Mystery Woman 10 In The Shadows -broadcast Script
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(shadowy figure in stairwell, takes receiver, wraps cord, and puts it in his pocket. he enters second floor lobby, and heads for suite 213. he lets himself in. it’s bosworth. philby slams the door behind him and turns on the lights.) BOSWORTH: Oh, Mr. Philby. Let me explain, I uh… PHILBY: You can drop the act. I know who you are, and more importantly, I know who you work for. (image goes white - PHILBY’S voice over plays over insert - COMPUTER screen with wes bosworth’s picture and stats, revealing him to be an nsa field agent.) back to scene (bosworth pulls a gun.) BOSWORTH: Then you won’t be too surprised by this. PHILBY: You had me fooled at first. (white image - flash to bosworth looking through bushes.) PHILBY (VO): You were at the Knight’s arms apartment. (white image - BOSWORTH spies philby and samantha through binoculars.) PHILBY: You had a good explanation for being there. I believed you. But then you had to be there, because you couldn’t listen in any more. (white image – bosworth in janitor clothes plants bug inside samantha’s hospital room.) PHILBY: You planted the bug in Samantha’s room. And you were listening to everything we said. (white image – bosworth in his car, earpiece in, listening to the receiver on the seat next to him.) PHILBY: That’s how you got to the Mausoleum before Cassie and I did. (white image – philby sees red laser mark on cassie’s neck.) PHILBY: You shot at me! (white image – the gun shoots. philby pushes cassie.) PHILBY: You knew we were getting close. And you wanted me out of the way. You figured you could find the clues on your own. BOSWORTH: I thought you might be rusty. Bur you’re more observant than I gave you credit for Philby. PHILBY: The one thing I couldn’t figure… (white image – philby and cassie outside hotel, bosworth behind tree watching through binoculars.) PHILBY: …is how you knew I was looking for the manuscript in the first place. (white image – close on philby’s mouth. insert – computer screen of bosworth’s dossier – highly skilled lip reader.) PHILBY: But you didn’t have to hear what we were saying, did you Wes? back to scene PHILBY: You were a lip reader. Your job at the agency was to interpret surveillance videos, especially those without sound. BOSWORTH: I speak five languages. I’m a man of many talents. PHILBY: Those talents put you in position to put valuable information into the hands of the Russian Mafia. BOSWORTH: Until Zeitsev came along. PHILBY: Alexsandr was going to expose you. So you killed him. BOSWORTH: I had no choice. I couldn’t let the manuscript be published. PHILBY: You figured after he was dead, you would steal the manuscript and destroy it. And your secret would be safe. But it didn’t work out that way. Now did it? BOSWORTH: How was I to know the old fool had hidden it? PHILBY: You weren’t the only one looking for the manuscript. And you had to find a way, to follow the clues. Without arousing suspicion. BOSWORTH: That’s where you came in. All I had to do was listen in while you followed the clues. PHILBY: Check. Mate. Game over. BOSWORTH: Where’s the manuscript? PHILBY: There is no manuscript. BOSWORTH: Why all the clues if they just led to nothing in the end? PHILBY: I didn’t say they led to nothing. They led to something really important. They led to you. Alexsandr. He knew there was a double agent. But he didn’t know who it was. BOSWORTH: You mean if I hadn’t followed the clues… PHILBY: …then we would have never known your identity. BOSWORTH: There’s just one last loose end to tie up. (he points his gun at philby and cocks it. conners bursts through the door, his weapon pointed at bosworth.) CONNERS: Don’t move Bosworth. It’s over. BOSWORTH: All right. No manuscript, no proof. PHILBY: (pulling a wire from his shirt) Did you get everything? CONNERS: Miss Kinsey? (he unarms Wes) SAMANTHA: (steps into room holding up a tape recorder) Everything came through loud and clear. You’re not the only one who can rig a wire. CONNERS: Let’s go Bosworth. (they all exit, conners holding a gun to bosworth.) cut to:
