EUROPEAN THEATRE 2006-2007
Secondary Reading List
Ibsen
Akerholt, May Brit, “Henrik Ibsen in English Translation”; in Zuber, Ortrun (ed.), The Languages of Theatre: Problems in the Translation and Transposition of Drama, 1980, pp.104-120
Braunrnuiler, A. R., “Hedda Gabler and the Sources of Symbolism”. In: Redmond, James (ed.) Drama and Symbolism; Themes in Drama 4, 1982, pp. 57-70
Durbach, Errol, Ibsen and the Theatre, 1980
Ibsen the Romantic, 1982
Fjelde, R, (ed.), Ibsen: A Collection of Critical Essays, 1965
Gray, Ronald, Ibsen: A Dissenting View, 1977
Hemmer, Bjorn, and Ystad, Vigdis, (ed.), Contemporary Approaches to Ibsen, vol. 7,1991
McFarlane, James, Henrik Ibsen: A Critical Anthology, 1970
Meyer, Michael, Henrik Ibsen, 1974.
Marker,F.J.and L.L., Ibsen's Lively Art: A Performance Study of the Major Plays, 1989.
Northam, John, Ibsen: A Critical Study, 1973
Sprinchiorn, Evert, “The Unspoken Text in Hedda Gabler”, Modern Drama 6, no. 3 (Sept. 1993):
pp. 353-67
Young, Robin, Time's Disinherited Children: Childhood, Regression and Sacrifice in the Plays of Henrik Ibsen, 1989
Strindberg
Chaudhuri, Una, “Private Parts: Sex, Class, and Stage Space in Miss Julie”, Theatre Journal 45, No.3 (Oct. 1993): pp.317-32
Dodd, Philip, “Fairy Tales, the Unconscious and Strindberg's Miss Julie',” Literature and Psychology 28, (1978): pp.145-50
Madsen, B. G., Strindberg's Naturalistic Theatre: Its Relation to French Naturalism
Meyer, Michael, Strindberg, 1985
Reinert, Otto, Strindberg: A Collection of Critical Essays, 1967
Stockenstrom, ed., Strindberg's Dramaturgy, 1985
Sprinchiom, Evert, Strindberg As Dramatist, 1982
Steene, Birgetta, August Strindberg, 1982
Strindberg, August, Letters to the Intimate Theatre, 1967
Tornqvist, Egil, Strindbergian Drama, 1982
Tornqvist, Egil and Jacobs, Barry, Strindberg's Miss Julie: A Play and its Transpositions, 1988
Weaver, O.K., (ed.), Strindberg on Stage, 1983
Chekhov
Allen, David, Performing Chekhov, 2000
Gerhardie, William, Anton Chekhov: A Critical Study, 1974
Gottlieb, Vera (ed.), Allain, Paul (ed.), The Cambridge Companion to Chekhov,
2000
Hingley, Ronald; Chekhov: A Biographical and Critical Study, 1966
Jackson, R.L., Chekhov: A Collection of Critical Essays, 1967
Pritchett, V. S; Chekhov: A Spirit Set Free, 1988
Selenick, Lawrence, Anton Chekhov, 1985
Stanislavsky, Konstantin, My Life in Art, 1924.
