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Jan 10, 2006 Fences


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PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN DfS, VOLUME 3, WERE RECEIVED FROM THE FOLLOWING SOURCES:

An actor beats his bass drum playing the part of a Salvation Army worker in the show Major Barbara by George Bernard Shaw, photograph. Hulton-Deutsch Collection/Corbis. Reproduced by permission.—Baraka, Imamu Amin (LeRoi Jones), photograph. Corbis-Bettmann. Reproduced by permission.—Bond, Edward, photograph by Jerry Bauer. © Jerry Bauer. Reproduced by permission.—Coward, Noel, photograph. AP/Wide World Photos. Reproduced by permission.—Edward Albee, stand¬ing outside of Boston's Colonial Theater where he is directing Who's Afraid of Virginia Woolf?, photograph. AP/Wide World Photos. Reproduced by permission.—Fences by August Wilson, with James Earl Jones, photograph by Ron Scherl. Reproduced by permission of the photographer — Movie still of Baraka's The Dutchman, with Shirley Knight and Al Freeman, Jr., Directed by Anthony Harvey, 1966, photograph. Continental Distributing Inc. Courtesy of The Kobal Collection. Reproduced by permission.—Movie still of Baraka's The Dutchman, with Shirley Knight, Directed by Anthony Harvey, 1966, photograph. Continental Distributing Inc. Courtesy of The Kobal Collection. Reproduced by permission.—Movie still of David Mamet's American Buffalo with Dustin Hoffman, Samuel Goldwyn Company, 1997, photograph by Brian Hamill. Samuel Goldwyn Company. Courtesy of The Kobal Collection. Reproduced by permission—Movie still of David Mamet's American Buffalo with Dustin Hoffman, Dennis Franz, and Sean Nelson, 1997, photograph by Brian Hamill Samuel Goldwyn Company. Courtesy of The Kobal Collection. Reproduced by permission.—Movie still of Joe Orton's Entertaining Mr. Shane with Beryl Reid and Peter McEnery, Warner Brothers, 1969, photograph. Warner Brothers. Courtesy of The Kobal Collection. Reproduced by permission.— Movie still of Tennessee Williams's Cat on A Hot Tin Roof with Burl Ives, Elizabeth Taylor and Paul Newman, MGM, 1958, photograph. MGM. Courtesy of The Kobal Collection. Reproduced by permission.—Movie still of Edward Albee's Who's Afraid of Virginia Woolf?. Directed by Mike Nichols with Elizabeth Taylor and Richard Burton as Martha and George, Warner Brothers, April 28, 1966, photograph. UPI/Corbis-Bettmann Reproduced by per¬mission.—Movie still of Edward Albee's Who's Afraid of Virginia Woolf?. Directed by Mike Nich¬ols with Elizabeth Taylor and Richard Burton as Martha and George, Warner Brothers, April 28, 1966, photograph. UPI/Corbis-Bettmann. Reproduced by permission.—From a theater production of Sharon Pollock's "Blood Relations" with Mike Curtis as Mr. Borden and Mary Sloane as the Actress, directed by Brenda Leadlay at the Guild Hall, Fall, 1997, photograph by John Tousigna. Reproduced by permission.—From a theatre production of Arthur Miller's The Crucible with Caroline Milmoe as Betty Paras, and Jenifer Landor as Abigail Williams, Royal Shakespeare Company tour, 1984, photograph. Donald Cooper, London.



