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Rock/R&B/Soul/Rap Chuck Berry Induction Year: 1986 Induction Category: Performer


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Watching the Wheels

by John Lennon


People say I'm crazy doing what I'm doing,
Well they give me all kinds of warnings to save me from ruin,
When I say that I'm o.k. they look at me kind of strange,
Surely you're not happy now you no longer play the game,

People say I'm lazy dreaming my life away,


Well they give me all kinds of advice designed to enlighten me,
When I tell that I'm doing Fine watching shadows on the wall,
Don't you miss the big time boy you're no longer on the ball?

I'm just sitting here watching the wheels go round and round,


I really love to watch them roll,
No longer riding on the merry-go-round,
I just had to let it go,

People asking questions lost in confusion,


Well I tell them there's no problem,
Only solutions,
Well they shake their heads and they look at me as if I've lost my mind,
I tell them there's no hurry...
I'm just sitting here doing time,
I'm just sitting here watching the wheels go round and round,
I really love to watch them roll,
No longer riding on the merry-go-round,
I just had to let it go.
Mind Games

by John Lennon


We're playing those mind games together
Pushing the barriers planting seeds
Playing the mind guerrilla
Chanting the Mantra peace on earth
We all been playing those mind games forever
Some kinda druid dudes lifting the veil
Doing the mind guerrilla
Some call it magic the search for the grail

Love is the answer and you know that for sure


Love is a flower you got to let it grow

So keep on playing those mind games together


Faith in the future out of the now
You just can't beat on those mind guerrillas
Absolute elsewhere in the stones of your mind
Yeah we're playing those mind games together
Projecting our images in space and in time

Yes is the answer and you know that for sure


Yes is surrender you got to let it go

So keep on playing those mind games together


Doing the ritual dance in the sun
Millions of mind guerrillas
Putting their soul power to the karmic wheel
Keep on playing those mind games together
Raising the spirit of peace and love
(I want you to make love, not war
I know you've heard it before)


Nobody Told Me

by John Lennon


Everybody's talking and no one says a word
Everybody's making love and no one really cares
There's Nazis in the bathroom just below the stairs
Always something happening and nothing going on
There's always something cooking and nothing in the pot
They're starving back in China so finish what you got

Nobody told me there'd be days like these


Nobody told me there'd be days like these
Nobody told me there'd be days like these
Strange days indeed -- strange days indeed

Everybody's runnin' and no one makes a move


Everyone's a winner and nothing left to lose
There's a little yellow idol to the north of Katmandu
Everybody's flying and no one leaves the ground
Everybody's crying and no one makes a sound
There's a place for us in the movies you just gotta lay around

Nobody told me there'd be days like these


Nobody told me there'd be days like these
Nobody told me there'd be days like these
Strange days indeed -- most peculiar, mama

Everybody's smoking and no one's getting high


Everybody's flying and never touch the sky
There's a UFO over New York and I ain't too surprised

Nobody told me there'd be days like these


Nobody told me there'd be days like these
Nobody told me there'd be days like these
Strange days indeed -- most peculiar, mama


George Harrison

Induction Year: 2004

Induction Category: Performer
George Harrison (guitar, vocals; born February 24, 1943, died November 29, 2001)

George Harrison was known as the quiet Beatle, and he was also the quietest ex-Beatle. His was not the way of the rock star, as he neither courted nor relished fame. Yet his seeming diffidence was deceptive, as he left behind an impressive legacy as a solo artist. Harrison’s 11 solo albums (not counting best-of’s) include the masterful All Things Must Pass (1970) and a memorable late-career milestone, Cloud Nine (1987). He was the first Beatle to tour as a solo artist and the only one to start his own label (Dark Horse Records). Most important, Harrison wrote and sang about spirituality and transcendence. He immersed himself in Indian music at Beatlemania’s height and became a lifelong devotee of Hindu religion, Krishna consciousness and Vedic philosophy.

In hindsight, Harrison’s albums lay bare his conflicted sensibilities: real-world engagement vs. spiritual retreat and popular artist vs. private recluse. He titled one of his best-selling albums Living in the Material World, and that summed up his quandary. Harrison forthrightly addressed weighty matters on record and made his ruminations appealing as popular music, too. Incorporating spirituality into popular music was not an easy thing to do, and it won him the respect of fans and colleagues. Derek Taylor, the Beatles’ publicist and a longtime friend, called him “the boldest man I ever met.”