int. hotel lobby – (philbyand samantha stand talking to lydia, sans wig.) SAMANTHA: So why the wig? LYDIA: I didn’t know who the double agent was. There was a chance we could have met before. PHILBY: And you didn’t want to compromise your identity. LYDIA: You know how dangerous that could be. BOSWORTH: So he was right, you did recognize him at the convention. LYDIA: It was the spring of 78, Geneva. I was on one of the backup teams. I saw you. PHILBY: I didn’t see you. (to Sam) A good back up team stays out of sight of the primary agent. SAMANTHA: You warned Philby outside of the Mausoleum. Why not just yell to him. Why train your laser on Cassie’s head. LYDIA: I wasn’t supposed to get involved. We had heard that Alexsandr was up to something. And after he was killed the best way to figure out what was going on was to talk to Philby. I was sent simply and strictly to watch and report. PHILBY: The agency’s not allowed to operate on U.S. soil. That’s the jurisdiction of the FBI. LYDIA: I alerted them but they just didn’t seem too interested in the information. (mike the janitor joins them.) MIKE: We were interested. Mike Panoff. (searching for I.D., and finding it) PHILBY: No offense, but you’re not very good at undercover work. I made you the first time I spoke to you at the convention center, and very few handymen or hospital janitors are wearing Harvard class rings. And your shoes, work boots would have been a better choice. MIKE: Yeah, I’m not really a field agent. My specialty is following the money in drug cases. SAMANTHA: Then why did they send you? MIKE: Short notice, I’m the only one in the local field office who speaks Russian. Courtesy of my Russian grandmother. CONNERS: (entering) All right folks let’s wrap this up. cut to: ext. hotel – night (the cops take a cuffed stansfield to the cop car, mike with lydia takes a handcuffed bosworth, and philby, samantha and conners exit together. lydia smiles at them. bosworth gives them a nasty look.) SAMANTHA: It was his glasses I saw that night, wasn’t it? PHILBY: I guess so. CONNERS: You all right Snoopy? SAMANTHA: yeah. You know I was wondering? How did you get Stansfield to go along with the charade in the hotel room? CONNERS: It turns out that unpaid royalty lawsuit? It’s now a criminal case. Mr. Stansfield is facing grand theft and fraud. So I convinced him, if he helps us I put in a good word for him. PHILBY: Will that do him any good? CONNERS: Probably not. SAMANTHA: Did you tell him there’s no manuscript? CONNERS: I did. But I don’t think it’s sunk in yet. He was really counting on that manuscript to be his way to financial freedom. Looks like Mr. Stansfield is gonna have to pay back those writers the hard way. Which I’ll tell you doesn’t bother me one bit. (he walks away) PHILBY: Come on, I’ll take you home. cut to:
int. bookstore – night (philby sits reading a book. samantha at book cart.) PHILBY: Wow. SAMANTHA: It’s good isn’t it? PHILBY: Alexsandr was a wonderful writer. SAMANTHA: Yes he was. I’m going to miss him. (the door opens, yuri enters with A SUITCASE.) YURI: As will I. SAMANTHA: Yuri, what are you doing here? YURI: I have come to say goodbye, I hope you do not mind. SAMANTHA: No not at all. YURI: Chief Conners was kind enough to drop me here after letting me into Alexsandr’s room to get his belongings. I wanted to come by to thank you for what you did, and to give you this, Alexsandr’s favorite hat. I think he would want you to have it. SAMANTHA: Thank you. Can I offer you some tea? YURI: I’m afraid I cannot stay, I’m taking the last flight out. My taxi should be here any moment. PHILBY: We’ll walk you out. YURI: That would be an honor. After all this time it is a pleasure to have finally met you Philby. Samantha, do not be sad. Aleksandr gave his life to protect the country that he loved. It is what he wanted. SAMANTHA: Though no one will know what he did. PHILBY: It doesn’t matter Samantha, Alexsandr himself said it best. (reading) Oftentimes the shadows serve to conceal those who wish to do evil, but also to protect those who seek to do good. (yuri walks away, putting on his hat.) SAMANTHA: You know I think Yuri orchestrated this whole thing. PHILBY: Of course he did. But always remember, Alexsandr was a willing pawn. SAMANTHA: It’s getting cold, I’m gonna go inside. You coming? PHILBY: In a second. (yuri turns, philby holds up the book, yuri tips his hat. music swells, and plays through credits.) titles: executive producer larry levinson robert halmi, jr. cast Samantha Kinsey Kellie Martin Philby Clarence Williams III Cassie Nina Siemaszko Chief Conners Casey Sander Alexsandr Malachi Throne Yuri Slipchenko Michael Ensign Jonathan Stansfield Arye Gross Wes Bosworth Brandon Keener Mary Hofstedter Diane Robin Lydia Cranston Nina Mann Mike Alejandro Furth Rookie Cop Shane Callahan Uniformed Officer Andre Ware ER Doctor Michele Spears Charge Nurse Baadja –Lyne Odum Nurse Chris Farah Doctor Norm Lewis Bishop Don Swayze Ned Campbell Eugene Lee Uniformed Officer #2 Boo Arnold Uniformed Officer #3 Joe Souza Publisher Tricia Gilfone Maid/Cop Yvette Brooks Randy Pope Unit Production Manager Lincoln Lageson Second Unit Director Charity Ozarowski First Assistant Director Kevin Bocarde Executive in Charge of Prod. Matt Fitzsimmons Production Executive Greg Krutilek Business Affairs Paul Balelo Marie Frick Business Affairs Associate Amy Chance Staff Production Supervisor Amanda Phillips Development Assistant Staff Assistant M.C. “Max” Berryhill Second Assistant Director John LaBrucherie 2nd 2nd Assistant Director Francisco Tignini Add’l. Second Second AD Jason Z. Kemp Add’l. Second Second AD Kristin Calabrese Script Supervisor Heather Askew Add’l. Script Supervisor ALValentine Locations Manager Milena Milicevic Production Coordinator Shannon Strange Office Production Assistant Barry Boen Kappelman Office Production Assistant Evan Waters Costume Designer Kristen Anthony Wardrobe Supervisor Ashlyn Angel On-Set Costumer Michael Spezzano Key Make-Up Alison Reyes Key Hair Stylist Leslie Espinosa Add’l. Make-Up/Hair Albert Lopez Add’l Director of Photography Mark Robinson A Camera 1st A.C. Luis Gomez A Camera 2nd A.C. Robin Noble Add’l A Camera 2nd A.C. Andy Bethke Loader Lisa Stacilauskas B Camera Operator Dominik Mainl Add’l. B Camera Operator Peter Ozarowski Add’l. B Camera Operator Shane English B Camera 1st A.C. Taj Teffaha Steadicam Operator Erin McCandless Still Photographer Eric Enroth Sound Mixer Jonathan “Pockets” Norton Boom Operator Kevin Becker Add’l. Boom Operator Rene DeFraniesch Add’l. Boom Operator Linda-Louise Sheets Set Decorator Todd Whitaker On Set Dresser David Lloyd Lead Man Vahn Armstrong Add’l. Leadman Barry Boen Kappelman Swing Dustin Grabiner Swing Rick Smith Swing Justin Setchell Swing Douglas Poole Swing Sarah Prager Art Department PA Chris