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A bibliography of Literary Theory, Criticism and Philology


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A Bibliography of Literary Theory, Criticism and Philology



http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html

by José Ángel García Landa

(University of Zaragoza, Spain)


William Shakespeare: The Tempest

(Dramatic romance. Written c. 1611, acted at Whitehall 1611. Pub. 1623)



Editions
William Shakespeare. The Tempest. In Mr. William Shakespeares Comedies, Histories, & Tragedies. (First Folio). London, 1623.

_____. The Tempest. Ed. Anne Barton (Anne Righter). (Penguin Shakespeare). Harmondsworth: Penguin, 1968.

_____. The Tempest / La tempestad. Bilingual ed. Ed. and trans. Carlos Pujol. Barcelona: Bosch, 1975.

_____. The Tempest. Ed. Stephen Orgel. (The Oxford Shakespeare / World's Classics). Oxford: Oxford UP, 1987. 1994.

_____. The Tempest. Ed. Frank Kermode. (Arden Shakespeare, 2nd ed.).  London: Methuen, 1954. 1966. Rpt. London: Routledge, 1988.

_____. The Tempest. Ware: Wordsworth.

_____. The Tempest. Ed. Rex Gibson. (Cambridge School Shakespeare). Cambridge: Cambridge UP.

_____. The Tempest. Ed. Christine Dymkowski. (Shakespeare in Production series). Cambridge: Cambridge UP, forthcoming 1996.

_____. The Tempest. In The Arnold Anthology of British and Irish Literature in English. Ed. Robert Clark and Thomas Healy. London: Hodder Headline-Arnold, 1997. 227-80.*

_____. The Tempest: A Case Study in Critical Controversy. Ed. Gerald Graff and James Phelan. (Case Studies in Contemporary Criticism). Houndmills: Macmillan, 2000.*

_____. The Tempest. Introd. Stephen Greenblatt. The Norton Shakespeare. Ed. Stephen Greenblatt et al. New York: Norton, 1997. 3047-3107.*

_____. The Tempest. In William Shakespeare: Complete Works (The RSC Shakespeare). Ed. Jonathan Bate and Eric Rasmussen. London: Macmillan, 2007. Pbk. 2008. 1-51.*

_____. The Tempest. In The Complete Works of William Shakespeare. Online at MIT.

http://shakespeare.mit.edu/tempest/full.html

2012


_____. La Tempête. (GF 668). Paris: Garnier-Flammarion.

_____. La tempestad. In Shakespeare, Obras completas II: Comedias y poesía. Trans. and notes by Luis Astrana Marín. Madrid: Santillana-Aguilar, 2004. 525-62.*

_____. La tempestad. Ed. and trans. Angel Luis Pujante. (Colección Austral). Madrid: Espasa-Calpe, 1997.

_____. La tempestad. Ed. and trans. José María Valverde. (Colección William Shakespeare). Barcelona: Planeta DeAgostini, 2000.*

_____. La tempestad. Trans. R. Martínez Lafuente. Intord. Anne Barton (1968), trans. Gema Moral Bartolomé. (William Shakespeare, obra completa). Barcelona: RBA, 2003.*

_____. La tempestad. Introd., trans. and notes by Pablo Ingberg. Buenos Aires: Losada, 2000. Rpt. 2006. (Premio Teatro del Mundo (Traducción), Centro de Investigación en Historia y Teoría Teatral, Centro Cultural Ricardo Rojas, Universidad de Buenos Aires).

_____. La tempestad. Introd., trans. and notes by Pablo Ingberg. (William Shakespeare). Barcelona: Vitae Ediciones, 2006.*

_____. La tempestad. In Shakespeare, Obras completas - III. Comedias sombrías - Dramas romancescos - Poemas: Troilo y Crésida - Bien está lo que bien acaba - Medida por medida - Pericles, príncipe de Tiro - Cimbelino - Cuento de invierno - La tempestad - Los dos nobles parientes - Venus y Adonis - La violación de Lucrecia - Sonetos (y Lamento de una amante) - Poemas diversos. Trans. by Alejandro Bekes, Pablo Ingberg, Manuel Mujica Lainez, Delia Pasini, Cristina Piña and Idea Vilariño, "Introducción general" by Pedro Henríquez Ureña, "Comedias sombrías y dramas romancescos" by María Eugenia Bestani, "Los poemas" by María Eugenia Bestani and Alejandro Bekes. Ed. Pablo Ingberg. Barcelona, Losada, forthcoming 2009.

