The Homecoming By Zeke Jeffries
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LISA, now head level with his groin, shakes her head. LISA: What, do you want something? DWAYNE grins. DWAYNE: You know, I was getting kind of hot and sweaty in that dining hall. I don’t like being the only hot and sweaty one. LISA: Dwayne, you may be sweaty but when you are you certainly are not hot. DWAYNE: Ouch.
LISA: Did you hear something? JASON then takes the metal pole and thrusts it with all of his strength into DWAYNE’S backside. The pole comes out from his groin ferociously. DWAYNE yells with pain. DWAYNE: Holy shit, what the fuck! DWAYNE grabs a hold of the pole with his two hands to try and keep it balanced. He looks down to see that the pole has gone directly into LISA’S mouth. LISA is leaning against the pole, with blood coming from her mouth. DWAYNE: Lisa? Lisa? Oh my God, Lisa! DWAYNE cannot move now with the pole sticking out both ends of his body. He screams in pain as JASON walks around to the front of him, holding his machete. JASON lifts the machete high over his head, and stares at DWAYNE with a dark, empty look. DWAYNE: Please, please, please, no, please don’t, no! JASON swings the machete down at DWAYNE. Cut to 70. Ext. Crystal Lake Camp Grounds VIKKI is walking around the Crystal Lake camp grounds, looking for TRAVIS. VIKKI: Okay Vikki, you are officially the dumbest blonde of the night. What are you doing out here? Looking for Travis? VIKKI begins to walk back towards the dining hall when she suddenly hears a noise of something crashing. She stops and looks toward the barn house. VIKKI then hears a voice which sounds like TRAVIS. TRAVIS: Oh, oh, oh man, oh man. VIKKI: Travis?
TRAVIS: Vikki, wait! TRAVIS grabs the blanket and wraps it around himself. He sprints out after VIKKI and catches her. TRAVIS: Vikki, wait a second. VIKKI: How can you even begin to explain this one Travis? TRAVIS: I can’t, I was just- VIKKI: What, using me for your image and screwing other girls behind my back? TRAVIS: Vikki, I’m really sorry. VIKKI looks at TRAVIS with teary eyes. VIKKI: I can’t even believe you. You’re pathetic. TRAVIS: Vikki, don’t cause a scene right now, please. I’ll go and get the limo and we can talk about this. VIKKI: There’s nothing to talk about Travis. I caught you in the act. I don’t want to even see you. As far as I’m concerned we’re done. TRAVIS: But Vikki, please don’t- VIKKI: What don’t you understand? Are you that dense? We are finished, over. You can go have your many girlfriends now without having to worry about me. TRAVIS: Vikki!
VIKKI: And of all the nights for me to find out, I have to find out at the Homecoming dance. TRAVIS is speechless. VIKKI turns and begins to walk away. TRAVIS: Do you want me to get you the limo? VIKKI: You guys can have it, I feel like walking. VIKKI walks away from the camp, into the darkness of the driveway. GABBY comes up behind TRAVIS, with a smile on her face. She has just slipped back into her dress. GABBY: So, what’s the deal? TRAVIS looks at VIKKI as she walks away. GABBY: She cries, you don’t want a cry baby. You want a girl that can roll in the hay. TRAVIS shakes his head at her. GABBY: Oh, by the way, you have hay in your hair. TRAVIS: Gabby, we’re finished, for real this time. GABBY: I knew this would happen, you trying to ditch me once she dumped you. But I don’t fall as easily as you. GABBY begins to walk towards the Dining Hall. TRAVIS: What’s that suppose to mean? GABBY: I hid your clothes. You’ll be lucky to find them before the dance is done. Let’s just say it will be like finding a tuxedo in a hay stack at night. Sounds easier than it is. TRAVIS: You bitch. TRAVIS begins to run after her. GABBY sprints towards the dining hall, forcing TRAVIS to stop in his tracks. GABBY: You might want to hurry up. I hear it gets really cold out there at night. GABBY exits into the room. TRAVIS stands, alone, wearing only a blanket. Cut to 71. Ext. The Path by the Lake – NIGHT TRACY and PAUL are jogging with each other, laughing, down by the lake. They