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Contents Page 4 Introduction 5-6 Chapter 1; Large common liverworts


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14. Managing a Collection

Much human activity involves collecting and classifying things. A typical shop or household will contain thousands of objects. Except in the untidiest home, they are not left in amorphous heaps, but arranged and classified into a series of sub-collections, set within a framework of rooms, furniture, and the house itself. Cutlery is in a kitchen drawer, clothes in a cupboard, books on a shelf, and so on.


A living collection of plants must likewise be set in a framework. Without it, any large collection of plants will fall into chaos. The framework may be a garden, a tray of test tubes, a windowsill or propagator, a cold frame or enclosed shelf, or of course, a greenhouse. Again, a successful large collection of plants will not be arranged at random, but rather as a series of smaller sub-collections, like the objects in a home or shop. My main moss collection is housed in a 10x12 foot aluminium greenhouse, on aluminium staging when in Reading, but now on modular plastic shelves. The plants and methods may be unusual, but the framework is quite conventional. Yet even within one greenhouse, there can be a very wide range of conditions, and different groups of plants may be treated in very different ways. I will start by describing some of the mini-collections, apart from the main greenhouse, which I have seen, or have made for myself.

A few tubs or flower pots on an outdoor patio can constitute a collection. They do not have to be filled with Lobelias and Pelargoniums. The large liverworts, Marchantias and so on, will do as well, though they are not so colourful. Any reasonable soil will suit them. If they dry out completely, they are damaged. The big common liverworts are better kept in the shade, since drought and hot sunshine will kill them, just like Lobelias. They take a few weeks to get well rooted, and until they are, they need more careful watering. like anything that is newly planted. I had half-a dozen such pots on a north-facing cement border in Reading. In dry summer weather they got washing-up water tipped over them every few days. For most of the year, rain was enough. When going away on summer holidays, I covered them with a plastic bag to keep them moist. There are of course more elegant ways of growing such plants, as in the Reading university greenhouse, where a collection containing many fine pots of Marchantias enjoyed a daily wetting with distilled water.


Another mini-collection in Reading was probably unique. It resembled the outside windowsill collections of small cacti and succulents which I kept in student days. On the sunniest possible south-facing verandah, where even Sempervivums might shrivel and die, were a dozen small acrocarps, in plastic pots and seed trays. Flourishing after several years were Tortella nitida, Bryum torquescens, the large yellow Mexican Pleurochaete luteoalba, and (until insect larvae ate it) Bartramia stricta, a Mediterranean species. Racomitrium heterostichum (mentioned in the last chapter) and some Grimmias were scarce, on slate in clay pots. Among hardy cacti and succulents nearby, and on south-facing outside windowsills,, were several common urban mosses. They were obviously all plants of dry sunny habitats. They were never watered, however dry the weather, and made most of their growth in winter.
Another mini-collection contained test tubes. They lived on a shaded shelf of the greenhouse, with a few of current interest indoors, by the living room window. They could equally well have been in a shaded site outdoors, as Dr. Whitehouse sometimes kept his collections. Only a hardened biologist would put test tubes of moss on a laboratory bench, next to a fluorescent light, but it has been done.

An old brick walltop in the garden, and some cement, were home to some non-local mosses, some long-established, some stuck on in later years with silicone bath sealant. It hardly amounted to a collection, but about 10 non-local species persisted and in some cases spread, though slowly. All were pleurocarps of dry rock or tree habitats. Notable successes for ten years or more were Pterogonium gracile (abundant) and Leptodon smithii (slow but steady). Later trials of several other species, especially of Racomitriums and Hedwigia ciliata were promising. Most were transplants of surplus material from greenhouse cultures. As suggested in chapter 5, it would be irresponsible to collect any except the commonest mosses for such transplants, but their persistence and growth on an ordinary wall near the middle of Reading was surprising, suggesting that there is still a great deal to be learnt about their ecology.