Born in Liverpool in 1943, Harrison joined the Quarry Men - which included John Lennon and Paul McCartney - as lead guitarist at age 15. When they changed their name to the Beatles in 1960, he was still only 17. Harrison’s influences ran to rockabilly heroes like Carl Perkins and British skiffle legend Lonnie Donegan. His retooled rockabilly licks were key to the Beatles’ early sound, while his sharp, innovative lead guitar was essential to later recordings. During the Beatles’ tenure he introduced Western ears to Indian music. Harrison first played the sitar on “Norwegian Wood” (1965) and then unleashed a full-blown sitar showcase, “Within You Without You,” on Sgt. Pepper’s Lonely Hearts Club Band (1967). When Delaney Bramlett (of Delaney & Bonnie) introduced Harrison to slide guitar in 1968, he became a leading exponent of that style.

Harrison wrote some of the Beatles’ best-loved songs, including “If I Needed Someone,” “Taxman,” “While My Guitar Gently Weeps,” “Something,” “Here Comes the Sun” and “I Me Mine.” He also figured prominently in the group’s decision to abandon live performances, where they were routinely drowned out by screams, and instead devote their time to the recording studio. Of life with the Beatles, he pithily remarked, “We met everyone in the world and never had a moment’s peace.” Harrison stormed out of sessions for Let It Be in 1969. Though he would return, he regarded the glare of fame as a Beatle with wary disdain. “They used us as an excuse to go mad, the world did,” he said in The Beatles Anthology, “and then blamed it on us.” In 1969, Harrison purchased a sprawling rural estate known as Friar Park, and it became his refuge from the world.

Soon after the Beatles’ breakup in 1970, Harrison released All Things Must Pass. It was his first true solo album (not counting Wonderwall Music and Electronic Sound, experimental releases from the Beatles era). Harrison’s songwriting talent, largely kept under wraps in the Beatles, poured forth on the three-disc set, which contained two albums of songs and one of jams. Harrison’s spiritually slanted tunes were given the full “Wall of Sound” treatment by producer Phil Spector. Standout tracks include “Isn’t It a Pity,” “Beware of Darkness,” “What Is Life” and “My Sweet Lord.” Rolling Stone hailed the album as “Wagnerian, Brucknerian, the music of mountaintops and vast horizons.” Both All Things Must Pass and “My Sweet Lord” went to #1. (Noting the resemblance of “My Sweet Lord” to “He’s So Fine,” by the Chiffons, the latter’s publisher sued Harrison, who was ultimately found guilty of “unconscious plagiarism.”) Re-released in 2002 on CD with bonus tracks and a new version of “My Sweet Lord,” All Things Must Pass remains among the most esteemed of all Beatles solo works.

Harrison’s next masterstroke was The Concert for Bangladesh, rock’s first large-scale benefit concert, organized to raise awareness and money for war-torn Bangladesh. Held on August 1, 1971, at Madison Square Garden, the star-studded affair included Bob Dylan, Leon Russell, Eric Clapton, and Harrison’s Indian-music mentor, Ravi Shankar. Proceeds from the concert, soundtrack album and documentary film were earmarked for the United Nations Children’s Fund for Relief to Refugee Children of Bangladesh. It became a model for rock-benefit projects from Live Aid to The Concert for New York City. Over time, Harrison’s donations to UNICEF for Bangla Desh from concert, film and album proceeds totaled over $13 million.

Living in the Material World (1973), a single album, topped the album chart for five weeks and contained the #1 single ”Give Me Love (Give Me Peace On Earth),” as well as Harrison’s biting commentary on the Beatles’ ongoing legal travails, “Sue Me, Sue You Blues.” The next year Harrison launched Dark Horse, a record label (distributed by A&M) that would release albums by himself and others, including Ravi Shankar and Splinter. His ambitions were modest: “I want it to be reasonably small,” he said. By calling his new album and label Dark Horse, Harrison was implicitly stating that the Beatles’ dark horse - “The one that nobody’s bothered to put any money on,” said Harrison’s - was coming in a winner. Dark Horse charted highly, reaching #4, yet received lukewarm reviews. The North American tour that followed - the first stateside concerts by an ex-Beatle - proved problematic because Harrison had strained his voice in rehearsals. Another unremarkable album, Extra Texture (Read All About It), appeared in 1975.