_____. "Song: Come unto these yellow sands." From The Tempest. In Perrine's Literature: Structure, Sound, and Sense. By Thomas R. Arp and Greg Johnson. 8th ed. Boston (MA): Thomson Learning-Heinle & Heinle, 2002. 942.*

Criticism
Adelman, Janet. Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare's Plays, Hamlet to The Tempest. New York: Routledge, 1992.

Allen, Don Cameron. Image and Meaning: Metaphoric Traditions in Renaissance Poetry. Baltimore: Johns Hopkins UP, 1960.

_____. "The Tempest." From Image and Meaning: Metaphoric Traditions in Renaissance Poetry. Baltimore: Johns Hopkins UP, 1960, rev. 1968. 77-101. In The Tempest: Critical Essays. Ed. Patrick M. Murphy. New York; Routledge, 2001. 173-89.*

Anderson, Randall Louis. "Shakespeare at the Guthrie: The Tempest Through a Glass, Darkly." Shakespeare Quarterly 44.1 (1993): 87-92. In The Tempest: Critical Essays. Ed. Patrick M. Murphy. New York; Routledge, 2001.404-12.* (Jennifer Tipton).

Andreas, James R., Sr. "Signifyin' on The Tempest in Gloria Naylor's Mama Day." In Shakespeare and Appropriation. Ed. Christy Desmet and Robert Sawyer. London: Routledge, 1999. 103-18.*

Ansorge, Peter. "The Tempest (National Theatre at the Old Vic on 5 March 1974)." Plays and Players 21.7 (1974): 34-35. In The Tempest: Critical Essays. Ed. Patrick M. Murphy. New York; Routledge, 2001. 361-63.*

Baker, Houston A., Jr. "Caliban's Triple Play." Critical Inquiry 13.1 (1986): 182-96.

Ballesteros González, Antonio, and Ana Manzanas Calvo. "Monsters on the Island: Caliban's and Prospero's Hideous Progeny." Atlantis 19.1 (June 1997 [issued February 1999]): 15-20.*

Bamber, Linda. "Claribel at Palace Dot Tunis." In Transforming Shakespeare: Contemporary Women's Re-Visions in Literature and Performance. Ed. Marianne Novy. 1999. Basingstoke: Palgrave, 2000. 237-58.* (The Tempest).

Barker, Francis, and Peter Hulme. "Nymphs and Reapers Heavily Vanish: The Discursive Con-Texts of The Tempest." In Alternative Shakespeares. Ed. John Drakakis. (New Accents). 1985. London: Routledge, 1988. 191-205.*

_____. "'Nymphs and Reapers Heavily Vanish': The Discursive Con-texts of The Tempest." In New Historicism and Cultural Materialism: A Reader Ed. Kiernan Ryan. London: Arnold, 1996. 125-38.*

_____. "Nymphs and Reapers Heavily Vanish: The Discursive Con-Texts of The Tempest." In Shakespeare: An Anthology of Criticism and Theory 1945-2000. Ed. Russ McDonald. Oxford: Blackwell, 2003.*

Bate, Jonathan. "Caliban and Ariel Write Back." Shakespeare Survey 48: Shakespeare and Cultural Exchange. Ed. Stanley Wells. Cambridge: Cambridge UP, 1996.

Bender, John B. "The Day of The Tempest." ELH 47 (1980): 235-58. In The Tempest: Critical Essays. Ed. Patrick M. Murphy. New York; Routledge, 2001. 200-22.*

Benzon, William L. "At the Edge of the Modern, or Why is Prospero Shakespeare's Greatest Creation?" Journal of Social and Evolutionary Systems 21.3 (1998): 259-279. Online PDF at SSRN (Nov. 2009):

http://papers.ssrn.com/sol3/papers.cfm?abstract_id=1507240

2010


Berger, Karol. "Prospero's Art." Shakespeare Studies 10 (1977): 211-38.