Reproduced by permission.—From a theatre production of Athol Fugard's Master Harold... and the Boys with Ramolao Makhene as Willie, Duart Sylwain as Hally, and John Kani as Sam, Cottesloe Theatre/National Theatre, London, 1983, photo¬graph. Donald Cooper, London. Reproduced by permission.—From a theatre production of Clifford Odets's Waiting for Lefty, photograph. Theatre Collection, Museum of the City of New York. Reproduced by permission.—From a theatre pro¬duction of David Rabe's The Basic Training of Pavlo Hummel with Al Pacino and Jack Kehoe, directed by David Wheeler at the Longacre Theater, 1977, photograph. AP/Wide World Photos. Reproduced by permission.—From a theatre production of David Rabe's The Basic Training of Pavlo Hummel with Al Pacino, Tisa Chang, and Anne Miyamoto, directed by David Wheeler at the Longacre Theater, 1977, photograph. AP/Wide World Photos. Reproduced by permission.—From a theatre production of Edward Albee's Who's Afraid of Virginia Woolf with Diana Rigg and David Suchet at the Almeida Theatre, Islington, London, September, 1996, photograph by Robbie Jack. Robbie Jack/Corbis. Reproduced by permission.—From a theatre production of Edward Bond's Lear with Bob Peck as Lear, RSC, 1982, photograph. Donald Cooper, London. Reproduced by permission.—From a theatre production of George Bernard Shaw's Major Barbara. Directed by Mi¬chael Engler at the American Repertory Theatre and Institute for Advanced Theatre Training, January, 1990, photograph by Richard Feldman. AMERICAN REPERTORY THEATRE Reproduced by permission of the photographer.—From a theatre production of Harold Pinter's The Homecoming with John Savident as Max, Terence Rigby as Joey, Jane Lowe as Ruth, and Harold Pinter as Lennie, Palace Theatre, Watford, 1969, photograph Donald Cooper, London. Reproduced by permission.—From a theatre production of Noel Coward's Private Lives with Coward as Elyot, Gertrude Lawrence as Amanda, Adnenne Allen as Sibyl, and Laurence Olivier as Victor, September, 1940, photograph. Hulton-Deutsch Collection/Corbis. Reproduced by permission.—From a theatre production of Sam Shepard's True West directed by David Wheeler at the American JRepertory Theatre and Institute for Advanced Theatre Training, April, 1992, photo¬graph by Richard Feldman. AMERICAN REPERTORY THEATRE. Reproduced by permission of the photographer —From a theatrical production of Lillian Hellman's The Children's Hour with Patricia Neal, Iris Mann, and Kim Hunter, photograph. Springer/Corbis-Bettmann. Reproduced by per¬mission.—From a theatrical production of Lillian Hellman's The Children's Hour with Patricia Neal and Kim Hunter, photograph. Springer/ Corbis-Bettmann Reproduced by permission.— From a theatrical production of William Inge's Come Back, Little Sheba with Shirley Booth and Sidney Blackmer, photograph Sprmger/Corbis-Bettmann. Reproduced by permission.—From a theatrical production of William Inge's Come Back, Little Sheba with Joan Lorring, Shirley Booth, and Sidney Blackmer, photograph. Springer/Corbis-Bettmann. Reproduced by permission.—Fugard, Athol, photograph. AP/Wide World Photos. Reproduced by permission.—Hellman, Lillian, photograph. AP/Wide World Photos. Reproduced by permission.—Inge, William R., photograph. The Library of Congress.—Mamet, David, photograph by Bngitte Lacombe. Grove/ Atlantic, Inc. Reproduced by permission —Miller, Arthur, photograph. AP/Wide World Photos. Reproduced by permission.—Odets, Clifford, photograph. AP/Wide World Photos. Reproduced by permission.—Original painting of The Dead Marat, by Jacques-Louis David, 1793, photograph. Corbis-Bettmann. Reproduced by permission.—Orton, Joe, photograph. Archive Photos, Inc. Reproduced by permission.—Pinter, Harold, photograph AP/Wide World Photos. Reproduced by permission.—Pollock, Sharon, photograph. © Sharon Pollock. Reproduced by permission of the author.—Rabe, David, photograph AP/ Wide World Photos Reproduced by permission.— Shaw, George Bernard, photograph. AP/Wide World Photos. Reproduced by permission —Shepard, Sam, photograph. © Archive Photos, Inc. Reproduced by permission.—The Actors' Workshop of Houston presents A Different Kind of Cat based on Tennessee Wilhams's Cat on A Hot Tin Roof. Directed by Manning Mpinduzi-Mott, November 8 to December 7,1996, photograph. The Actors' Workshop of Houston Reproduced by permission.—Weiss, Peter, photograph. AP/Wide World Photos. Reproduced by permission.—Williams, Tennessee, pho¬tograph by Alex Gotfryd. Reproduced by permission of the Estate for Alexander Gotfryd.—Wilson, August, photograph. AP/Wide World Photos. Reproduced by permission.
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