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Henrik Ibsen in English Translation

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Secondary Reading List


Akerholt, May Brit, “Henrik Ibsen in English Translation”; in Zuber, Ortrun (ed.), The Languages of Theatre: Problems in the Translation and Transposition of Drama, 1980, pp.104-120

Braunrnuiler, A. R., “Hedda Gabler and the Sources of Symbolism”. In: Redmond, James (ed.) Drama and Symbolism; Themes in Drama 4, 1982, pp. 57-70

Durbach, Errol, Ibsen and the Theatre, 1980

Ibsen the Romantic, 1982

Fjelde, R, (ed.), Ibsen: A Collection of Critical Essays, 1965

Gray, Ronald, Ibsen: A Dissenting View, 1977

Hemmer, Bjorn, and Ystad, Vigdis, (ed.), Contemporary Approaches to Ibsen, vol. 7,1991

McFarlane, James, Henrik Ibsen: A Critical Anthology, 1970

Meyer, Michael, Henrik Ibsen, 1974.

Marker,F.J.and L.L., Ibsen's Lively Art: A Performance Study of the Major Plays, 1989.

Northam, John, Ibsen: A Critical Study, 1973

Sprinchiorn, Evert, “The Unspoken Text in Hedda Gabler”, Modern Drama 6, no. 3 (Sept. 1993):

pp. 353-67

Young, Robin, Time's Disinherited Children: Childhood, Regression and Sacrifice in the Plays of Henrik Ibsen, 1989


Chaudhuri, Una, “Private Parts: Sex, Class, and Stage Space in Miss Julie”, Theatre Journal 45, No.3 (Oct. 1993): pp.317-32

Dodd, Philip, “Fairy Tales, the Unconscious and Strindberg's Miss Julie',” Literature and Psychology 28, (1978): pp.145-50

Madsen, B. G., Strindberg's Naturalistic Theatre: Its Relation to French Naturalism

Meyer, Michael, Strindberg, 1985

Reinert, Otto, Strindberg: A Collection of Critical Essays, 1967

Stockenstrom, ed., Strindberg's Dramaturgy, 1985

Sprinchiom, Evert, Strindberg As Dramatist, 1982

Steene, Birgetta, August Strindberg, 1982

Strindberg, August, Letters to the Intimate Theatre, 1967

Tornqvist, Egil, Strindbergian Drama, 1982

Tornqvist, Egil and Jacobs, Barry, Strindberg's Miss Julie: A Play and its Transpositions, 1988

Weaver, O.K., (ed.), Strindberg on Stage, 1983


Allen, David, Performing Chekhov, 2000

Gerhardie, William, Anton Chekhov: A Critical Study, 1974

Gottlieb, Vera (ed.), Allain, Paul (ed.), The Cambridge Companion to Chekhov,


Hingley, Ronald; Chekhov: A Biographical and Critical Study, 1966

Jackson, R.L., Chekhov: A Collection of Critical Essays, 1967

Pritchett, V. S; Chekhov: A Spirit Set Free, 1988

Selenick, Lawrence, Anton Chekhov, 1985

Stanislavsky, Konstantin, My Life in Art, 1924.

Styan, J.L., Chekhov in Performance, 1971

Threadgold, Terry, “Postmodemism and the Politics of Culture: Chekhov's Three Sisters in

Rehearsal and Performance”, Southern Review 28, no. 2 (July 1995):pp. 172-82

Valency, Maurice, The Breaking String, 1966



Bassanesse, Fiora, Understanding Luigi Pirandello, 1997

Bassnett, Susan, File on Pirandello, 1989

Luigi Pirandello, 1983

Bassnett, Susan and Lorch, Jennifer (eds.), Luigi Pirandello in the Theatre: A Documentary Record, 1993