_____. "Prospero's Art." In Shakespeare and the Interpretive Tradition. Ed. Stephen Orgel and Sean Keilen. New York: Garland, 1999. 253-82.*

Bhoraskar, R. "A Postcolonial View of The Tempest and Its Afterlives."

http://homes.cs.washington.edu/~bhora/doku/lib/exe/fetch.php/tempest-report.pdf

2013


Birch, W. J. "Tempest." From An Inquiry into the Philosophy and Religion of Shakspere. n.p., 1848. 523-44. Rpt. New York: haskell House, 1972. 523-33. In The Tempest: Critical Essays. Ed. Patrick M. Murphy. New York; Routledge, 2001. 114-22.*

Bradbrook, M. C. "Fomance, Farewell! The Tempest."English Literary Renaissance 1.3 (1971): 239-49. In The Tempest: Critical Essays. Ed. Patrick M. Murphy. New York; Routledge, 2001. 190-99.*

Brown, Paul. "'This Thing of Darkness I Acknowledge Mine': The Tempest and the Discourse of Colonialism." In Political Shakespeare: New Essays in Cultural Materialism. Ed. Jonathan Dollimore and Alan Sinfield. Manchester: Manchester UP, 1985. 48-71.*

Brustein, Robert. "Tempest in a Smokepot." The New Republic 4 Dec. 1995. In The Tempest: Critical Essays. Ed. Patrick M. Murphy. New York; Routledge, 2001. 413-15.* (George C. Wolfe).

Bruster, Douglas. "Local Tempest: Shakespeare and the Work of the Early Modern Playhouse." Journal of Medieval and Renaissance Studies 25-1 (1995): 33-53. In The Tempest: Critical Essays. Ed. Patrick M. Murphy. New York; Routledge, 2001. 257-75.

_____. "The Postmodern Theatre of Paul Mazursky's Tempest." In Shakespeare, Film, Fin de Siècle. Ed. Mark Thornton Burnett and Ramona Wray. Houndmills: Macmillan; New York: St: Martin's, 2000. 26-39.*

Brydon, Diana. "Tempest Plainsong: Returning Caliban's Curse." In Transforming Shakespeare: Contemporary Women's Re-Visions in Literature and Performance. Ed. Marianne Novy. 1999. Basingstoke: Palgrave, 2000. 199-216.*

Cakebread, Caroline. "Sycorax Speaks: Marina Warner's Indigoand The Tempest." In Transforming Shakespeare: Contemporary Women's Re-Visions in Literature and Performance. Ed. Marianne Novy. 1999. Basingstoke: Palgrave, 2000. 217-36.*

Carmona Rodríguez, Pedro. "Remember First to Possess His Books: Appropriation and the Abrogation of Colonialist Authority in Marlene Nourbese Philip's Miranda Stories." In Actas XXVIII Congreso Internacional / International Conference AEDEAN. CD-ROM. Valencia: U de València, 2005.*

Cartmell, Deborah. "Shakespeare, Film and Race: Screening Othello and The Tempest." In Cartmell, Interpreting Shakespeare on Screen. Houndmills: Macmillan, 2000. 67-93.*

Cawley, R. R. "Shakespeare's use of Voyagers in The Tempest." PMLA (Sept. 1926): 688-726.

Chambers, E. K. "Plays of the First Folio." In Chambers, William Shakespeare: A Study of Facts and Problems. Oxford: Clarendon Press, 1930. 1.275-498.*

_____. "The Integrity of The Tempest." In Chambers, Shakespearean Gleanings. London: Oxford UP, 1944. 76-97.*

Cheyfitz, Eric. The Poetics of Imperialism: Translation and Colonization from The Tempest to Tarzan. New York: Oxford UP, 1991.

_____. The Poetics of Imperialism: Translation and Colonization from The Tempest to Tarzan. Expanded ed. U of Pennsylvania P, c. 1998.

Chickering, Howell. "Hearing Ariel's Songs." Journal of Medieval and Renaissance Studies 24 (1994): 131-72. (Duke UP).

_____. "Hearing Ariel's Songs." In Shakespeare and the Arts. Ed. Stephen Orgel and Sean Keilen. (Shakespeare: The Critical Complex, 1). New York and London: Garland, 1999. 65-106.*

Cohen, Derek. "The Woman and the Monster: Foe, Friday, and Caliban." In Nationalism vs. Internationalism: (Inter)National Dimensions of Literatures in English. Ed. Wolfgang Zach and Ken L. Goodwin. Tübingen: Stauffenburg Verlag, 1996. 281-86.*

Coleridge, Samuel Taylor. "The Tempest." In Shakspeare Lectures. 1818, etc. In Coleridge, Literary Remains. Ed. H. N. Coleridge. London, 1836-39.