seem to have gotten somewhat far from the camp site, and are on a path that overlooks the lake. The scene is quiet and still, with only their laughter to be heard. Cut to 72. Ext. The O’Brian House – NIGHT Police are crawling all over the O’Brian house. Red and blue lights are flashing from several different police cars. Sanchez’s car drives into the driveway. Cut to 73. Int. Sanchez’s Car – NIGHT SANCHEZ drives into the driveway with CHRIS in the passenger’s seat. SANCHEZ suddenly has a concerned face when he sees the amount of police at the scene. SANCHEZ: Uh, Ms. Higgins, you best wait here. CHRIS doesn’t say anything but notices the chaotic scene. SANCHEZ exits the car. Cut to 74. Ext. The O’Brian House – NIGHT SANCHEZ gets out from the car and shuts the door. He walks over to the Deputy. DEPUTY: Evening Sheriff, quite a scene we’ve got here. SANCHEZ: What is it? A robbery, 911 call? DEPUTY: Actually a murder. SANCHEZ stops cold. SANCHEZ: A murder? DEPUTY: Happened last night. Two kids. One found gutted in that car over there and the other was found inside. You don’t want to know what happened to him. SANCHEZ: Names?
The girl lives here. Candice O’Brian was her name, friends called her Candy. Here parents were suppose to be gone for the weekend but came home early to surprise her before the Homecoming dance. They found Candy and her boyfriend, Mark Kratka, this morning.
Leads?
None, none at all. The parents didn’t know of anyone who would want to hurt either of them. Candy had a lot of friends and Mark was a football player. His team members reported him missing from the game this afternoon.
You see that woman over there? That’s Chris Higgins. DEPUTY: Is that like a supermodel from the 80’s or something? SANCHEZ: That’s a survivor of the 1984 Crystal Lake Massacre. I don’t think its wise to have her here. DEPUTY: But you can’t leave. SANCHEZ: You can. Take her back to the Casino bar, her boyfriend’s there, use my car. SANCHEZ hands the DEPUTY the keys. SANCHEZ: And say it was robbery, don’t utter a word of murder. After you bring her back stop by Camp Crystal Lake. Be sure to tell the officer there to get those kids home immediately. DEPUTY: You think this killer will strike again. SANCHEZ: I’m positive they have, or will. DEPUTY: What if Mayor Miner or Principal Charles gives me shit about canceling the dance. SANCHEZ: Tell them they can take it up with me in the morning. I don’t have time for them right now. Now go. The DEPUTY rushes towards the car. SANCHEZ looks at the house, and shakes his head. SANCHEZ: You son of a bitch, you’ve come home. Cut to 75. Int. Sanchez’s Car – NIGHT The DEPUTY gets in the driver’s side of the car. DEPUTY: Hello miss, Sheriff Sanchez asked me to take you back to the Casino. Something’s come up. CHRIS: What?
A robbery. Stupid kids probably.
Actually, I was wondering if you could possibly take me back to my house. DEPUTY: Will do, I just need to make a few stops first. Where do you live? CHRIS: Right near Camp Crystal Lake. DEPUTY: Perfect.
76. Ext. The Road – NIGHT
Why did I walk. Another bad move on my part. VIKKI notices a lighted house in the distance down a driveway. She lends a weak smile. Cut to 77. Int. The Rented House – NIGHT KJ is staring out the window into the driveway. ANNIE is still sitting on the couch. ANNIE: I’m so bored right now. When is mom coming home? KJ: I’m looking for her car. She’s been a while, wouldn’t you say? ANNIE: Ugh, this is miserable. KJ backs away from the window. KJ: I saw that this place has popcorn, I could cook some if you’re hungry. ANNIE: I thought we were ordering a pizza. KJ: Annie, we don’t have a car to go pick it up, and when we called an hour ago they said they don’t deliver. ANNIE: What kind of pizza place doesn’t deliver though? KJ: Obviously Crystal Lake Baked. ANNIE: Lame, lame, lame. There is a knock on the door. ANNIE: Is it mom? KJ: No, there’s no car here. KJ walks over to the front door and opens it. Much to his surprise, VIKKI is standing in the doorway with teary eyes and a faint smile. VIKKI: Hi, KJ.