Styan, J.L., Chekhov in Performance, 1971
Threadgold, Terry, “Postmodemism and the Politics of Culture: Chekhov's Three Sisters in
Rehearsal and Performance”, Southern Review 28, no. 2 (July 1995):pp. 172-82
Valency, Maurice, The Breaking String, 1966
Wedekind
Pirandello
Bassanesse, Fiora, Understanding Luigi Pirandello, 1997
Bassnett, Susan, File on Pirandello, 1989
Luigi Pirandello, 1983
Bassnett, Susan and Lorch, Jennifer (eds.), Luigi Pirandello in the Theatre: A Documentary Record, 1993
Bentley, Eric, The Pirandello Commentaries, 1986
Bishop, Tom, Pirandello and the French Theater, 1960
Bloom, Harold (ed.), Luigi Pirandello, 2003
Caesar, Ann, Characters and Authors in Luigi Pirandello, 1998
Cambon, Glauco, Pirandello: A Collection of Critical Essays, 1967
Oliver, Roger, Dreams of Passion : the Theater of Luigi Pirandello, 1979
Pirandello, Luigi, On Humour, 1974
Ragusa, Olga, Luigi Pirandello: An Approach to his Theatre, 1980
Rink, Peter, ”Six Characters in Search of an Author' by Luigi Pirandello, 1977
Sogliuzzo, A. Richard, Luigi Pirandello, Director: The Playwright in the Theatre, 1982
Lorca
Allen, R. C., Psyche and Symbol in the Theater of Federico Garcia Lorca, 1975
Edwards, Gwynne, Lorca, The Theatre Beneath the Sand, 1988
Gibson, Ian, Frederico Garcia Lorca, 1989
Miller, Beth (ed.), Women in Hispanic Literature: Icons and Fallen Idols, 1983
Smith, Paul Julian, The Theatre of Garcia Lorca: Text, Performance, Psychoanalysis, 1998
The Body Hispanic, 1991
Sullivan, Patricia L., “The Mythic Tragedy of Yerma”, Bulletin of Hispanic Studies 49, (1972): 265-78
Ter Horst, Robert, “Nature Against Nature in Yerma”. In, Zdenek, Joseph W. (ed.), The World
of Nature in the Works of Federico Garcia Lorca, 1980
Brecht
Benjamin, Walter, Understanding Brecht, 1977
Bentley, Eric, The Brecht Commentaries, 1991
Brecht, Bertolt, Brecht on Theatre, 1973
Brecht on Film and Radio, 1994
Fuegi, John, Brecht in Performance, 1987
Gray, Ronald, Brecht the Dramatist, 1976
Dickson, K., Towards Utopia: A Study of Brecht, 1978
Hiley., Jim, Theatre at Work: The National Theatre Production of “Galileo”, 1981
Lyon, James K., Bertolt Brecht in America, 1980
Patterson, Michael, The Revolution in German Theatre 1900-1933, 1981
Silberman, Marc, Revolution 1989: Whither Brecht? (Brecht Yearbook 16), 1991
Thomson, Peter, and Sack, Glendyr, The Cambridge Companion to Brecht, 1994
Willett, John, The Theatre of Bertolt Brecht, 1959
Brecht in Context, 1983
Wright, E., Post-modern Brecht, 1989
Beckett
Beckett, Samuel, Happy Days: the Production Notebooks of Samuel Beckett, 1985
No Author Better Served: the Correspondence of Samuel Beckett and Alan
Schneider, 1998
Begam, Richard, Samuel Beckett and the End of Modernity, 1996
Brater, Enoch, Beyond Minimalism, 1987
Cohn, Ruby, Just Play: Beckett's Theater, 1980
Essif, Les, Empty Figures on an Empty Stage: the Theatre of Samuel Beckett and his
Generation, 2001
Kelb, Jonathan, Beckett in Performance, 1989
Knowlson, James, Damned to Fame: the Life of Samuel Beckett, 1996
Oppenheimer, Lois, Directing Beckett, 1994
Pilling, John, The Cambridge Companion to Beckett, 1994
Worth, Katherine, Samuel Beckett's Theatre: Life Journeys, 1999
Churchill
Aston, Elaine, An Introduction to Feminism and Theatr, 1995
Sue-Ellen Case (ed.), Performing Feminisms,1990
Geraldine Cousin, Churchill the Playwright, 1989
Women in Dramatic Space and Time: Contemporary Female Characters
on Stage, 1996
Fitzsimmonds, Linda, File on Churchill, 1989
Goodman, Elizabeth, Contemporary Feminist Theatres, 1993
Feminist Theatre and Theory,1996
Amelia H. Kritzer, The Plays of Caryl Churchill, 1991
Phyllis Randall, Caryl Churchill, A Casebook, 1988 |