_____. "The Tempest." In Shakespeare Criticism: A Selection 1623-1840. Ed. David Nichol Smith. London: Oxford UP, 1946. 241-47.*

_____. "The Transcript of Lecture 9." In The Tempest: Critical Essays. Ed. Patrick M. Murphy. New York; Routledge, 2001. 84-100.*

_____. "Notes on The Tempest." In The Tempest: Critical Essays. Ed. Patrick M. Murphy. New York; Routledge, 2001. 101-06.*

Conniff, Brian. "The Modern Lyric and Prospero's Island." Twentieth Century Literature 34.1 (Spring 1988).

Croyden, Margaret. "Peter Brook's Tempest." TDR (Tulane Drama Review) 13.3 (1969): 125-28. In The Tempest: Critical Essays. Ed. Patrick M. Murphy. New York; Routledge, 2001. 357-60.*

Dahlgren, Paul. "Reflections on a Small Island: Hannah Arendt, Shakespeare's The Tempest, and the Politics of Childhood." Journal for Cultural and Religious Theory 7.2 (2006): 34-46.

Daniell, David. The Tempest. 1989.

Dawson, Anthony B. "The Tempest in Performance." In Dawson et al., eds. Ardenonline.

De Gooyer, Alan. "'Their Senses I'll Restore': Montaigne and The Tempest Reconsidered." In The Tempest: Critical Essays. Ed. Patrick M. Murphy. New York; Routledge, 2001. 509-31.*

De Mel, Neloufer. "Caliban or Crusoe? Straddling the Paradigm of 'Post'-Colonial Identity: Derek Walcott and Jean Arasanayagam." In Nationalism vs. Internationalism: (Inter)National Dimensions of Literatures in English. Ed. Wolfgang Zach and Ken L. Goodwin. Tübingen: Stauffenburg Verlag, 1996. 133-44.*

De Sousa, Geraldo U. Shakespeare's Cross Cultural Encounters. Houndmills: Macmillan, 1998.

_____. "Alien Habitats in The Tempest." In The Tempest: Critical Essays. Ed. Patrick M. Murphy. New York; Routledge, 2001. 438-61.*

Deleyto, Celestino. "Estratificación de la ficción dramática en The Tempest." Atlantis 9 (1987): 41-52.*

Díaz García, Jesús. "Familia y estructuración interna en The Tempest." Atlantis 3.1 (1981).

Dobson, Michael. "'Remember/First to Possess His Books': The Appropriation of The Tempest, 1700-1800." Shakespeare Survey 43 (1990): 99-107. Cambridge UP.

_____. "'Remember/First to Possess His Books': The Appropriation of The Tempest, 1700-1800." In Shakespeare and History. Ed. Stephen Orgel and Sean Keilen. New York and London: Garland, 1999. 433-42.*

_____. "'Remember / First To Possess His Books': The Appropriation of The Tempest, 1700-1800." In The Tempest: Critical Essays. Ed. Patrick M. Murphy. New York; Routledge, 2001. 245-56.*

Donaldson, Peter S. "Shakespeare in the Age of Post-Mechanical Reproduction: Sexual and Electronic Magic in Prospero's Books." In Shakespeare, the Movie: Popularizing the Plays on Film, TV and Video. Ed. Lynda E. Boose and Richard Burt. London: Routledge, 1997. 1999. 169-85.*

_____. "Shakespeare in the Age of Post-Mechanical Reproduction: Sexual and Electronic Magic in Prospero's Books." Shakespeare the Movie II: Popularizing the Plays on Film, TV, Video, and DVD. Ed. Richard Burt and Lynda E. Boose. New York and London: Routledge, 2003. 105-19.*

Dowden, Edward. "Shakspere's Last Plays." From Shakspere: A Critical Study of His Mind and Art. 3rd ed. New York and London: Harper & Brothers, 1905. 369-82. In The Tempest: Critical Essays. Ed. Patrick M. Murphy. New York; Routledge, 2001. 140-49.*

Dryden, John. "Preface to The Tempest, or The Enchanted Island." In The Tempest: Critical Essays. Ed. Patrick M. Murphy. New York; Routledge, 2001. 75-78.*

Egan, Gabriel. Green Shakespeare: From Ecopolitics to Ecocriticism. (Accents on Shakespeare). London: Routledge, 2006. (Henry V, Macbeth, As You Like It, Antony and Cleopatra, King Lear, Coriolanus, Pericles, Cymbeline, The Winter's Tale, The Tempest).