Until the day sunshine is privatised, growing plants by artificial light might seem rather pointless. However, if electricity is available, it can make very good sense. Normal filament lights are useless for plants, and normal fluorescent lights are rather ineffective. Always use lights designed for plant growth, as sold by aquarists, or by specialists in horticultural equipment. I hear that the fashion for home- grown cannabis has created a flourishing market for such equipment. Such lights emit the wavelengths of light most effectively used in photosynthesis. Using such a light, plants can be grown indoors, or in an insulated enclosure, and need no expensive greenhouse heating. Some plant growers, especially in the severe Canadian climate, grow exotic plants in basements, using artificial light, but needing no extra heat in winter. Such a light can be used in a greenhouse, if electricity is available. Always use a circuit-breaker plug, since the risk of a short-circuit caused by damp is far greater than indoors. It can boost the growth of winter-growing plants like Poinsettias and some specialised Mesembryanthemums, at a time of year when natural daylight in Britain is inadequate. A wide variety of collections could be built around such lights, with far better control over temperature and daylength than most gardeners ever achieve. For a few years, I had a 40-watt fluorescent light in the main greenhouse devoted to mosses. It supported about a square metre of vigorous plant growth in an enclosed box.
Just for the experience, I also kept some ordinary jamjars in the Reading house, with a little peat in the bottom, on a landing shelf. They confirmed my early experience that plants in enclosed containers like this often persist, but become etiolated and unnatural. There are a few mosses and hepatics which will grow reasonably well. Removing the lids to look at them and water them was rather time-consuming, when it had to be done. They dried out slowly, but stayed moist for a month or two without attention. However Schistostega pennata was outstandingly fast and successful on sand. In a pot in a jamjar, in a plastic tickle-bud holder, or in any small transparent container. The disposable plastic sweet jars from confectioners are ideal, and make a good way of growing larger mosses, most Selaginellas and ferns, many small houseplants, cuttings, and so on. For removing the labels and glue, try Boots "Sticky Stuff Remover"!

An aquarium with a plastic lid proved a more convenient home for an indoor collection. It was on a landing, and contained some houseplants. They included forms of Begonia rex. Winter in the Reading house was rather cool for this plant, with January temperatures on the landing averaging 13C, ranging from (+5)-10-15C., and the Begonia sometimes suffered catastrophic leaf loss in the late winter, though the hardier species, Begonia boweri and B. maculata flourished. Most bryophytes failed. Only a few hepatics would grow in these very dim and almost constantly humid conditions, but some of them were of great interest. They included several rare and very minute hepatics of the Lejeunea family, notably Cololejeunea calcarea, Aphanolejeunea microscopica, and Drepanolejeunea hamatifolia, also a Frullania. Calypogeia arguta was an abundant weed, and some small rare Lophocoleas did well. Even fewer mosses survived, among them Leucobryum glaucum. It was convenient to keep nearby a small handspray full of rainwater, and to spray them every few days, when passing up and down the stairs. Even here, desiccation played a part. For a few weeks in April and August, sunshine got in for 20 minutes or so each day. This was enough to gently dry out the mounted cultures, to check or kill Calypogeia arguta, and to stop it overrunning the other small hepatics. One curiosity was a small patch of Lejeunea patens which grew over a Begonia leaf, just as tiny epiphyllous Lejeuneas grow over leaves in tropical rainforests. It lasted two years, until the leaf died. None of these survived tour years neglect during my more recent illness.


Somewhere between a jamjar and a greenhouse in the conditions it can provide, is a plastic propagator or shaded cold frame. My own mosses were until 1986 in glass-sided frames, and I once saw another promising moss collection, started by an enthusiast in a garden frame. Enclosed frames and propagators can of course be set up on the staging of a greenhouse. They are an easy way to provide the high humidity which is helpful for many mosses, and essential for most hepatics.
However, enclosed containers, whether they be jamjars, cold frames or test tubes, can all quickly overheat in bright sunshine. A high priority must therefore be to keep them shaded. This prevents their use for growing sun-loving plants, except perhaps in a frame which is thoroughly and reliably ventilated when the sun shines. My own collection was housed until 1986 in tiers of glazed frames on a wooden framework. Since air could circulate around them, these frames remained generally cooler than a greenhouse, but being small and enclosed, had this disadvantage, that when the sun did shine into them, they could quickly get very hot at times. They were also less convenient to work on or look at than a greenhouse, especially in wet weather.