Uh, hey Vikki. Is Homecoming done?
I don’t know, and I don’t care. It was probably the worst experience of my life. KJ looks around. KJ: What are you doing? VIKKI: I had to leave; it’s a long humiliating story. [Beat] And I’m really hungry. Do you have popcorn by chance? KJ raises his eyebrows and allows VIKKI to come in. Cut to 78. Ext. The Road – NIGHT The Mercedes driven by ELIAS is stopped on the side of the road. It is pulled over. Cut to 79. Int. Elias’ Mercedes – NIGHT ELIAS is sitting in the Mercedes, quiet and focused. His eyes are squinted, as if looking into something. From behind him bright red lights begin to rotate. It is obviously a cop car pulling up. ELIAS: What now? The police car makes a little beeping noise before coming to a complete stop behind the Mercedes. Cut to 80. Ext. The Road – NIGHT The police car stops. A ROADSIDE OFFICER exits the car holding a flashlight. ELIAS rolls down his window as the police officer walks towards the car. The ROADSIDE OFFICER bends down to look into the car, shining a flashlight. ROADSIDE OFFICER: Mr. Elias Voorhees? ELIAS: Yes.
I’m going to need you to come with me.
Is there a problem? ROADSIDE OFFICER: Just come with me please. ELIAS tightens his jaw before exiting the car. The ROADSIDE OFFICER steps back to allow ELIAS to open the door. Once out of the car, the ROADSIDE OFFICER takes out a pair of handcuffs. ELIAS stops at the sight of them. ELIAS: Are those necessary? ROADSIDE OFFICER: I’m going to need you to come with me Mr. Voorhees. Just standard for the handcuffs. ELIAS turns around and places his hands behind his back. The ROADSIDE OFFICER cuffs him. The ROADSIDE OFFICER walks ELIAS over to the police car and assists him getting in. Cut to 82. Ext. Road Spot #4 – NIGHT The DEPUTY and CHRIS are still driving in the car. They aren’t speaking, but every now and then CHRIS looks over at the DEPUTY, suspicious of him. Someone is on the other end of the radio. It is the voice of the ROADSIDE OFFICER. ROADSIDE OFFICER: Sheriff Sanchez. The DEPUTY picks up the radio and holds it to his mouth. DEPUTY: The Sheriff’s not in right now, this is Deputy Morgan. Have you got something officer? ROADSIDE OFFICER: Yes I do sir. I have Elias Voorhees, just what the doctor asked for. DEPUTY: Voorhees is with you right now? ROADSIDE OFFICER: He is, ready for questioning. DEPUTY: Good news. CHRIS listens to the phone conversation, shocked at what she’s hearing. DEPUTY: I’ll be right over to get him. The DEPUTY hangs up the radio in its spot and continues driving. CHRIS: Voorhees? DEPUTY: Oh, it was nothing. Just some crazy claiming to be Jason Voorhees’ father, that’s all. CHRIS: That wasn’t a robbery back there, was it? DEPUTY: What?
There were too many police for a robbery, and the sheriff wouldn’t be called down immediately. That was a murder scene.
You’re just letting your imagination run away with you. CHRIS: That may be, but I know what I saw. The DEPUTY drives into the Casino Night Spot’s driveway. CHRIS: I thought you were taking me home? DEPUTY: I can’t, duty calls. I’ve got a lot of work to do, and Sanchez told me to drop you here. CHRIS: But-
Can’t argue, got to go.
Have a nice night Ms. Higgins. CHRIS says nothing but walks towards the door to the Casino Night Spot. DEPUTY: Bitch.