Felker, Christopher D. "Print History of The Tempest in Early America, 1623-1727." In The Tempest: Critical Essays. Ed. Patrick M. Murphy. New York; Routledge, 2001. 482-508.*

Frey, Charles. "The Tempest and the New World." Shakespeare Quarterly 30.1 (Winter 1979): 29-41.

_____. "The Tempest and the New World." In Shakespeare and the Literary Tradition. Ed. Stephen Orgel and Sean Keilen. New York and London: Garland, 1999. 217-30.*

Frye, Northrop. "Shakespeare's The Tempest." In Frye, The Eternal Act of Creation: Essays, 1979-1990. Ed. Robert D. Denham. Bloomington: Indiana UP, 1993. 81-93.*

Fuchs, Barbara. "Conquering Islands: Contextualizing The Tempest". Shakespeare Quarterly 48 (Spring 1997): 45-63*

García Landa, José Ángel. "Reading Notes on Some English Classics." 1981-1982. Online edition (2005):

http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/notes.html

(Sir Gawain and the Green Knight - Utopia - Antony and Cleopatra - The Tempest - Gulliver's Travels - Tom Jones - Great Expectations - Far from the Madding Crowd - The Turn of the Screw - A Portrait of the Artist as a Young Man - Point Counter Point - The Road to Wigan Pier - Under the Volcano - Lord of the Flies - The Human Factor).

_____. "Reading Notes on Some English Classics." ResearchGate 27 Dec. 2012.*

https://www.researchgate.net/publication/233985723

2012


_____. "La noche de la Tempestad." Rev. of César Vidal's novel. In García Landa, Vanity Fea 1 April 2007.

http://garciala.blogia.com/2007/040101-la-noche-de-la-tempestad.php

2007-05-04

_____. "The Night of The Tempest / La noche de la Tempestad (sobre la novela de César Vidal)." Online PDF at Social Science Research Network (Jan. 2008).

http://ssrn.com/abstract=1086164

2008


_____. "La noche de la Tempestad (Sobre la novela de César Vidal)." Online PDF at Zaguán 6 May 2009.*

http://zaguan.unizar.es/record/3267

2009


_____. "Nought but Shows—Music for a While." In García Landa, Vanity Fea 18 Dec. 2007.

http://garciala.blogia.com/2007/121801-nought-but-shows-music-for-a-while-.php

2008


_____. "Leave Not a Rack Behind." In García Landa, Vanity Fea 8 Oct. 2014.*

http://vanityfea.blogspot.com.es/2014/10/leave-not-rack-behind.html

2014


George, David. "The Tempest in Bali." Performing Arts Journal no. 33/34 (vol. 11.3, 1989): 84-107. In The Tempest: Critical Essays. Ed. Patrick M. Murphy. New York; Routledge, 2001. 379-97.* (Murdoch Performing Group).

Gillies, John. "Shakespeare's Virginian Masque." English Literary History 53 (1986): 673-707.

_____. "Shakespeare's Virginian Masque." In Shakespeare and History. Ed. Stephen Orgel and Sean Keilen. New York and London: Garland, 1999. 83-118.* (The Tempest).

González Campos, Miguel Angel. "An Isle Full of Noises, Sounds and Sweet Airs: Shakespeare's The Tempest and Krzysztof Kieslowski's Red." In SEDERI VII. Ed. S. González Fernández-Corugedo et al. Coruña: SEDERI, 1996. 265-68.*

_____. "Shakespeare in Outer Space: Forbidden Planet as Adaptation of The Tempest." In SEDERI 9 (1998). Ed. Jesús Cora Alonso et al. Alcalá de Henares: SEDERI / U de Alcalá, 1999. 285-91.*

Greenblatt, Stephen Jay. "Learning to Curse: Aspects of Linguistic Colonialism in the Sixteenth Century." In First Images of America: The Impact of the New World on the Old. 2 vols. Ed. Fredi Chiappelli. Berkeley: U of California P, 1976. 2.561-80.

_____. "Martial Law in the Land of Cockaigne." [The Tempest]In Greenblatt, Shakespearean Negotiations. Berkeley: U of California P, 1988.*

_____. "Martial Law in the Land of Cockaigne." In Materialist Shakespeare. Ed. Ivo Kamps. London: Verso, 1995. 108-41.*

Griffiths, Trevor R. "'This Island's Mine': Caliban and Colonialism." The Yearbook of English Studies 13 (1983): 159-80.

