to AMY’S for a little while before we go to Crystal Lake.

 

 

ELLIE:



Ah, a little pre-show fucky fucky?

 

 



ROY:

Pretty much, yeah. You could come over and watch if ya’d like?

 

 

ELLIE:



Uh, thanks but no thanks. I gotta get packing.

 

 



ROY:

SAM’S taking ya over there right?

 

 

ELLIE:



Yep.

 

 



ROY:

Okay, well, cool. See you later!

 

 

ELLIE:



Bye, ROY.

 

 



(SHE then walks off as he gets in his truck and drives off as “Laurie’s Theme” plays)

 

EXT – STREET (NIGHT)



 

(We open on a street in the outer limits of Haddonfield, IL. We can see a truck parked on the side of the road.)

 

CUT TO:


 

INT – TRUCK (NIGHT)

 

(We are now inside the TRUCK. A young couple, ROY WATERSON and AMY WEST, are sitting inside. ROY is dressed in full MICHAEL MYERS attire, while AMY is dressed as a princess. We can see a hockey mask lying in the seat, next to ROY. They are talking to each other.)



 

ROY:


Damn, we are gonna scare the living shit out of those dumb fucks at Camp Crystal Lake. They won’t even know what hit them.

 

 



AMY:

ROY, could you please tell me again why we are doing this?

 

 

ROY:



Look, AMY, I’ve told you this before. It’s Haddonfield tradition. We scare those kids every year.

 

 



AMY:

I just don’t see how dressing up like Michael Myers is funny. It’s sick, if you ask me.

 

 

ROY:



Yeah, well I didn’t ask you, did I? Now do me a favor and get that butcher knife out of the bed.

 

 



AMY:

Asshole.


 

 

(She gets out of the truck.)



 

 

CUT TO:



 

EXT – TRUCK (NIGHT)

 

 

(AMY is outside the truck, sorting through the pile of things in the truck bed. In the pile, we can see a machete, many assorted knives, masks, and an axe. The girl is rummaging through the things.)



 

CUT TO:


 

INT – TRUCK (NIGHT)

 

(ROY is sitting in the truck, with an impatient look on his face. He rolls down the window, and puts his head out.)



 

ROY:


Hey, hurry the hell up!

 

 



AMY (Off-Screen):

I’m trying! I don’t see the damn knife anywhere!

 

 

CUT TO:



 

EXT – TRUCK (NIGHT)

 

(AMY is still looking through the pile for the butcher knife, when we hear a noise behind her. She turns around, frightened.)



 

 

AMY:



Hello? Is someone there? Is that you, ROY?

 

 



(She shrugs her shoulders and turns back around.)

 

 



CUT TO:

 

(A shot of the real MICHAEL MYERS slowly coming up behind AMY. His mask is like it was in the movie’s opening scene. He is taking very large, yet very quiet, steps towards AMY.)



 

AMY:


I found it! I found it!

 

 



(MICHAEL throws a plastic grocery bag over AMY’S head. She is screaming loudly, but it is barely heard at all. MICHAEL begins to drag her into the woods. She is kicking wildly for a while, but as she disappears into the darkness, she stops moving.)

 

 



CUT TO:

 

INT – TRUCK (NIGHT)



 

ROY:


Fuck this. I’m getting the fucking thing myself.

 

 



(ROY gets out of the truck and walks to the back. He then notices that AMY is gone.)

 

 



ROY:

Great time to take a piss, AMY! Where the hell are you?

 

 

(There is a noise in the woods.)



 

 

ROY:



Fuckin’ bitch…

 

 



(He heads towards the woods, following the sound.)

 

 



ROY:

AMY, where the fuck are you?

 

 

(ROY turns around, and is standing face-to-face with MICHAEL MYERS.)



 

 

ROY:



Good one, buddy. Who’s under there, huh? Brian, you under there?

 

 



(ROY reaches up and tries to remove MICHAEL’S mask. MICHAEL’S hand comes up from his side, and we can see that he is holding the butcher knife that AMY had. He stabs ROY in the stomach. ROY’S eyes go wide, and he stumbles backwards. MICHAEL steps forward and stabs him one more time. ROY falls to the ground, blood pouring from his mouth and stomach. MICHAEL walks over to him and removes his mask. He then takes off his mask and replaces it with the new one.)

 

(MICHAEL goes to the truck and gets in the driver’s side door. He turns the keys and drives off.)



 

 

 



 

 

 



 

FADE TO.