83. Int. The Abandoned Camp Site [Main Room] – NIGHT
What is this place? PAUL: This is a place where no one will find us, it’s perfect. TRACY: Oh my gosh, it’s… creepy. PAUL: Hey, it’s the only place I could find. TRACY: You actually went looking for this place. PAUL: I did. I was heading for a romantic spot on the lake and well, this is the only one with any privacy. TRACY goes and sits down on an old, beaten up couch. TRACY: What are we going to need privacy for Paul? PAUL: I thought we should be as far away from everyone as possible. I want to make you scream! PAUL begins to crouch towards her, grinning. TRACY rubs her legs together. TRACY: Do you really think you can make me scream? PAUL: I know I can. PAUL jumps onto TRACY and they begin to wrestle around on the couch, kissing and making love. TRACY kicks her shoes off and PAUL removes his jacket. TRACY feels his arms and grabs them as PAUL begins kissing her neck, moving down her body. TRACY: Oh my God, Paul. PAUL says nothing but continues to ravage her. TRACY: Oh Paul.
TRACY: Oh Paul, I want this night to last forever. PAUL stops kissing her and smiles. He looks down at her, biting his lip. PAUL: Hold on one second. TRACY: Where are you going? PAUL: Up stairs for a second to get something. TRACY: Be careful. And be quick. You wouldn’t want to spoil the mood. PAUL: Oh, believe me, this won’t spoil the mood. PAUL walks towards a little door in the back of the building. PAUL opens the door and walks down a very tight, skinny hall. The wood looks old and brittle, as if falling apart. There are stairs at the other end of the hall. TRACY gets up from the couch and walks over to the window. She looks outside to an actual outhouse located near a tree at the top of a hill. The outhouse is made of aluminum and shines from the moonlight. A figure walks behind the outhouse. TRACY: Oh, Paul, what are doing out there? TRACY walks away from the window. Cut to 86. Ext. The Abandoned Camp Site – NIGHT TRACY walks over towards the outhouse to see who was out there. She slowly approaches the outhouse. TRACY: Paul, I saw you. There is no answer. TRACY: Paul! What are you going over here? Once again there is no answer. TRACY walks over to the outhouse and look around the corner. There is nothing, just the wind. TRACY looks out over the lake, which is shining beautifully from the moon. TRACY: Oh Paul, this is romantic. All of a sudden PAUL yells from the second floor of the building. He has opened a window and is holding a Champaign bottle out the window. PAUL: Tracy, what are you doing? TRACY: I thought I just saw you duck behind here. PAUL: What are you talking about? You’re seeing things now, there’s no need to get you drunk. TRACY: Oh no, there still is a need. Hurry down. PAUL: I’ll be down in a second; I just need to find where I put those two glasses. TRACY shakes her head as she walks back towards the door. When TRACY walks back over to go into the building the door is wide open, and there are tiny drops of blood on the ground where she steps. TRACY doesn’t notice. Cut to 87. Int. The Abandoned Camp Site [Second Floor] – NIGHT PAUL is looking around for the glasses. He is holding the Campaign bottle in his hand. PAUL: Don’t mess this up Paul, where the hell are the Champaign glasses. PAUL stops looking for a second and looks around. He notices a cupboard that is slightly open. PAUL: Oh, there you are. PAUL walks over to the cupboard and opens it. Inside the cupboard, by themselves and standing clean among dust and spider webs, are two crystal Champaign glasses. PAUL grins. PAUL: Found you. PAUL turns around and to his surprise JASON is standing right there next to him. JASON towers over him. PAUL shrieks at his sight and drops the Champaign bottle. JASON grabs PAUL by the shoulders. PAUL scream, but JASON silences him by head butting him so hard that he breaks his nose and several teeth, leaving PAUL’S face bloody and JASON’S hockey mask bloody as well. PAUL weeps and puts his hands to his face. He cannot see JASON because of all the blood. JASON lets go of PAUL’S shoulder and brings his fist back. JASON thrusts his fist right through PAUL’S stomach and out his back. JASON’S hand is covered in blood. PAUL lets out a few weak breaths before he dies, and JASON pulls his hand back through PAUL’S body. TRACY is still waiting downstairs. She seems to have grown bored, and is playing with her shoes. TRACY slams her shoe down on the couch and gets up with annoyance. She begins to walk over towards the door leading into the narrow hall. TRACY: Paul! What is taking you so long! TRACY walks towards the door and almost trips on something lying on the ground. She stops walking to see a manual chainsaw on the ground. The chainsaw is very large and powerful looking. TRACY: Jesus Paul, where have you taken me. TRACY opens the door to the narrow hall. TRACY walks down the narrow hall. TRACY: Paul! Did you hear me? Paul why aren’t you answering me? TRACY walks up the stairs. TRACY walks to the head of the stairs and sees PAUL on the floor, with a white sheet over him. TRACY smiles and shakes her head. TRACY: If the big surprise was to see you naked I’m not impressed. TRACY walks over to the white sheet and grabs an end. She pulls it off. TRACY: And like magic, the boy appeared! TRACY notices that PAUL is not moving. It is too dark for her to see any wounds. TRACY: Paul?