Bentley, Eric, The Pirandello Commentaries, 1986

Bishop, Tom, Pirandello and the French Theater, 1960

Bloom, Harold (ed.), Luigi Pirandello, 2003

Caesar, Ann, Characters and Authors in Luigi Pirandello, 1998

Cambon, Glauco, Pirandello: A Collection of Critical Essays, 1967

Oliver, Roger, Dreams of Passion : the Theater of Luigi Pirandello, 1979

Pirandello, Luigi, On Humour, 1974

Ragusa, Olga, Luigi Pirandello: An Approach to his Theatre, 1980

Rink, Peter, ”Six Characters in Search of an Author' by Luigi Pirandello, 1977

Sogliuzzo, A. Richard, Luigi Pirandello, Director: The Playwright in the Theatre, 1982


Allen, R. C., Psyche and Symbol in the Theater of Federico Garcia Lorca, 1975

Edwards, Gwynne, Lorca, The Theatre Beneath the Sand, 1988

Gibson, Ian, Frederico Garcia Lorca, 1989

Miller, Beth (ed.), Women in Hispanic Literature: Icons and Fallen Idols, 1983

Smith, Paul Julian, The Theatre of Garcia Lorca: Text, Performance, Psychoanalysis, 1998

The Body Hispanic, 1991

Sullivan, Patricia L., “The Mythic Tragedy of Yerma”, Bulletin of Hispanic Studies 49, (1972): 265-78

Ter Horst, Robert, “Nature Against Nature in Yerma”. In, Zdenek, Joseph W. (ed.), The World

of Nature in the Works of Federico Garcia Lorca, 1980

Benjamin, Walter, Understanding Brecht, 1977

Bentley, Eric, The Brecht Commentaries, 1991

Brecht, Bertolt, Brecht on Theatre, 1973

Brecht on Film and Radio, 1994

Fuegi, John, Brecht in Performance, 1987

Gray, Ronald, Brecht the Dramatist, 1976

Dickson, K., Towards Utopia: A Study of Brecht, 1978

Hiley., Jim, Theatre at Work: The National Theatre Production of “Galileo”, 1981

Lyon, James K., Bertolt Brecht in America, 1980

Patterson, Michael, The Revolution in German Theatre 1900-1933, 1981

Silberman, Marc, Revolution 1989: Whither Brecht? (Brecht Yearbook 16), 1991

Thomson, Peter, and Sack, Glendyr, The Cambridge Companion to Brecht, 1994

Willett, John, The Theatre of Bertolt Brecht, 1959

Brecht in Context, 1983

Wright, E., Post-modern Brecht, 1989


Beckett, Samuel, Happy Days: the Production Notebooks of Samuel Beckett, 1985

No Author Better Served: the Correspondence of Samuel Beckett and Alan

Schneider, 1998

Begam, Richard, Samuel Beckett and the End of Modernity, 1996

Brater, Enoch, Beyond Minimalism, 1987

Cohn, Ruby, Just Play: Beckett's Theater, 1980

Essif, Les, Empty Figures on an Empty Stage: the Theatre of Samuel Beckett and his

Generation, 2001

Kelb, Jonathan, Beckett in Performance, 1989

Knowlson, James, Damned to Fame: the Life of Samuel Beckett, 1996

Oppenheimer, Lois, Directing Beckett, 1994

Pilling, John, The Cambridge Companion to Beckett, 1994

Worth, Katherine, Samuel Beckett's Theatre: Life Journeys, 1999


Aston, Elaine, An Introduction to Feminism and Theatr, 1995

Sue-Ellen Case (ed.), Performing Feminisms,1990

Geraldine Cousin, Churchill the Playwright, 1989

Women in Dramatic Space and Time: Contemporary Female Characters

on Stage, 1996

Fitzsimmonds, Linda, File on Churchill, 1989

Goodman, Elizabeth, Contemporary Feminist Theatres, 1993

Feminist Theatre and Theory,1996

Amelia H. Kritzer, The Plays of Caryl Churchill, 1991

Phyllis Randall, Caryl Churchill, A Casebook, 1988

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