Chapter 14: The High Renaissance in Italy Key Works
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| CHAPTER 14:
The High Renaissance in Italy Key Works Leonardo da Vinci, Vitruvian Man, c. 1485 – 1490 Leonardo da Vinci, church resembling the Holy Sepulcher in MilanDonato Bramante, Tempietto, c. 1502 – 1503 Donato Bramante, Plan of the Tempietto with projected courtyard, after 16th-century engraving by Sebastiano Serlio Anonymous, An Ideal City, mid-15th century Raphael, Betrothal of the Virgin, 1504 Donato Bramante, plan for the New Saint Peter’s, Vatican, Rome, c. 1505Christoforo Caradosso Foppa, medal showing Bramante’s design for the New Saint Peter’s, Vatican, Rome, 1506 Michelangelo, plan for the New Saint Peter’s, Vatican, Rome, c. 1546 Plan for the New Saint Peter’s as built to Michelangelo’s design with additions by Carlo Maderno, 1606 – 1615 New Saint Peter’s, Vatican, Rome Leonardo da Vinci, Embryo in the Womb, c. 1510 Andrea Verrocchio, The Baptism of Christ, c. 1470 Leonardo da Vinci, The Last Supper, refectory of Santa Maria delle Grazie, Milan, c. 1495 – 1498
Leonardo da Vinci, Madonna and Child with Saint Anne, 1503 – 1506Leonardo da Vinci, Mona Lisa, c. 1503 – 1505Michelangelo, copy of Masaccio’s Saint Peter in the Tribute Money, 1489 – 1490 Michelangelo, Pietà, 1498/99 – 1500 Michelangelo, David, 1501 – 1504 Michelangelo, Moses, c. 1513 – 1515 Michelangelo, Sistine Chapel, Vatican, Rome, 1508 – 1512 Michelangelo, ceiling of the Sistine Chapel, Vatican, Rome (after cleaning), 1508 – 1512 Michelangelo, Creation of Adam (before cleaning), c. 1510, detail of the ceiling of the Sistine Chapel Michelangelo, Creation of Adam (after cleaning), c. 1510, detail of the ceiling of the Sistine Chapel Michelangelo, The Fall of Man, 1510, detail of the ceiling of the Sistine Chapel Michelangelo, Jeremiah, detail of the ceiling of the Sistine Chapel Michelangelo, Last Judgment (after cleaning), altar wall of the Sistine Chapel, 1534 – 1541 Michelangelo, Saint Bartholomew with flayed skin, detail of The Last Judgment, 1534 – 1541 Michelangelo, Rondanini Pietà, c. 1555 – 1564 Raphael, Madonna of the Meadow, 1505 Raphael, Portrait of Pope Julius II, 1511 – 1512 Raphael, Galatea, Villa Farnesina, Rome, c. 1512 Galatea in situ, Grand Salon, Villa Farnesina, Rome Raphael, Disputation over the Sacrament, Stanza della Segnatura, Vatican, Rome, 1509 – 1511 Raphael, School of Athens, Stanza della Segnatura, Vatican, Rome, 1509 – 1511 Raphael, Plato and Aristotle, detail of School of Athens Leonardo da Vinci, Self-Portrait, after 1500 Raphael’s self-portrait, detail of School of Athens Jacopo Bellini, Christ Before Pilate, Louvre sketchbook, 1503 Gentile Bellini, Sultan Mehmet II, c. 1480 Gentile Bellini, Procession of the Reliquary of the Cross in Piazza San Marco, 1496Gentile Bellini, detail of Procession of the Reliquary of the Cross in Piazza San Marco Giovanni Bellini, San Giobbe Altarpiece, 1480sGiovanni Bellini, Doge Leonardo Loredan, soon after 1501 Giovanni Bellini, Saint Francis in Ecstasy, c. 1485Giorgione, Tempest, c. 1505 – 1510 Giorgione, Old Woman (Col Tempo), early 16th century Giorgione, Sleeping Venus, c. 1509 Giorgione, Fête Champêtre, c. 1510 Titian, Assumption of the Virgin, 1516 – 1518 Titian, Pesaro Madonna, 1519 – 1526 Titian, Venus of Urbino, c. 1538Titian, Rape of Europa, 1559 – 1562 Maps, Diagrams, and ProjectionsMap of leading art centers in Renaissance Italy Leonardo da Vinci, Vitruvian Man, c. 1485 – 1490 Leonardo da Vinci, church resembling the Holy Sepulcher in Milan Donato Bramante, plan of the Tempietto with a projected courtyard, after a 16th-century engraving by Sebastiano Serlio Anonymous, An Ideal City, mid-15th century Donato Brmante, plan for the New Saint Peter’s, Vatican, Rome, c. 1505 Michelangelo, plan for the New Saint Peter’s, Vatican, Rome, c. 1546 Plan for the New Saint Peter’s as built to Michelangelo’s design with additions by Carlo Maderno, 1606 – 1615 Diagram of scenes from the ceiling of the Sistine Chapel Key Terms balustrade buttress
