Mazur-mazurka dance manuals
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IT IS OUR PERSONAL CONTENTION DERIVED FROM EXPERIMENTATION AND EXPERIENCE THAT THE PAS SIMPLE OR BASIC RUNNING STEP IS OF GREATER PLEASURE AND BEAUTY THAN THAT OF THE PAS DE BASQUE AS DESCRIBED BY CELLARIUS AND SHOULD WANT TO BE DANCED BY ALL MAZUR-MAZURKA DANCERS IN THE CENTURIES TO COME WHEREEVER WE FIND OURSELVES IN THE UNIVERSE. HAVING STATED THIS I FULLY REALIZE THAT WHEN CHANGES ARE MADE TO THE PAS DE BASQUE IT CAN BE PLEASURABLE AND BEAUTIFUL — BUT, THEN THESE ARE CHANGES IN THE ORIGINAL PAS DE BASQUE AND THUS IS NOT THE SAME. 1 They are Yatskovski, Stukolkin and Shchavurskiy. 2 See the present author’s Complete Russian Supplemental Sources for this. 4 See present author’s, The Elegant Polish Running-Sliding Dance: Mazur-Mazurka. 5 See the Żywiec Mazur section in the present author’s, The Elegant Polish Running-Sliding Dance: Mazur-Mazurka. 6 L. Petrovski, Rules for the Noble-Society Ball Dances . . . , p. 92. 7 Which we have named this a Demi Chaine. Our Grand Chaine goes all the way around. It is an innovation—I know. 8 A. Maksina, Изучение Бальныхъ Танцевъ, (Moscow: 1839). 9 A. Maksina, Изучение . . . , p.13. 10 H. Cellarius, (Целлариусь), La Danse De Salons, (Saint Petersburg: 1848). Note that the book retained its original French title. 12 H. Cellarius, The drawing-room dances, . . . , p. 53. 13 N. Lindrot, Н. Линдротъ, Первоначальныя Правила Дла Изучения Бальныхъ Танцевъ, (Moscow: 1871). 14 The phrase “a Pas Glissé” is deliberate since there are a number of ways to do this movement. See the main Mazur work by the present author, The Elegant Polish Running-Sliding Dance: Mazur-Mazurka. 15 M. Yu. Petrova, М. Ю. Петрова, Петербустий Новейший Самоучитель Всихи Обществнныхъ Танцевъ, 2nd. edition, (Saint Petersburg: 1883). Many of the later Russian manuals state that they are self-teaching manuals. 16 The photographer was K. K. Bulla. From the collection of, The J. Paul Getty Museum, Los Angeles. K. K. Bulla, before 1917, Gelatin silver, 7 ¼ x 10 31/32 in. 17 Petrova. Citations are from pages 71-73. 18 See the main Mazur work by the present author, The Elegant Polish Running-Sliding Dance: Mazur-Mazurka. 19 Janina Pudełek, “The Polish Dancers Visit St Petersburg, 1851: A Detective Story,” Dance Chronicle, Vol. 19, Number 2, (New York: M. Dekker, 1996), pp. 171-189. 20 Janina Pudełek, “The Polish . . . , p. 178. This Mazur, called the, Blue Mazur, was part of a Ballet and was its concluding Ball scene. 21 For the full story see Janina Pudełek’s previously cited article. 22 Janina Pudełek, “The Polish . . . , p. 180. 23 Janina Pudełek, “The Polish . . . , p. 187. 24 L. Stukolkin, Л. Сткколкинъ, Опытный Распорядитель И Преподаватель Бальныхъ Танцевъ, Experienced Manager And Teacher Of The Ballroom Dances, (Saint Petersburg: 1885), p. 70. 25 L. Stukolkin, Л. Сткколкинъ, Опытный . . . , p. 70. 26 See the main Mazur work by the present author, The Elegant Polish Running-Sliding Dance: Mazur-Mazurka. 27 See the main Mazur work by the present author, The Elegant Polish Running-Sliding Dance: Mazur-Mazurka, under Sliding-Gliding step-movements. 28 We have also done something similar in that we have given matrix which generates these step-movements. See the main Mazur work by the present author, The Elegant Polish Running-Sliding Dance: Mazur-Mazurka, under Sliding-Gliding step-movements. 29 A. D. Chistyakov, А. Д. Чистяковъ, Метолическое Руководсто Къх Овучению, A Methodical Handbook For The Learning Of Dances, (Saint Petersburg: 1890), p. 116. 30 A. D. Chistyakov, А. Д. Чистяковъ, Метолическое . . . , p. 115-116. 31 A. D. Chistyakov, Метолическое . . . , p. 115-116. 32 V. F. Yatkovski, В. Ф. Яцковсимъ, 100 Фигуръ Мазуки, (Kostroma: 1891). 33 L. P. Stukolkin, Новый Салонный Танецъ: The New Salon Dance: Quadrille-Mazurka, (Saint Petersburg: 1894). 34 L. P. Stukolkin, Новый . . . , pp., 3, 4, 5. 35 R. Z. Shchavurskiy, Р. З. Щавурскнй, Мазурка Практический Урокъ Дла Дирижеровъ, Mazurka Practical Lessons For Directors, (Zhitomir: 1895). 36 R. E. Shchavurskiy, Мазурка Практический . . . , pp. 5, 6, 8. 37 L.G. Chalif, Л.Г. Халифъ, Искусство Быь Дирижеромъ, Instructions For Dance Directors, (Odessa: 1895). 38 L.G. Chalif,, Искусство . . . , p. 14. 39 F. Raevsski, Дирижеръ, Conductor: A Practical Guide For The Conducting Of Balls And Social Dances, (Saint Petersburg: 1896). 40 F. B. Raevsski, Дирижеръ, . . . pp. 67, 68, 71. 41 A. D. Tikhomirov, А. Д. Тихомировъ, Самоуитль Модныхъ Бальныхъ Танцевъ, The Self-Study Book For The Modern Ball Dances, (Moscow: 1902). 42 A. K. Otto, Самоуитель Новеишихъ Бальныхъ Танцевъ, Teach Yourself The Newest Dances, (Moscow: 1902). All the citations and translations are from pages 87-92. 43 А. К. Отто, p.88. 44 А. К. Отто, Самоуитель . . . , р. 88. 45 Boleslaw Londyński, Tance Salonowe, (Warszawa: J. Fiszera, 1921), p. 84. Londyński wrote under the pseudonym, M. Rościszewski. 46 N. P. Petrov, Опыты Методики Обучения Танцамъ Въ Учебныхъ Занцамъ, Experiences Of The Method Of Dance Teaching In Educational Institutions, (Moscow: 1903). 47 See our, The Elegant Polish Running-Sliding Dance: Mazur-Mazurka. 48 N. P. Petrov, Опыты . . . , pp. 191. 49 B. Khrzhanoskii, Б. Хржановскаго, Новъйший Самоучитель Танцевъ, The Newest Teach Yourself Book Of Dances, (Riga: 1903). 50 I. Ivanov, И. Ивановъ, Новъйший Самоучитель Вальныхъ Танцевъ, The Newest Teach Yourself Book Of The Ball Dances, (n. k.; 1908). 51 L. Boratkova, Л. Бораткова, Танцы,“Mazurka,” (Moscow: 1953). 52 L. Boratkova, Танцы, “Mazurka,”. . . pp. 158. 53 Mestenhauser, . . .1887 , pp. 26-27. 54 The film is from and used here with the permission of the Herman Axelbank Film Collection of the Hoover Institution on War, Revolution And Peace of Stanford University, California. For our analysis of the complete film see our, Supplements To The Russian Mazur-Mazurka Sources. |