 

EXT. STREET (MORNING)

 

(It is now morning. We are on an empty street, except for the truck from last night, the one that MICHAEL is driving.)



 

(The truck passes a sign that reads “NOW LEAVING WESSEX COUNTY, NOW ENTERING CUNNINGHAM COUNTY”.)

 

(Pan down to the seat next to MICHAEL, and we can see a piece of paper lying in the seat next to him. It is very wrinkled. Zoom in, and we can make out the following:



 

Ellie,


Hope you are having fun at Camp Crystal Lake. We hope to see you soon!

- Mom & Dad)

 

(Pan down, and we see that lying on the ground next to the sign is another sign that reads “WELCOME TO CAMP CRYSTAL LAKE, except CRYSTAL LAKE has been scratched out and someone has painted BLOOD in its place, so the sign reads “WELCOME TO CAMP BLOOD.”)



 

 

SCENE 2

 

CUT TO:


 

EXT – CAMP CRYSTAL LAKE (DAY)

 

(We are now at Camp Crystal Lake. We can see children running around, people eating at picnic tables, and other traditional camp activities.)



 

CUT TO:


 

(A girl, ELLIE STRODE, is sitting all by herself on a bench, reading The Hellbound Heart by Clive Barker. She looks about 16 years old, with brownish-colored hair. Suddenly, a boy, SAM, comes and sits down next to her.)

SAM:

Hey, ELLIE, you wanna come swimming with us?



 

ELLIE:
No, thanks. I don’t really feel like swimming.

 

SAM:
Hey, you’re not still upset about all that Michael Myers bull shit, are you?



 

ELLIE:
Well, to be honest…a little bit, yeah.

 

SAM:


Eh, well screw them. Look, MICHAEL MYERS has been dead for years. Even if he was alive, how in the hell would he ever think to come here? We brought you here to get away from Haddonfield and have a good time, ELLIE, not to sit around reading all day. C’mon, come have some fun with us, and stop acting crazy.

 

ELLIE:


Thanks, really. But I’m just gonna hang out here.

 

SAM:


Eh, do whatever you want. I’ll see ya later.

 

(SAM leaves and walks off-screen.)



 

(ELLIE lets out a deep sigh and goes back to reading her book.)

 

 

CUT TO:


(The P.O.V. of an unknown person watching ELLIE from the woods behind her, breathing heavily. We can see a hand reach forward and move some branches, making it easier for the audience to see what he/she is seeing. Suddenly, some kids walk by, and the person backs away quickly, not wanting to be seen. As the figure slowly inches back into the woods, cut to a front-shot, and we can barely make out the shape of MICHAEL MYERS’ white mask. He has arrived in Camp Crystal Lake.)

 

ELLIE:



Maybe I am just crazy after all…

 

(Pan back to the entrance of Camp Crystal Lake, and, parked on the side of the road, is the truck that MICHAEL was driving. Cue the Halloween theme)



 

SCENE 3

 

CUT TO:



 

EXT. CAMP CRYSTAL LAKE (DAY)

 

(We are still in Camp Crystal Lake. The head counselor, BRIAN BANKS, is standing on the porch of the main cabin. He begins to yell.)



 

BRIAN:


Attention, everyone! Attention! I need all of the counselors to please come up here for a meeting! C’mon, people, let’s move it!

 

(A group of people slowly form around the pudgy BRIAN. PAN AROUND, and we can see four girls, ELLIE STRODE, ALEXIS CARRIE, ANNA SIEVERS, and JENNA SHOEMAKER, and two boys, WESLEY GILES and JOSH LANGENKAMP. They are all crowded around the main cabin, waiting for BRIAN to begin talking.)



 

BRIAN:


(looks around) Is that everyone? Ok, then. Hi, folks, and welcome to Camp Crystal Lake. Some of you I know, and some of you I’m meeting for the first time. Either way, I’m sure that I’ll get to know each and everyone of you this summer. For those that don’t know, my name is BRIAN, and I am the Head Counselor. If you have any problems, come to me. Before you all leave, there is just one basic rule I want to go over with you. No one is allowed on the lake after lights out, unless it is a scheduled camp activity.

 

ELLIE:



What for?

 

BRIAN:



Don’t worry about the reason. Just obey the rule, and you’ll be fine. Ok, you all have the rest of the day to relax, and remember, lights out tonight at 10:00. Dismissed!

 

(The group of counselors disperse, going off in different directions.)