Gurr, Andrew. "The Tempest's tempest at Blackfriars." Shakespeare Su4rvey 41 (1988): 91-102.

_____. "The Bare Island." Shakespeare Survey 47 (1994): 29-43.

_____. "The Bare Island." In Shakespeare in the Theatre. Ed. Stephen Orgel and Sean Keilen. New York: Garland, 1999. 27-42.*

Hale, John K. "Journey and Siege Plots in Shakespeare's Comedies, Especially The Tempest." Cuadernos de Literatura Inglesa y Norteamericana 1.1 (1996): 23-28.*

Hall, Kim F. "Marriages of State: The Tempest and Antony and Cleopatra." In Hall, Things of Darkness: Economies of Race and Gender in Early Modern England. Ithaca (NY): Cornell UP, 1995. 141-60.*

Halpern, Richard. "Shakespeare in the Tropics: From High Modernism to New Historicism." Representations 45 (1994): 1-25. (Lit. and colonialism).

_____. "Shakespeare in the Tropics: From High Modernism to New Historicism." In Postmodern Shakespeare. Ed. Stephen Orgel and Sean Keilen. New York and London: Garland, 1999. 1-26.*

Hankins, J. E. "Caliban the Bestial Man." PMLA 62 (1947).*

Hapgood, Robert. "Listening for the Playwright's Voice: The Tempest, 4.1-139-5.1-132." In The Tempest: Critical Essays. Ed. Patrick M. Murphy. New York; Routledge, 2001. 419- 37.*

Hardin, Richard F. Love in a Green Shade: Idyllic Romances Ancient to Modern. Lincoln: U of Nebraska P, 2000. (Daphnis and Chloe, The Tempest, Paradise Lost, Paul et Virginie, Stowe's The Pearl of Orr's Island, Cather's O Pioneers!, Sand, Hardy, Pardo Bazán, Louis Hemon's Maria Chapdelaine, Mishima's The Sound of Waves).

Harris, Claudia W. "The Tempest as Political Allegory." In The Tempest: Critical Essays. Ed. Patrick M. Murphy. New York; Routledge, 2001. 560-86.*

Hazlitt, William. "The Tempest." In The Tempest: Critical Essays. Ed. Patrick M. Murphy. New York; Routledge, 2001. 107-13.*

_____. "The Tempest at Covent Garden." The Examiner 23 July 1815, rpt. in Hazlitt, A view of the English Stage, coll. in vol. 5 of The Complete Works of William Hazlitt. Ed. P. P. Howe, after the edition of A. R. Waller and Arnold Glover. New York: AMS, 1967. 234-37. In The Tempest: Critical Essays. Ed. Patrick M. Murphy. New York; Routledge, 2001. 327-29.*

Henderson, Diana E. "The Tempest in Performance." In A Companion to Shakespeare's Works, Volume IV: The Poems, Problem Comedies, Late Plays. Ed. Richard Dutton and Jean E. Howard. Malden: Blackwell, 2003. Pbk. 2006. 216-39.*

Hulme, Peter, and William H. Sherman, eds.The Tempest and Its Travels. c. 2000.

Iselin, Pierre. "'My Music for Nothing': Musical Negotiations in The Tempest." Shakespeare Survey 48: Shakespeare and Cultural Exchange. Ed. Stanley Wells. Cambridge: Cambridge UP, 1996.

Johnson, Nora. "Body and Spirit, Stage and Sexuality in The Tempest." ELH 64.3 (Fall 1997): 683-701.*

_____. "Body and Spirit, Stage and Sexuality in The Tempest." In Political Shakespeare. Ed. Stephen Orgel and Sean Keilen. New York: Garland, 1999. 271-90.*

Jonson, Ben. "Ben Jonson on The Tempest (and Titus Andronicus) (1614)." In The Norton Shakespeare. Ed. Stephen Greenblatt et al. New York: Norton, 1997. 3341.*

Kermode, Frank. Rev. of The Tempest. Dir. Derek Jarman. TLS 16 May 1980: 553.

King, Catherine Callen. "Go to Hell, Sycorax!" English Language Notes 27.4 (1990): 1-3.