Plants were moved to a conventional greenhouse in 1986. It was in an unpromising site near the centre of Reading, in a south-facing brick-walled garden with a warm dry urban microclimate. The greenhouse itself was aligned east to west, and closely hemmed in on the east and south sides by walls. Until 1994 it was overhung by two large lime trees, and partly shaded on all sides by other trees. It became very dark in summer, though some afternoon sunshine still got in, making it very hot indeed. After the lime trees were felled, it got full sun almost all day. The door and ventilator ware opened a little in summer, but there was usually less ventilation than one would expect in a greenhouse, even one devoted to heat-loving plants.


The plants were on aluminium staging, three layers high, with another layer of plants also standing on part of the floor. There was no shading painted on the glass, since a priority, especially before the lime trees were removed, was to get enough light to the lower shelves. Light was reflected around by curtains of aluminium-coated plastic, the material sold in camping shops, as "survival blankets", or by sheets of aluminium foil. These curtains were, and are, the most striking feature of the interior. The reflective film has a wider horticultural usefulness, not only for shading, but for redirecting light to where it is needed, but it must be used with care. The combination of reflected and direct sunlight may be useful in winter, but can cause rapid and lethal overheating of greenhouse plants in summer.
A water butt in the greenhouse could be connected, via its own tap and a hose, to another by the house. Rainwater from the house roof could be piped to the greenhouse. This was a great labour-saving arrangement, to be recommended to any greenhouse owner. A reliable supply of lime-free water is essential for any large general collection of mosses, and beneficial in any greenhouse.

Thermometers scattered around showed a surprising situation, though something similar must occur in most greenhouses. On a sunny day, the upper part was far warmer than the outside air, even with ventilation. There was a steep temperature gradient, and the floor, especially at the more shaded end furthest from the door, was cooler than outside on warm sunny days. I once, for instance, recorded a shade temperature of 50C on a top shelf, and at the same time, 21C on the floor, with an outside temperature of 25C. The water butt was a heat sink, the water in it cooling the air around, which sank and collected on the floor. These great temperature differences have to be reckoned with, and can be exploited. Delicate hepatics - mostly mounted cultures of small leafy liverworts - survived on the floor, in aluminium trays covered with polythene sheets. They were cool in summer, and in the constantly high humidity grew well, though they would have died almost instantly in the heat of the day on an upper shelf. Meanwhile the drought-resistant plants on the top shelves were being baked, among them even some Arctic and alpine mosses which seemed no less drought-resistant than their relatives from milder climates. Yet these in turn were warm enough to grow on sunny winter days, even in the severest cold weather.


It is disappointing how few greenhouse owners have more than one thermometer, even those with valuable collections and substantial greenhouse heating bills. Such temperature differences must have an equally great effect on many flowering plants. Any intelligent grower with a greenhouse should find them worth recording and exploiting.
There was an equally great difference in the amount of light reaching different places. The reflective sheeting was arranged to direct light to the lower shelves, while also completely diverting all direct sunshine from most of them, especially those containing hepatics. Yet the differences, especially in summer, were as great as those between Greenland and Egypt. Each shelf of the staging formed a mini-collection, with its own distinctive microclimate and management needs.
The shelves could be covered with polythene, to keep the plants on them moist. All shelves had a few things in common. All were usually watered by spraying with the large pump-up spray. Sometimes I removed the nozzle, soaking some plants and soil with a coarse heavy spray, like that from a garden hose, sometimes they got a light misting, just enough to cool and moisten the plants and the air around them. I have already emphasised the importance of thoroughly spraying mosses with rainwater, the more often, the better, when they are not dry and dormant. It can be done several times a day if you feel so inclined, but they will get by on one or two waterings a week, or less, if conditions are otherwise right.
Best of all, they can, with a little planning, be left unattended for 2 or 3 weeks. The few trays that must stay wet, such as those of Sphagnum, were topped up with water, and perhaps moved to a shadier position and covered with polythene. In general, the plants on the lower shelves, being cooler, were moist for more of the time. When plants are dry, the polythene covers may be rolled up, and the plants ignored. Any plant that might benefit from remaining moist in summer can be moved to a cooler lower shelf. In the hot summer of 1990, over three quarters of the mosses and some of the hepatics were dry for up to three months. Their revival in mid-September was astonishing to watch. Just as a cactus grower must resist the temptation to water in winter, so must a moss grower resist the temptation to water most mosses when conditions are too warm or too dry for good growth. Many of these plants will survive under conditions far drier and warmer than in habitat.