 

 

 



 

 

 



 

 

 



CUT TO:

 

WESLEY and ANNA walking along the beach.



 

ANNA:


So, why do you think they don’t want us here after lights out?

 

WESLEY:



You wanna find out?

ANNA:


C’mon, WES, let’s not get sent home on the first day.

 

WESLEY:



Don’t worry, nobody’ll find out. Sneaking out should be easy enough.

 

ANNA:



I don’t really want to, WES…

 

WESLEY:



C’mon, please. If we run into anything weird, we’ll leave, ok?

 

ANNA:



(sighs) Ok, WES. But if anything weird happens, we’re gone. You clear?

WESLEY:


Crystal.

 

 



SCENE 4

 

CUT TO:



 

EXT – CAMP CRYSTAL LAKE (NIGHT)

 

(We are now at Crystal Lake. It is very quiet.



No sounds can be heard, aside from animals and some people far off-screen. In the distance, we can see many islands and wooded areas.

 

QUICK CUT TO:



 

FRIDAY THE 13TH

 

JASON drowning



 

QUICK CUT TO:

 

JASON killing someone



 

QUICK CUT TO:

 

FREDDY VS. JASON



 

JASON jamming FREDDY’S own arm through him

 

QUICK CUT TO:



 

FREDDY VS. JASON

 

JASON closes his eye and sinks to the bottom of the lake



 

Suddenly, the ki ki ki ma ma ma sound begins to play in the background. We can see a ripple form in the middle of the lake. Slowly but surely, a body emerges from the lake. Even from far away, we can make out a hockey mask around the person’s head. We now know that this is JASON VOORHEES. His torso is now visible, and we can see that he grips a large, rusted machete in his right hand. He continues to walk out of the lake, until he has completely emerged. He takes one lumbering step onto the beach, and looks around, as if familiarizing himself with Camp Crystal Lake once more. It has been many years since JASON’’S fight with FREDDY KRUGER, and he has not seen his beloved home for quite some time. JASON continues to tilt his head left and right, taking in everything he sees, until suddenly, a noise is heard off-screen. Pan left, and we can barely see a few branches rustle in the woods. We can also make out the white mask of MICHAEL MYERS disappearing into the woods. JASON jerks his head in the direction of the noise and begins to walk towards it.)

 

 

 



SCENE 5

 

WESLEY and ANNA are walking down the sandy trail that leads to the lake. They are talking to each other.



 

WESLEY:


So, you in the mood for a little night swim?

 

ANNA:



Yeah, why not? We’re already out here, I guess.

 

WESLEY:



That’s the spirit.

 

(They continue walking down the path.)



 

CUT TO:


 

(The P.O.V. of someone watching WESLEY and ANNA. We are unsure if it is MICHAEL or JASON.)

 

CUT TO:


 

(WESLEY and ANNA. They have arrived on the beach, and they are heading toward the lake. WESLEY takes his shirt off, and he is now wearing only swimming trunks. ANNA takes off her top and pants, revealing a bikini underneath.)

 

WESLEY:


You ready?

ANNA:


Sure. Are you?

WESLEY:


You bet. Let’s go.

 

(They wade out into the water slowly, cringing at it’s coldness. ANNA dives under first. She comes back up and pushes her hair out of her face.)



 

ANNA:


Ah, this feels great!

 

WESLEY:



Are you kidding? It’s damn freezing out here.

 

ANNA:



Oh, quit being a big baby!

 

(An odd cracking noise is heard from the woods. WESLEY jerks his head towards the sound.)



 

WESLEY:


Did you hear that?

ANNA:


Stop being paranoid!

 

WESLEY:



I’m serious. I heard something, like a cracking sound, from the woods.

 

ANNA:



Well, why don’t you go check it out, Mr. Paranoid?

WESLEY:


Yeah, ok.

 

(He walks out of the lake, and puts on his shirt. He shakes the water out of his hair, and begins to walk towards the woods.)



 

WESLEY:


I know I heard something.

 

(WESLEY walks into the woods. Pan around, and we cannot see much, just trees and such. WESLEY looks around in all directions, trying to find what made the sound.)



WESLEY:

Hey, is someone here?

 

(Silence.)



 

WESLEY:


Jesus Christ, maybe I am just being paranoid…

 

(WESLEY turns around, and begins to walk back to the water.)



 

CUT TO:


 

(The P.O.V. of someone walking up behind WESLEY. Pan down VERY slightly, and we can see a machete is gripped in their left hand.)

 

WESLEY:


Sorry about that, baby. It must have been nothing.