Pippin Construction Coordinator Wendell Armstrong Construction Sergio Munoz Salinas Construction David Downes Carpenter Zachary Hammond Carpenter Steve Clark Carpenter Nahid Varjavand Scenic Painter Peter Clines Prop Master Eugene Wyrick Prop Assistant Lorie Arms Add’l. Prop Assistant Richard Smith Add’l. Prop Assistant Laura Diamond Add’l. Prop Assistant Narsim Acher Set Production Assistant Carlos Reza Set Production Assistant Sarah Boroski Set Production Assistant Brian Lewis Set Production Assistant Trevor Jones Set Production Assistant Aliza Ramos Production Accountant Roselyn Winward Add’l. Production Accountant Dawn Wirth 1st Assistant Accountant Sande-Alessi Casting Extras Casting Christine Babayans Casting Associate Cast and Crew/ Motion Picture Catering Caterer Genero Rodriguez Chef Felipe Rodriguez Chef Carlos Rodriguez Chef Luis Cabrera Chef Lucas Martinez Chef Hugo Maldanado Chef Robert Cymbal Set Medic Justin Taylor Add’l. Medic Christy Powers Add’l. Medic Eduardo Garcia Craft Service John Dickenson Security Albert Lopez Gaffer Kevin Witt Add’l. Gaffer Jared Wellman Best Boy Electric John Van Valkenburgh Add’l. Best Boy Electric Joe Crowder Electrician Jason Sasche Electrician John Van Valkenburgh Electrician Ryan Norris Electrician Zack Richard Electrician Eric Castro Electrician Gregory Brazovec Electrician Steven Bryant Electrician Halsey D. Corbin Rigging Electric Jean-Philippe Belliard Rigging Electric Todd Loos Key Grip Roberto Ramirez Best Boy Grip Kenneth Woodbury Dolly Grip Jason Webster Grip Jacob Romero Grip Aaron Brenner Grip Luke Barger Grip James Plaxton Grip Brad Carr Grip Nicholaus W. Swedlund Grip Robert Toth Grip Grayson Martinez Grip John Gearhart Transportation Captain Ronald Fitzgerald Driver Michael O’Grady Driver Robert Wood Driver Michael Arnold Driver Chris Sharff Driver David Downes Driver Charles Martinez Driver Mitchell Bergman Driver Ricker Slaven Driver Dorian England Driver Dester Stowers Driver Tony Roman Post Production Supervisor Eric Geisler VFX Supervisor Nona Khodai Assistant Editor Frank Sharp Post Prod. Coordinator Kevin Gieseking Post Prod. Office Coordinator HTV Online Services Luke Asa Guidici Online Editor Mike Volland Colorist Kelly Kroelis Scheduler Matthew Shelton Music Editor Mercury Sound Studios, Inc. Post Sound Services Samuel Lehmer Re-recording Mixers Mark Ettle, C.A.S. Patrick O’Sullivan Supervising Sound Editor Marc Glassman Sound Effects Editor Michael Weatherwax Dialogue Editor Bob Fitzgerald ADR Supervisor Gregory Jefferson ADR Mixer Roberto Dominguez Foley Mixer Eric Hoeschen Foley Artists Nancy Parker Anthony Krajchir Sound Engineers Steve Utt Paul Wight Michael Sable Studio Manager Amit Barrett Studio Coordinators Carrie Layne Vocal Yokels Loop Group SPECIAL THANKS TO: GRAND VISTA HOTEL ACEY DECY LIGHTING OTTO NEMENZ INTERNATIONAL DAIMLER CHRYSLER VEHICLES- COURTESY OF HADLER PUBLIC RELATIONS, INC. C 2006 Alpine Copyright GmbH The characters, names and events depicted in this motion picture are ficticious. Any similarity to actual persons, living or dead, or to any actual events is purely coincidental and unintentional, and no such similarity is intended or should be inferred. This motion picture and all material contained in or related to this motion picture are protected under the laws of the United States of America and other countries. All rights reserved. Any unauthorized duplication, distribution or exhibition of this motion picture or any portion thereof (including the soundtrack) is an infringement of the copyright and may subject the infringer to civil and criminal prosecution. LARRY LEVINSON PRODUCTIONS RHI ENTERTAINMENT |