Harrison rebounded with Thirty-three & 1/3 (1976), highlighted by “This Song” (#25), a wry retort to the “My Sweet Lord” lawsuit, and “Crackerbox Palace” (#19), a paean to his beloved Friar Park. During the three-year hiatus from recording that followed, Harrison divorced his first wife, Patti (who subsequently wed his close friend Eric Clapton), and married Olivia Trinidad Arias, with whom he’d spend the rest of his life. He also launched HandMade Films, a production company that debuted with Monty Python’s Life of Brian. Over the next 11 years, HandMade released 27 movies, including Time Bandits (1981) and Mona Lisa (1986). Harrison also produced, appeared in and greatly savored The Rutles, a mock-documentary Beatles parody.

Harrison’s next solo album, George Harrison (1979), contained several of his loveliest songs, including “Blow Away” (#16) and “Here Comes the Moon.” Next came Somewhere in England (1981), notable for “All Those Years Ago” (#2), written after John Lennon’s murder. With backing vocals from Paul and Linda McCartney and drumming by Ringo Starr, it became a sizable hit. The laid-back Gone Troppo appeared in 1983, and then Harrison didn’t record for another five years.

Keeping to himself for much of the Eighties, Harrison laid low at homes in England and Maui while pursuing such hobbies as Formula One car racing and gardening. He re-emerged in 1987 with Cloud Nine, a spirited comeback. “We used real guitars, real keyboards, real drums and real people playing real songs,” he noted wryly. Coproduced by Jeff Lynne of Electric Light Orchestra, Cloud Nine was Harrison’s most Beatlesque solo record. Harrison had softened in his attitude toward the Beatles, as evidenced by the comically poignant “When We Was Fab.” The album yielded Harrison’s third #1 hit, “Got My Mind Set On You,” an infectious soul remake.

Harrison’s next project was the Traveling Wilburys, a low-key supergroup consisting of Harrison, Lynne, Bob Dylan, Tom Petty and Roy Orbison. It was Harrison’s first band since the Beatles. Their low-key albums - Volume One (1988) and Vol. 3 (1990) - were as pleasurable as they were unexpected. In 1992, Harrison undertook a tour of Japan - his first since the Dark Horse debacle 18 years earlier - with Eric Clapton and his band. The two-disc set Live in Japan was released a year later. At the time he enthused, “Maybe it’s time to do some playing in England and Europe…maybe eventually even America.” But that would not come to pass.

The last ten years of Harrison’s life were largely lived out of the limelight. In I Me Mine, a book of lyrics with autobiographical notes, Harrison wrote, “I’m really quite simple. I don’t want to be in the business full time because I’m a gardener. I plant flowers and watch them grow. I don’t go out to clubs and partying. I stay at home and watch the river flow.”

In 2000, All Things Must Pass was reissued in a two-CD box under Harrison’s auspices. He re-recorded its most famous track as “My Sweet Lord (2000)” and added several bonus tracks, as well as candid notes: “It’s been 30 years since All Things Must Pass was recorded…. All these years later I would like to liberate some of the songs from the big production that seemed appropriate at the time, but now seem a bit over the top with the reverb in the wall of sound. Still, it was an important album for me and a timely vehicle for all the songs I’d been writing during the last period with the Beatles.”

He also worked on his final solo album, Brainwashed, up until his death. Brainwashed, coproduced by son Dhani Harrison and Jeff Lynne, was released posthumously in 2002. He wrote one last song, a philosophical summing-up entitled “Horse to the Water,” that appeared on British keyboardist Jools Holland’s Small World Big Band. It’s somehow fitting that the quiet Beatle got in a final word before departing the material world.

George Harrison died of brain cancer on November 29, 2001, at a friend’s home in Los Angeles. He was 58 years old. Exactly a year later, Eric Clapton and Olivia Harrison organized The Concert for George - a tribute performance that involved the remaining ex-Beatles, Paul McCartney and Ringo Starr, as well as concert supervisor Clapton, Jeff Lynne, Tom Petty and Ravi Shankar. Proceeds went to Harrison’s Material World Charitable Foundation, which he’d founded back in 1973.