cella chiaroscuro cromlech
Doric entablature glaze
jeremiad
martyrium painterly pastel peristyle poesia pyramidal compositionred-figure rose window reliquary sculptured wall motif
spandrel
tholos VideosArt & Splendor: Michelangelo and the Sistine Chapel 35 min, VM
Volume 2: "The High Renaissance" 55 min, VM
The Hero as Artist & Protest and Communication 94 min, 1970, VM
27 min, 1990, HVC, Crystal Productions Giorgione: Poet of Vision 199?, 24 min, VM, RMI Great Masters Series: Leonardo da Vinci 52 min, 1993, NDM Leonardo da Vinci: The Visionary Intellect 30 min, 1992, RMI Leonardo, Michelangelo, Raphael & Titian 56 min, 1991, Facets Michelangelo and the Sistine Chapel 35 min, MFA Michelangelo: The Early Years AIMS
1992, 29 min. Michelangelo: The Later Years AIMS
1992, 29 min. Raphael 60 min, 1983, MFA Renaissance Art and Music 54 min, Clearvue Titian 57 min, MFA Titian: Venetian Colorist 27 min, 1991, VM CD-ROMsArt of the Renaissance, 4 CD-ROMs Raphael, Michelangelo, Leonardo da Vinci, Botticelli Windows, Clearvue Leonardo: The Paintings Windows, MFA Michelangelo Windows, MFA The Renaissance of Florence Windows, MFA The Sistine Chapel Windows, Clearvue Multiple-Choice Questions 1. The Tempietto was a a. martyrium* b. little temple c. baptistry d. mausoleum 2. Which is not a feature of the Tempietto? a. a Doric peristyle b. a balustrade c. a dome d. an Ionic frieze* e. a cella 3. Raphael learned at the elbow of a. Leonardo b. Perugino* c. Fra Angelico d. Michelangelo 4. Which is not a feature of Raphael's Betrothal of the Virgin? a. round arches b. an angry suitor c. a bearded priest d. a pseudo-peripteral temple* e. a pediment
b. Venus and Adonis c. Plato and Aristotle* d. Alexander the Great and Socrates 6. Which is not true of Leonardo da Vinci?
b. he was a uomo universale d. he made more paintings than drawings* e. he made more paintings than sculptures
b. El Greco c. Michelangelo d. Leonardo da Vinci* 8. Leonardo was apprenticed to
b. Verrocchio* c. Donatello d. Botticelli e. Raphael
b. Michelanglo's Sybils c. Leonardo's Virgin and Child with Saint Anne* d. Masaccio’s Trinity 10. Which of the following is the best match? a. Leonardo's Last Supper -- Milan* b. Bramante's Tempietto -- Florence c. The Sistine Chapel -- Siena d. The Mona Lisa -- Rome 11. Which is not by Leonardo? a. Madonna and Child with Saint Anne b. Mona Lisa c. Moses* d. Vitruvian Man 12. The term sfumato refers to: a. the fashion of smoking while painting adopted soon after the discovery of America b. a smoky haze to convey depth and distance* c. aerial perspective d. the style in imitation of the candle-smoke darkened walls of Roman churches 13. Which was completed earliest? a. Raphael's School of Athens b. Michelangelo's Sistine ceiling c. Michelangelo's Last Judgment d. Leonardo's Last Supper* 14. The pyramid was a. the echo of ancient Egypt in the piazzas of Rome b. a compositional arrangement much favored by High Renaissance artists c. a stable, hierarchical structure for arranging figures in a composition d. b and c* 15. Which is the correct chronological sequence of works by Michelangelo? a. Moses, the Rome Pietà, David, the Sistine Ceiling b. David, the Rome Pietà, the Sistine Ceiling, Moses c. the Rome Pietà, David, the Sistine Ceiling, Moses* d. David, Moses, Saint Peter's, the Sistine Ceiling 16. Terribilità refers to a. Leonardo’s painting style b. traits of stubbornness and firmness Michelangelo shared with pope Julius* c. Fra Angelico’s subtle messages d. Raphael’s violent imagery in his Stanza della Segnatura 17. Michelangelo approached the stone he was to carve
b. with great fasting and prayer c. imposing his will on it from all sides in a demonstration of terribilità d. trying to get inspiration from the stone’s outward shape 18. Which does not appear in the Sistine Ceiling frescoes?