Yet it takes some conviction to impose such apparently harsh treatment on these tiny plants. Even some hepatics are drought-resistant. Most hepatics have always been on the floor, or on the third shelf down, but even some of these dry out gently in hot weather. Much could depend on the site of the collection. In a greenhouse with a cool north aspect, especially in the north of the British Isles, most mosses could be kept growing all summer. Plants like Sphagnum were kept wet but exposed, and the hotter and drier the weather, the more often their trays needed checking, and topping up with water. However the one essential piece of advice is that most mosses or hepatics, if conditions get too hot or dry, cannot in general be saved by waterlogging. That will often kill them, faster and more thoroughly than desiccation. One of the great advantages of mounted cultures can be that they dry out so quickly in summer. A plant that is watered just before the sun comes out can be dry and dormant again within minutes. The same plant in a flower pot may stew in wet soil for hours, after the temperature has risen high enough to damage it.

Many plant growers fear some disaster while they are on holiday, and have to make arrangements for watering, shading and ventilating their precious collections.. Most of this moss collection could be left to dry out quietly at any time of the year, whenever I was busy, or away from home. Geraniums, houseplants and pet animals all proved a bigger headache at holiday times. In this respect, mosses and hepatics are easier to keep than many houseplants. Such watering and attention as they need can be fitted around a busy or irregular routine.
The top shelves, despite being warmer and drier, have always been crowded. Most Sphagna, permanently waterlogged, but best shaded in summer, were there. Any hepatics on the top shelf were best kept shaded in summer. Cephaloziellas and Riccias were allowed to dry out in summer, others such as Anthoceros and Riccardias needed to be always kept wet. For the rest, the top shelf contained xerophytes. Tortulas, Bryums, Barbulas, high epiphytes and plants of exposed rocks were mostly on mounted cultures. Management for these was simple. Nothing was watered in the summer. Sometimes, on a cool cloudy day, they got a spraying, but there was little point in regular watering, since they were usually dry again within a few hours, and could make no useful growth. To moisten any moss when the temperature is above 25-30C will damage or weaken it, though mosses that are already moist and growing may continue to grow, apparently happily, in temperatures as high as 35C. Unless they can grow, repeated wetting and drying are more stressful than remaining dormant. The higher the temperature, the more stressful it is.
That, at least, is my general impression. A moss or hepatic that is damaged, as by crushing or cutting, or by exposure to harmful chemicals (such as bleach), or by being moistened when too warm, or after a damaging drought, will usually give off a characteristic smell. I do not know the cause, save that it is obviously the smell of some substance which is bound inside a healthy plant, but which escapes from an stressed one. I take it as a sign that the plant is being stressed or damaged.

In September or October, regular watering became worthwhile for these exposed plants. They were, and are, still mostly covered with polythene, and kept almost continuously moist until next March or so, with little or no direct sunshine to dry them out. Early autumn is a good time for replanting those which have not been growing well. The plants on these top shelves were at their most interesting in the darkest part of the winter.


Parts of some lower shelves got diffuse sunshine. Until the lime trees were felled, some shelves were too dark in summer for any except the most shade-tolerant species. In particular, there are very few mosses which tolerate a combination of waterlogged conditions, deep shade, and high temperatures. The combination of poor light and high temperatures, especially high night-time temperatures, seems lethal to many mosses and hepatics. It is a central problem in growing some of the most "difficult" ones, and is worth discussing, since it has a wider horticultural importance.

All normal plants fix carbon by photosynthesis. There is an optimum temperature range for photosynthesis. Few plants can fix much carbon at below 5., though they include most mosses. Most grow best at temperatures above 10C. Many plants, especially tropical ones, use a form of photosynthesis which works best above about 16C. On the other hand, plants lose carbon by respiration. The loss increases with temperature. There is therefore, for any species of plant, a best daytime temperature for growth, a temperature at which it gains most carbon. Above this best temperature, carbon loss increases. If it gets too hot, the carbon loss exceeds the gain, and the plant cannot grow at all, however good the conditions are otherwise. This best temperature varies between species. Obviously, it is likely to be higher for tropical plants than for arctic and alpine ones.