TIMELINE

February 24, 1943: George Harrison is born in Liverpool, England.

1956: George Harrison acquires his first guitar, which he masters by mimicking the recorded styles of Buddy Holly and Lonnie Donegan.

1965: George Harrison becomes interested in the sitar while filming Help! on location in India with the Beatles.

November 1, 1968: While still with the Beatles, George Harrison releases the Eastern-flavored Wonderwall Music, a film soundtrack and the first release on the Beatles’ Apple label.

May 9, 1969: George Harrison’s Electronic Sound, an avant-garde synthesizer album, appears on the Beatles’ short-lived Zapple imprint.

November 29, 1969: “Something,” by the Beatles, becomes George Harrison’s first (and only) composition for the band to reach the top of the charts.

November 27, 1970: George Harrison’s three-album masterwork, All Things Must Pass, is released. It will top the charts for seven weeks.

December 26, 1970: “My Sweet Lord,” by George Harrison, tops the charts for the first of four weeks. The first single by an ex-Beatle to reach #1, it will sell 5 million copies.

August 1, 1971: The Concert for Bangla Desh, an all-star benefit for flood and famine relief organized by George Harrison, is held at New York’s Madison Square Garden. A triple-album box set is released in December and a concert film appears in March.

June 30, 1973: “Give Me Love (Give Me Peace On Earth),” from George Harrison’s Living in the Material, tops the charts.

May 1974: George Harrison announces the formation of his own record label, Dark Horse. It’s roster will include Harrison and other artists he signs.

November 2, 1974: George Harrison, the first ex-Beatle to tour, kicks off his two-month Dark Horse tour in Vancouver, BC.

October 1975: Extra Texture (Read All About It), by George Harrison, is released. It will be his last album for Apple, freeing him to release subsequent works on his own Dark Horse label.

November 20, 1976: George Harrison and Paul Simon are the musical guests on Saturday Night Live, duetting on Harrison’s “Here Comes the Sun.”

November 27, 1976: The Best of George Harrison enters the charts. One side consists of Harrison’s most popular Beatles songs, while the other collects solo hits.

December 11, 1976: George Harrison releases Thirty-three & 1/3, which includes “This Song” and “Crackerbox Palace.”

1978: George Harrison co-founds HandMade Films, which is credited with revitalizing the British film industry. Its first production, Monty Python’s Life of Brian, is released a year later.

September 2, 1978: George Harrison marries Olivia Arias in England.

March 17, 1979: The self-titled George Harrison enters the charts and yields a hit single, “Blow Away.”

August 22, 1979: I Me Mine, George Harrison’s book of song lyrics and autobiographical reminiscences, is published in a pricey limited edition.

May 23, 1981: “All These Years Ago,” George Harrison’s tribute to the late John Lennon, enters the Top Forty. It will peak at #2 and stay there for three weeks.

November 1987: George Harrison releases Cloud Nine, his first album in five years and his first platinum album since All Things Must Pass.

January 16, 1988: “Got My Mind Set On You,” from Cloud Nine, becomes George Harrison’s first #1 hit since 1973.

November 12, 1988: The Traveling Wilburys - George Harrison, Bob Dylan, Tom Petty, Jeff Lynne and Roy Orbison - release Volume One, which reaches #3 and sells 3 million copies.

November 17, 1990: The Traveling Wilburys’ second album, Vol. 3, is released.

December 18, 1991: George Harrison performs in Tokyo, finishing a 13-date Japanese tour that marks his first concerts since 1974.

July 1992: George Harrison releases Live in Japan, a double-disc documentary of his Japanese tour from the previous year.

December 9, 1992: George Harrison is given Billboard magazine’s first century award at the trade journal’s third annual Billboard Music Awards.

December 29, 1999: George Harrison is stabbed by a deranged intruder at his Friar Park estate. The knife narrowly misses his heart, and he is hospitalized with a punctured lung.

November 29, 2001: George Harrison succumbs to brain cancer in Los Angeles.

November 19, 2002: George Harrison’s final album, Brainwashed, is posthumously released. It is his first album of new material since 1987’s Cloud Nine.

November 29, 2002: The Concert for George, a tribute organized by Olivia Harrison and Eric Clapton, is held at Royal Albert Hall on the one-year anniversary of Harrison’s death.