Kinney, Arthur F. "Revisiting The Tempest." Modern Philology 95-2 (1995): 161-77. In The Tempest: Critical Essays. Ed. Patrick M. Murphy. New York; Routledge, 2001. 277-92.*

Knight, G. Wilson. The Shakespearean Tempest. Oxford: Oxford UP, 1932.

_____. The Crown of Life: Essays in Interpretation of Shakespeare's Final Plays. 1947. London: Methuen, 1977.*

Kott, Jan. "Prospero, or the Director: Giorgio Strehler's The Tempest." First trans. as "Prospero, or the Director: Giorgio Strehler's The Tempest (Piccolo Teatro di Milano)." Trans. Barbara Krzywicka. Theater 10.2 (1979): 117-22. Rev. version in The Bottom Translation: Marlowe and Shakespeare and the Carnival Tradition. Trans. Daniela Miedzyrzecka and Lillian Vallee. Evanston: Northwestern UP, 1987. 133-41. In The Tempest: Critical Essays. Ed. Patrick M. Murphy. New York; Routledge, 2001. 364-70.*

Lanier, Douglas. "Drowning the Book: Prospero's Books and the Textual Shakespeare." In Shakespeare, Theory, and Performance. Ed. James C. Bulman. London, 1996. 187-209.

Law, Ernest. "Shakespeare's Tempest as Originally Produced at Court." From Shakespeare Association Papers 5 (Chatto and Windus, 1920). In The Tempest: Critical Essays. Ed. Patrick M. Murphy. New York; Routledge, 2001. 150-72.*

Leininger, Lorie Jerrell. "The Miranda Trap: Sexism and Racism in Shakespeare's Tempest." From The Woman's Part: Feminist Criticism of Shakespare. Ed. Carolyn Ruth Swift Lenz, Gayle Greene and Carol Thomas neely. Urbana: U of Illinois P, 1980. In The Tempest: Critical Essays. Ed. Patrick M. Murphy. New York; Routledge, 2001. 223-30.*

Losada Friend, María. "El discurso de la autoridad disfrazado: el poder en las islas imaginarias de Swift y Shakespeare." Actas del XXI Congreso Internacional de AEDEAN. Ed. F. Toda et al. Sevilla: U de Sevilla, 1999. 347-51.*

Lyne, Raphael. "The Authority of Prospero's Slave." Rev. of Reason Diminished, by Peter G. Platt, Pastoral Transformations, by Robert Henke, and Late Shakespeare, by Simon Palfrey. TLS 13 Feb. 1998: 12.*

Maguin, Jean-Marie. "The Tempest and Cultural Exchange." Shakespeare Survey 48: Shakespeare and Cultural Exchange. Ed. Stanley Wells. Cambridge: Cambridge UP, 1996.

Mannoni, Octave. Prospero and Caliban: The Psychology of Colonization. 1950. New York: Praeger, 1964.

Marcus, Leah S. "Introduction: The Blue-Eyed Witch." In Marcus, Unediting the Renaissance: Shakespeare, Marlowe, Milton. London: Routledge, 1996. 1-37. (The Tempest).*

Marin, Louis. "Entreglose 4. Le portrait du poète en roi. William Shakespeare, La Tempête, acte I, scènes 1 et 2 (1611)." In Marin, Des Pouvoirs de l'Image: Gloses. Paris: Seuil, 1993. 169-85.*

Martin Renes, Cornelis. "Tempted by the Tempest: Derk Jarman's Gay Play with Shakespearean Romance." In Proceedings from the 31st AEDEAN Conference. Ed. M. J. Lorenzo Modia et al. CD-ROM: A Coruña: Universidade da Coruña, 2008. 225-35.*

McCavera, Tom. The Tempest. Hemel Hempstead: Harvester Wheatsheaf, 1993.