Net growth is the difference between carbon loss and carbon gain. A plant growing in inadequate light will gain less carbon through photosynthesis, and is therefore less tolerant of high temperatures. The plants which are best adapted to a combination of poor light and high temperatures are those of tropical forests. It is perhaps no coincidence that most successful house plants come from such habitats, since they evolved to cope with the same combination of conditions as is found in most buildings.

At the other extreme are plants of strongly lit cold habitats. They obviously include many alpines. The small alpine cactus, Pediocactus simpsonii, from the high mountains of Colorado, long had a reputation as ungrowable. No combination of compost or watering could be found which would prevent it from wasting away in England, until an enterprising cactus grower took four plants, grew two normally, and put the other two in a refrigerator each night for a summer season. Unlike the controls, they gained weight and flourished.

Many mosses seem to have an optimum temperature for growth at around 10-15C., but seem less troubled by hot days than by warm nights, during which time carbon loss presumably continues. Also, unlike cacti, an entire moss plant can become desiccated and inert. In this state, many mosses, even Arctic and alpine ones, can stand temperatures that would be lethal to most flowering plants. However, after growing well in spring, and not suffering too much in hot June weather, mosses may languish or go mouldy in late summer. The worst weather for them is warm and overcast, with high night-time temperatures. The plants most affected have been those with a northern or alpine distribution, plants which cannot be dried out and left dormant in summer, and especially plants of cold watery habitats, mountain streamsides and so on. Some are mosses, but most of these problems have been alpine hepatics. Some were discussed in the chapter on mountain mosses.

A preoccupation of many greenhouse owners is to keep things warm in winter. The mosses have always been unheated. They freeze when outside temperatures go below about -2C, usually get chilled to -5C most winters, and have been as cold as -13C. One rare Sphagnum from NW Scotland, S. strictum, may once have been damaged. The astonishing thing is that I have seen no other obvious damage to mosses from frost, not even to the many tropical ones. With hepatics, the position is not so clear. Many Marchantias and their relatives are hardy, but may show marks on their thalli after frost, which seems to check their growth. Pellia epiphylla and Riccardias seem unaffected by cold, but some hepatics of similar appearance, such as the erect frondose Pallivicinia xiphoides from New Zealand have become quite miserable after a severe winter. The related genus Moerckia has thin translucent thalli with a thicker midrib. It is a warm-temperate genus with few British species, and does not like severe winters. Strangely, there is a very striking species M. blytii with a crisped and curly thallus, which is almost confined to Scottish snowpatch vegetation. I lost my first culture of this species one winter, in a way which suggested frost damage. In habitat it is of course covered by deep snow for most of the year. Anthoceros, a strange genus of thalloid hepatics, tend to disappear in cold winters, though some species are British natives. They re-appear in spring, and grow best in warm summer weather. On the other hand, in midsummer 1992 I put two cultures of Scottish snowpatch plants into a freezer at -15C. They were being overrun by weedy mosses and hepatics. They were pretty thoroughly destroyed by the sudden freezing, mosses as well, but out of the dead mush emerged some surviving shoots of a high alpine Marsupella.


A small greenhouse at Reading University is devoted to mosses and liverworts, especially Marchantias. It is warmed enough in winter to keep out frost, and the Marchantias seem to grow better for it. I would suggest that anyone growing similar plants on any scale might consider treating them likewise. For mosses, frost is not a problem.

Anyone who maintains a large plant collection must be concerned about weeds, pests and diseases. I have encountered no obvious diseases peculiar to mosses and liverworts. In warm weather, cultures may go mouldy. This is perhaps the most obvious problem. The damage can be sudden and fatal, but moulds are very delicate, and can usually be checked or stopped, either by drying out the plant completely, or by spraying it thoroughly, and if possible, moving it to a cooler or better-lit place. If that fails, try replanting, or await cooler weather, and watch for recovery.