March 15, 2004: George Harrison is inducted into the Rock and Roll Hall of Fame at the nineteenth annual induction dinner. Tom Petty and Jeff Lynne are his presenters.



Essential Songs

My Sweet Lord


Give Me Love (Give Me Peace on Earth)
What Is Life
When We Was Fab
All Things Must Pass
Living in the Material World
Isn’t It a Pity
Crackerbox Palace
Dark Horse
All Those Years Ago

http://www.rockhall.com/inductee/george-harrison


GEORGE 1966: "John and Paul's standard of writing has bettered over the years, so it's very hard for me to come straight to the top, on par with them. They gave me an awful lot of encouragement. Their reaction has been very good. If it hadn't, I think I would have just crawled away."


Taxman

by George Harrison

Let me tell you how it will be
There's one for you, nineteen for me
'cause I'm the taxman,
yeah, I'm the taxman

Should five percent appear too small


Be thankful I don't take it all
'cause I'm the taxman,
yeah, I'm the taxman

If you drive a car, I'll tax the street


If you try to sit, I'll tax your seat
If you get too cold, I'll tax the heat
If you take a walk, I'll tax your feet
Taxman

'Cause I'm the taxman,


Yeah, I'm the taxman

Don't ask me what I want it for (ha ha Mr. Wilson)


If you don't want to pay some more (ha ha Mr. Heath)
'cause I'm the taxman,
yeah, I'm the taxman

Now my advice for those who die


Declare the pennies on your eyes
'cause I'm the taxman,
yeah, I'm the taxman
And you're working for no one but me

GEORGE 1980: "'Taxman' was when I first realized that even though we had started earning money, we were actually giving most of it away in taxes. It was and still is typical."


JOHN 1980: "I remember the day he (George) called to ask for help on 'Taxman,' one of his first songs. I threw in a few one-liners to help the song along because that's what he asked for. He came to me because he couldn't go to Paul. Paul wouldn't have helped him at that period. I didn't want to do it. I just sort of bit my tongue and said OK. It had been John and Paul for so long, he'd been left out because he hadn't been a songwriter up until then."


PAUL 1984: "George wrote that and I played guitar on it. He wrote it in anger at finding out what the taxman did. He had never known before then what could happen to your money."


GEORGE 1987: "I was pleased to have Paul play that bit on 'Taxman.' If you notice, he did like a little Indian bit on it for me."

Within You Without You

by George Harrison

We were talking
about the space between us all
and people who hide themselves
behind a wall of illusion
never glimpse the truth
then it's far too late
when they pass away

We were talking


about the love we all could share
When we find it
to try our best to hold it there
with our love, with our love
we could save the world
if they only knew

Try to realize it's all within yourself


no one else can make you change
And to see you're really only very small
and life flows on within you and without you

We were talking


about the love that's gone so cold
and the people who gain the world
and lose their soul
They don't know, they can't see
Are you one of them

When you've seen beyond yourself


then you may find
peace of mind is waiting there
And the time will come
when you see we're all one
and life flows on within you and without you

GEORGE 1967: "I'm writing more songs now that we're not touring. The words are always a bit of a hangup for me. I'm not very poetic. 'Within You Without You' was written after dinner one night at Klaus Voorman's house. He had a harmonium, which I hadn't played before. I was doodling on it when the tune started to come. The first sentence came out of what we'd been doing that evening... 'We were talking.' That's as far as I got that night. I finished the rest of the words later at home."


JOHN 1967: "George has done a great indian one. We came along one night and he had about 400 indian fellas playing, and it was a great swinging event, as they say."


JOHN 1980: "One of George's best songs. One of my favorites of his, too. He's clear on that song. His mind and his music are clear. There is his innate talent. He brought that sound together."

While My Guitar Gently Weeps

by George Harrison

I look at you all see the love there that's sleeping
While my guitar gently weeps
I look at the floor and I see it need sweeping
Still my guitar gently weeps

I don't know why nobody told you


how to unfold you love
I don't know how someone controlled you
they bought and sold you

I look at the world and I notice it's turning


While my guitar gently weeps
With every mistake we must surely be learning
Still my guitar gently weeps

I don't know how you were diverted


you were perverted too
I don't know how you were inverted
no one alerted you

I look at you all see the love there that's sleeping


While my guitar gently weeps
I look at you all
Still my guitar gently weeps
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