TRACY screams. TRACY kneels down to PAUL and feels him. She feels around disturbing the body. PAUL’S bloody head suddenly rolls over, staring blankly at TRACY. TRACY screams again, this time louder and she stumbles backward. TRACY gets up and runs down the stairs. TRACY runs down the stairs. Once at the bottom of the stairs, she grabs her stomach, as if she’s about to vomit. TRACY stops screaming and slowly walks down the hall, leaning against the inner wall of the hall. All of a sudden, in front of her, a chainsaw comes crashing through the outer wall of the hall. TRACY jumps and screams at the chainsaw tears up the old wood. TRACY turns around to run back. The chainsaw is pulled out. Then the chainsaw comes crashing through the other side, stopping TRACY again. TRACY screams and turns around again, running in the other direction. This time the chainsaw does not get pulled out, but slowly moves along the wood, chasing TRACY through the hall. TRACY runs down the hall, trying to escape. She comes to the door and turns the knob only to realize that there is something blocking the door. TRACY bangs on the door. TRACY: Help me! Someone help me! The chainsaw comes closer and closer every second. It tears through the wall like it’s nothing. TRACY pushes on the door, but it doesn’t seem to budge. TRACY and pushes and pushes on the door. The chainsaw almost reaches TRACY but she gives the door one final blow and escapes to discover a shovel blocking the door. The chainsaw nearly cuts her back. TRACY runs into the other room and grabs a shovel. The chainsaw is pulled out again. There is a dead silence, with moonlight shining through the line the chainsaw made. Suddenly Jason jumps through the wall, breaking the wood down, and holding his chainsaw in the air. JASON walks into the other room, holding his chainsaw. JASON walks into the main room and looks around. He has his chainsaw in his hand. TRACY comes up from behind the door and swings the shovel at the back of JASON’S head, hitting him and knocking him over. JASON falls to the ground, unconscious. TRACY steals the chainsaw and throws it into the back. She begins to walk away until JASON grabs her foot. TRACY screams and begins hitting his hand with the shovel. JASON lets go of her foot. TRACY runs outside. JASON gets up and runs towards the door after her. Cut to 93. Ext. The Abandoned Camp Site – NIGHT TRACY runs outside toward the outhouse. She runs to the outhouse and opens it, quickly getting in and locking the door. JASON follows her outside, grabbing his machete from a tree stump which he had left it on. JASON approaches the outhouse. TRACY is inside the outhouse, pressed against the back wall. She is shaking frantically. TRACY gathers her composure and looks through a small hole in the door. She doesn’t see JASON. TRACY covers her mouth with her hand. She stands up, breathing hard, trying to think of a way out of this. Smashing through the aluminum wall comes JASON’S machete. It nearly strikes TRACY in the head, knocking her down against the back of the outhouse. The outhouse shakes. JASON tries to pull out the machete. JASON is rocking the outhouse as he tries to pull the machete out from the wall. He shakes it furiously before finally kicking it with all of his might. The machete comes free but the outhouse looses balance on the hill, and topples over. The outhouse slides down the hill, flipping on rock and getting crashed up. When it finally stops rolling down the hill it hits a tree, and is penned against that. The front door of the outhouse is facing the ground. |