Few mosses or hepatics are nutritious. Most seem to contain repellent chemicals, and are rarely eaten. I have watched tiny springtails apparently nibbling moss protonema. Woodlice can build up large populations in a damp greenhouse, and may then devastate certain plants. I have used a variety of insecticides against them, but have not yet found one which damages mosses, nor one which is effective against woodlice for more than a short time. Rather than soak the plants in noxious chemicals, it is pleasanter and more effective to keep the greenhouse and plants clean and well swept, and to trap and evict straggling woodlice. Slugs and snails make a mess, but rarely damage these plants, and only eat young shoots or setae. I once left a set of herbarium packets on a shelf in the mosshouse. Hungry snails, finding no normal plants to eat, devoured the paper packets, but left the unpalatable mossy contents alone. The cure seems to be the hedgehog which visited one summer. There were hardly any snails in the garden or greenhouse next season.
More troublesome are insects whose larvae eat humus or moss. If there is a piece of old shaded tarmac or cement nearby, watch it over a season. A cover of mosses will develop, but there will come a time, probably in autumn, when it disintegrates as burrowing larvae eat away the rhizoids. Birds will then turn over the tufts to eat the larvae or get nesting materials, and the messy remains will provide nutrients for the next moss crop. Mosses grown outdoors eventually suffer a similar fate, though birds at least can be kept off, with netting. The most obvious insects which have bred in this collection have been midges, craneflies, and small moths. Their larvae live in wet soil.
Pots containing peat can be half-emptied by cranefly larvae, which eat peat and humus, though the plants growing in it are not directly harmed. Incidentally, Venus Fly Trap plants catch adult craneflies very effectively. Their legs stick out. It is quite disgusting.

Other larvae, probably of moths, have been far more damaging. They eat decaying material, but may spread fungus decay as they burrow through moss tufts. Between 1987 and 1989 they were an increasing problem, damaging and destroying many healthy plants, especially those growing on peat. A spraying with a long-lasting insecticide containing dimethoate and permethrin eliminated them.


Midges persisted, as proof that there was something in the greenhouse environment to remind the many Scottish mosses of their origins. Midge larvae have disrupted some cultures, especially of hepatics, making them go mouldy. Sometimes the flying adults got swatted or sprayed with fly-killer, in a rather ineffective way. Dry or mounted cultures, and those covered with polythene, were less likely to be troubled by them. Apart from the Venus fly traps, butterworts and sundews, especially the long-leaved Drosera capensis, used to catch lots of small insects, and seemed to be a useful control measure, flourishing among the Sphagnum. Another greenhouse I knew, containing mosses and liverworts, also bred midges, whose larvae caused similar damage, destroying some cultures. These problems hardly affected most of my collection, since mounted cultures contained little or no soil, and dried out faster,. offering far less scope for these unwanted insects to lurk or to breed. Also, polythene sheets draped over parts of the collection made it harder for airborne insects to get to the plants underneath.
Traditional greenhouse pests, greenfly, whitefly, mealy bugs, and so on, are irrelevant to a moss grower. Incidentally, I am familiar with them among my cacti and succulents, but find that regular vigorous spraying with plain water, of the kind mosses enjoy, so discourages and damages these familiar greenhouse pests that no insecticides are necessary. It is a very simple and obvious idea, to simulate natural rainfall by spraying plants, rather than by tipping water on the soil around them. Yet like other ideas which arise in trying to grow mosses, it has a wider usefulness.

As for weeds; It can be quite difficult to establish a pure culture of any one moss. Anyway, there is usually not much point in it. So long as conditions are right for the plant which is intended, it should hold its own against competitors, with one reservation - that many mosses are quite short-lived. Ephemerals may have a life cycle measured in weeks, which is why they are the hardest to keep for a long time. Many others languish unless given fresh soil every year or so. Replanting is an opportunity to pull out and discard unwanted species. In cultures on waterlogged soil, things can also happen quite fast, and some species, especially Marchantias and Bryums, can be very invasive, completely covering them within a few months. It is often worth weeding out the unwanted plant with tweezers. The exact technique depends on the species involved, but invaders can rarely be exterminated in this way. At worst, the desired plant can almost always be refound, and a new clean culture started. Once again, the invader will often reappear, but so long as the desired plant has some room to grow, it is rarely lost.