 

CUT TO:



 

(The P.O.V. of the person. He/She walks up behind WESLEY and stabs the machete through his back.)

 

(WESLEY doesn’t make a sound. He falls to the ground, and the person pulls the machete out of his back. We can hear a sickening sliding sound as it is pulled out. Then the person begins to walk towards the beach.)



 

CUT TO:


 

(ANNA, who is still swimming in the lake, unaware of what is going on.)

 

ANNA:


WESLEY! Did you say something? WESLEY!

 

(She gets out of the water.)



 

CUT TO:


 

(The P.O.V. of the still-unknown person watching ANNA get out of the water. She begins to walk up the beach, calling for WESLEY. The person leaves his/her hiding place and follows her.)

 

(ANNA is walking on the beach, when she begins to get the feeling that someone is following her. She wheels around, but sees no one. She continues walking.)



 

(Cut to the P.O.V. of the person stalking ANNA. He is right behind her now. ANNA turns around once more, and screams at the sight of her attacker. She falls on the ground, and begins to crawl backwards. The killer follows her, taking slow, silent steps. She is babbling and crying as she tries desperately to get away. After a few feet, she backs into WESLEY’S corpse. She screams, and then attempts to get up and run away. The stalker raises the machete and slams it into ANNA’S head.)

 

(She falls to the ground, dead, the machete still sticking out of the top of her head. Her body lies right next to WESLEY’S. We can see the killer standing over the two bodies. Start at his feet and pan upward. When we get to his face, we can see that he is wearing a white mask. It was not JASON, it was MICHAEL MYERS. He walks back into the woods.)



 

(MICHAEL walks back to his truck and puts the bloody machete in the in the front seat. He grabs his butcher knife, closes the door, and walks back into the woods.)

 

FADE TO BLACK.



 

 

SCENE 6

FADE IN.

 

EXT – HADDONFIELD (DAY)



(We are in what appears to be a bedroom of some sort. Pan around, and we can see a man, sitting in a recliner in the middle of the room. He is watching television. He looks about half-asleep. He is a young man, maybe 20 years old. He is clean shaven, with short hair and glasses. His attire consists of a t-shirt and khakis. Suddenly, he tilts his head and looks at the television.)

MAN:


What in the hell?

 

CUT TO:



 

(A shot of the television. It is showing some kind of news broadcast.)

 

ANNOUNCER (ON T.V.):



Good afternoon, and welcome to Eye-On News. Our top story tonight: Trouble in Crystal Lake. After many years of silence, there may once again be trouble brewing in the small camp. This morning, two campers, WESLEY GILES and ANNA SIEVERS were reported missing. A few campers said that they had seen what appeared to be a person walking around in the woods. One girl even said she could make out what looked like a white mask of some kind.

 

(The television turns off.)



 

(SIMON goes over to the phone and picks it up. He dials a number, and holds the receiver to his ear.)

 

SIMON:


Yes, hello, Police Station?

 

MAN ON OTHER END:



Yes, sir. How can we help you?

 

SIMON:



I need to speak to the Sheriff.

 

MAN ON OTHER END:



Ok, just hold on one second.

 

SIMON:



Ok.

 

(There is a short pause.)



 

MAN ON OTHER END:

Hello? This is SHERIFF HICKS.

 

LOOMIS:



Hello, sir. My name is SIMON LOOMIS.

 

HICKS:



Oh, I’ve heard of you. You’re Sam Loomis’ nephew, aren’t you?

 

SIMON:



Yes, that’s me. But we don’t have time for that right now. We may have an emergency on our hands, Sheriff.

 

HICKS:



What kind of emergency?

 

SIMON:



Have you seen the news today, sheriff? Have you heard the news about Camp Crystal Lake.

 

 



HICKS:

Yeah, I heard about that. What about it?

SIMON:

One girl said that she saw someone walking around in the woods……wearing a white mask.



 

HICKS:


What are you implying?

SIMON:


I don’t know how much more blunt I can be, Sheriff. It has to be MICHAEL.

 

HICKS:



Even if you’re right, why would he go to Camp Crystal Lake?

SIMON:


Look, we need to talk, but not on the phone. I am going to Camp Crystal Lake. I’ll be waiting for you there.

 

HICKS:



Now wait just a damn—

 

(SIMON hangs up the phone.)



 

(SIMON walks out of the door, gets in his car, starts it, and drives off into the distance.)

 

FADE TO BLACK.



 

 

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