b. Christ* c. Sibyls d. Jeremiah e. Adam
b. the Duke of Mantua c. Julius II* d. Francis I of France 20. Michelangelo was inspired by a. Leonardo da Vinci’s single-minded dedication to sculpture b. Classical mythology c. Neo-Platonic idea of the Medici Circle d. The rough and tumble life he found in Renaissance Rome 21. The Campidoglio
c. illustrated Michelangelo's interest in urban planning c. demonstrated the Popes’ ambitious plans for making Rome beautiful d. all of the above* 22. Who was not a Renaissance pope?
b. Paul III c. John Paul II* d. Clement X 23. The High Renaissance is usually dated a. 1495 – 1527* b. 1460 – 1564 c. 1500 – 1535 d. 1500 – 1600 24. The High Renaissance was centered in
b. Paris
d. Urbino 25. Which work matches the correct patron? a. Sistine Chapel Ceiling -- Sixtux IV b. Tempietto -- Ferdinand and Isabella* c. School of Athens -- Agostino Chigi d. Mehmet II -- Giovanni Bellini e. Venus of Urbino -- Philip II of Spain
b. Saint Peter c. Saint Matthew d. Saint Sebastian e. Saint John the Evangelist
b. the Flagellation c. the arrows of Saint Sebastian d. the wounds of Christ* e. a painting by Giotto
b. Michelangelo -- Siena c. Leonardo -- Padua d. Raphael -- Milan e. Bramante -- Venice
b. the Pesaro Madonna c. the Galatea d. the Allegory of Prudence* e. the Tempest
b. the Last Judgment* c. the Last Supper d. the Creation of Adam e. the Flood
b. Giovanni Bellini had two sons, Gentile and Jacopo c. Jacopo Bellini was the father of Gentile, Giovanni, and Mantegna d. Jacopo Bellini had two sons and one daughter* 32. Jacopo Bellini's style is best known today from his a. drawings* b. paintings c. autobiography d. etchings e. biography
b. the Sultan in Constantinople* d. the Pesaro family 34. The Venetian artist who most influenced Giorgione and Titian was a. Jacopo Bellini b. Andrea Mantegna c. Genitle Bellini d. Giovanni Bellini* 35. Giorgione demonstrated the superiority of painting over sculpture by a. a description in his autobiography b. painting a nude man with reflections from two sides* c. making a sculpture and a painting of a man d. dictating a comparison to Vasari 36. The surface details in 16th-century Venetian painting show influence from a. Flanders* b. Naples c. the International Style d. Byzantium 37. Which is true? a. Titian painted the Tempesta b. There are crowds of figures in the Tempesta c. The main colors of the Tempesta are gray and black d. The subject of the Tempesta is a matter of debate* 38. Col Tempo refers to a. an Italian proverb b. a book by Aretino c. a painting by Giorgione* d. a painting by Titian 39. The two Venetian artists who painted reclining nudes are a. Giovanni and Gentile Bellini b. Titian and Giovanni Bellini c. Giorgione and Gentile Bellini d. Titian and Giorgione* 40. The vernacular refers to a. Italian* b. Latin
c. Greek d. the Dialogues of Plato 41. Which are by Titian? a. Charles V at Mühlberg, the Rape of Europa, and Saint Francis in Ecstasy b. The Tempesta, the Allegory of Prudence, and the Sleeping Venus c. the Allegory of Prudence, the Venus of Urbino, and the Pesaro Madonna* d. The Tempesta, the Rape of Europa, and the Venus of Urbino 42. The theme of the Allegory of Prudence is a. the relationship of humans to animals b. time*
c. portraiture d. history 43. Which painting is based on Ovid's Metamorphoses? a. the Rape of Europa* b. the Allegory of Prudence c. the Venus of Urbino d. the Sleeping Venus Chapter 14 The High Renaissance in Italy |