The worst invaders, in the experience of other moss growers, are Marchantias, whose gemmae are easily splashed around, and overwhelm everything. Once they get onto wet fertile soil, they are very hard to eliminate. They only grown in the small minority of my cultures which are on wet neutral soil, and are rarely a nuisance. In an interesting reversal of this situation, some of my Marchantias have at times been overrun by tiny Cephaloziellas. On the other hand, many mosses, especially those of sunny dry ground, kept in dry conditions, and mosses and hepatics of trees and rocks, when grown on mounted cultures, can persist, unchallenged by invaders for many years, so long as the conditions are as dry and low in nutrients as in habitat. Any invaders of such cultures (Bryums are commonest) can be pulled out with tweezers.

More troublesome weeds are algae. A test-tube culture contaminated by algae is eventually doomed, yet algae are everywhere, and it is not possible to make any greenhouse culture without them.


Filamentous algae make long green threads, which soon form a dense mat. Only vigorous shoots of larger mosses can struggle though it. These algae are rather sporadic, and only grow on a few cultures, on wet neutral or lime-rich soil containing plenty of nutrients. They will not, for instance, grow on peat. They are very easily killed by drying, but a mat of dead algae is not much of an improvement on the live ones. Sometimes the mat can be lifted off or broken up, leaving the moss with fresh soil to colonise, sometimes moss shoots must be extracted and put onto fresh soil, preferably a soil lower in nutrients. These algae are not toxic, and do not directly kill mosses or liverworts. Many mosses lift their shoots clear of the enveloping gunge, or even grow underneath it. I have often left some to battle on unaided.
Single-celled algae, especially blue-green ones, are also everywhere. They are especially vigorous on chalk and limestone. They re-appear after drought, but take a long time to get going again, so in frequently dry cultures they are less of a nuisance. Lime-rich or nutrient-rich cultures, even mounted cultures, if they are continuously wet for a few weeks, are often discoloured by them, and many mosses which can spread rapidly on fresh soil fail to go on doing so after a time. It is probable that some algae, especially blue-green ones, discourage competitors by chemical means. For this reason, a moss that is not spreading on an alga-contaminated culture will often benefit from replanting. Also, a culture covered in clingfilm has a very limited life, as little as a couple of weeks, before algae spread across it. However a pot of soil can be sprayed hard enough to break up the soil surface and wash away most of the algae, allowing the moss to go on spreading. Clay pots, especially if usually damp, soon develop a green film of algae or accumulated lime around the rim. This too is worth scrubbing off occasionally with a wet thumb or an old toothbrush, or the plant put in a clean pot, if only for apperances' sake. This can a time-consuming task.
On the other hand, all mosses must compete to some extent with algae, and some grow quite successfully in cultures covered with them. The gelatinous algae which form rubbery translucent olive-green lumps on limestone or chalk soil, often appear in suitable cultures. They are more of a curiosity than a nuisance. The algae in this collection might be as varied and interesting as the mosses, but I know very little about them.
Rather rarely, I even have trouble with lichens, though most lichens are more difficult to grow than mosses. A Cladonia, probably C. pocillum, sometimes spreads over mosses on well-drained basic soil on the top shelves. Small Collemas can be grown, and have appeared uninvited on intermittently wet chalk or clay, and on mounted limestone cultures. These are more of a curiosity than a nuisance, though they can discourage mosses. Some Cladonias, Collemas and other large lichens, especially Peltigeras, can be grown in a similar way to mosses, but that is another subject.

Another basic problem can be to recognise the species one is actually trying to grow, and it can be a real problem. Just as a helpful child who does not know the difference between chickweed and Dahlias can wreak havoc when weeding a garden, so a person who cannot distinguish immature shoots of difficult-to-name mosses will never be confident of keeping them. In flower pots of soil, I have sometimes found myself growing the wrong species - of Bryum and Dicranella especially. On mounted cultures, this is much less of a problem. Far commoner is the basic problem, familiar to all bryologists, of not being able to identify what you collected in the first place. But then, of course, the plants that cannot be named are often the most interesting.

There is one very good reason for not even trying to make pure cultures of freshly collected plants. Many mosses and hepatics have an remarkable affinity for a particular habitat. Where one unusual plant is found, there will often be others. If the main species grows well, its original associates will probably survive as well. Many of my own cultures contain several species from the original habitat. Some were not noticed when collecting, and were only discovered as long as ten years after. Sometimes these are more interesting than the main plant. It is worthwhile to deliberately mix and cross-culture mosses from the same site in a way which would be impractical with larger plants. In this way, any one species is far less likely to be lost completely, and can be observed growing in different cultures, interacting with other species, and under a range of conditions. Much of what I have learnt about growing these plants has come from seeing things survive or grow where they were not expected. Nevertheless, unwanted mosses and hepatics will overrun many cultures, perhaps, in time, most of them. Never despair. Even if 99.9% of a culture is dead, or is of the wrong species, the desired plant can almost always be refound. Be prepared to use a good lens to search for it, and a pair of tweezers, to remove and replant any possible surviving shoots.

In the 1970s I wrote to many people, and discovered only about a dozen collections of live mosses and hepatics, worldwide. Most belonged to professional botanists, and most, though not all, were in highly artificial surroundings, in test tubes or growth chambers. Even so, I was surprised at the diversity of these few collections. Another surprising and embarrassing thing was that some of these people generously sent me new and fascinating plants, which they had in some cases grown successfully for many years - and that some of those plants died as soon as I got them. That does not mean that bryophytes are especially temperamental, for many gardeners have had similar experiences. A plant that flourishes for one grower will often inexplicably die in the hands of another. It is a reminder that a collection of plants, just like the collection of objects in a house, reflects the personality of its owner, both in the choice of plants, and in the way they are treated.


The only other group of plants I have grown on any scale are cacti and succulents. Many other people grow them, and in comparing collections, I note many differences between one collection and another, and between my own efforts and those of other people. Likewise, other people who grow mosses and hepatics may discover quite different methods that work better for them, and report quite different results. Also, in other parts of the country, and especially in the wetter and cooler North, many of these plants would probably behave quite differently in cultivation.

There are many pieces of equipment available from horticultural suppliers, some of them unavailable a few years ago, which might be worth trying. The most interesting is probably mist propagating equipment. I have not been tempted to use it, partly because it is expensive, but mainly because hard tapwater is so obviously unsuitable for most mosses. Also, even soft tapwater may be contaminated by copper or other substances harmful to mosses, dissolved from the supply pipes. There is also the thought that any collection that relies on high-tech equipment may face disaster - should that equipment fail. Nevertheless, I have seen some fine large pleurocarps grown under a mist propagator.

There is probably no other group of plants about whose cultivation so little is known, or which offers so much scope for experiment. And there can be few other groups of plants which an enthusiast can so easily see in their natural habitats. It is not that too few people are interested in them. I have sometimes found, in casual conversation, that someone admits to having tried to make and keep a moss garden, usually in a jamjar or a saucer. Many children are fascinated by the world of minibeasts and tiny plants which is revealed by a good lens. Yet these interests too rarely develop into a more sustained interest in mosses, let alone an interest in growing them.
While many orchid or succulent lovers can only daydream about visiting distant lands and seeing their plants growing wild, a couple of dozen mosses, including some quite interesting ones, can be found, even in central London. It is not of course that central London is an especially exciting place for plant hunters, nor that distant lands are not worth visiting. It is, rather, that an interest in wild plants, or in any other branch of natural history, is an incentive to visit, to look at, and to enjoy places and landscapes. I doubt if there is any other group of British plants, the study of which could draw a student to visit a greater variety of extraordinary and sometimes beautiful places.

Some botanists, when they visit places of interest, bring home herbarium specimens of their plants, some notebooks, and some photographs - while some are content with only memories. I hope this handbook shows that, if it is done responsibly and intelligently, any serious student of mosses can do something even more worthwhile. He, or she, can keep and make as many photographs, as many herbarium specimens and notebook entries as desired. But best of all, it is possible to bring back, to keep - and to study, propagate and enjoy - the living plants.


Nevertheless, the idea that mosses are unreasonably difficult or impossible to keep alive, or to grow, has not been fully dispelled, even now. It is a false idea. If not before, during all the years between 1966 and 1996, as I built up this unique collection, my experience from 1996 to 2,003 has given a dramatic and extraordinary demonstration of just how hardy and persistent these tiny plants can be.

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