McEvoy, Sean. "Understanding Romance: The Winter's Tale and The Tempest." In McEvoy, Shakespeare: The Basics. London and New York: Routledge, 2000. 2nd ed. 2006. 241-63.*

McGuire, Philip C. "The Tempest: 'Something Rich and Strange'." In McGuire, Shakespeare: The Jacobean Plays. Houndmills: Macmillan, 1994. 175-97.*

Muñoz Valdivieso, Sofía. "'He Hourly Humanizes': Transformations and Appropriations of Shakespeare's Caliban." In SEDERI VII. Ed. S. González Fernández-Corugedo et al. Coruña: SEDERI, 1996. 269-72.*

_____. "'Pluck My Magic Garment from Me': Critical Fashioning of Prospero from Poet Magician to Colonial Imperialist." In First International Conference on English Studies: Past, Present and Future: Costa de Almería, 19-25 de Octubre, 1997. Ed. Annette Gomis et al. CD-ROM. Almería: U de Almería, n.d. [2001]*

_____. "Double Erasure in The Tempest: Miranda in Postmodern Critical Discourse." In SEDERI 9 (1998). Ed. Jesús Cora Alonso et al. Alcalá de Henares: SEDERI / U de Alcalá, 1999. 299-304.*

Muñoz Valdivieso, Sofía, Pilar Hidalgo and Miguel Angel González Campos. "Apropiaciones contemporáneas de La Tempestad." Actas del XXI Congreso AEDEAN. Ed. F. Toda et al. Sevilla: U de Sevilla, 1999. 341-43.*

Murphy, Patrick M. "Interpreting The Tempest: A History of Its Readings." In The Tempest: Critical Essays. Ed. Patrick M. Murphy. (Garland Reference Library of the Humanities, 2014; Shakespeare criticism, 22). New York and London: Routledge, 2001. 3-72.*

Nilan, Mary M. "Shakespeare, Illustrated: Charles Kean's 1857 Production of The Tempest."Shakespeare Quarterly 26 (1975): 196-204.

_____. "Shakespeare, Illustrated: Charles Kean's 1857 Production of The Tempest." In Shakespeare in the Theatre. Ed. Stephen Orgel and Sean Keilen. New York: Garland, 1999. 232-40.*

_____. "Shakespeare, Illlustrated Charles Kean's 1857 Production of The Tempest." In The Tempest: Critical Essays. Ed. Patrick M. Murphy. New York; Routledge, 2001. 330-40.*

_____. "The Tempest at the Turn of the Century: Cross-Currents in Production." Shakespeare Survey 25 (1972): 113-23. In The Tempest: Critical Essays. Ed. Patrick M. Murphy. New York; Routledge, 2001. 341-56.*

O'Shea, Edward. "Modernist Versions of The Tempest: Auden, Woolf, Tippett." In The Tempest: Critical Essays. Ed. Patrick M. Murphy. New York; Routledge, 2001. 543-59.*

Olivares Merino, Eugenio Manuel. "On Prospero's Abjuration of His 'Rough Magic'." In SEDERI III. Ed. Mª Luisa Dañobeitia. Granada, 1992. 219-32.

Omesco, I. Shakespeare, son art et sa tempête. 1993.

Orgel, Stephen. "Prospero's Wife." Representations 8 (1984): 1-13.

_____. "Prospero's Wife." In Representing the Renaissance. Ed. Stephen Greenblatt. Berkeley: U of California P, 1988.

_____. "Prospero's Wife." In The Tempest: Critical Essays. Ed. Patrick M. Murphy. New York; Routledge, 2001. 231-44.*

Paster, Gail Kern. "Montaigne, Dido, and The Tempest: 'How Came that Widow In?'" Shakespeare Quarterly 35 (1984): 91-94.

_____. "Montaigne, Dido, and The Tempest: 'How Came that Widow In?'" In Shakespeare and the Literary Tradition. Ed. Stephen Orgel and Sean Keilen. New York and London: Garland, 1999. 231-34.*

Pérez Gállego, Cándido. El testamento de Shakespeare: The Tempest. Valencia: Instituto Shakespeare, 1972.

_____. "Notas para la pragmática viajera de Próspero."

Phelan, Peggy. "Numbering Prospero's Books." Performing Arts Journal 41 (1992).

Potter, Lois. "A Brave New Tempest." Shakespeare Quarterly 43.4 (1992): 450-55. In The Tempest: Critical Essays. Ed. Patrick M. Murphy. New York; Routledge, 2001. 371-78.* (Sanford Robbins).

San Diego, Carmen. "Representation of Miranda in The Tempest." LiveJournalThe Margin 20 Feb. 2005.

http://the-margin.livejournal.com/2146.html

2014


Sánchez Escribano, Francisco Javier. "Estudio de las fuentes de The Tempest." MA diss. U de Zaragoza, 1973.

_____. "The Tempest y dos novelas francesas: análisis temático." Miscelánea 3 (1983): 27-52.*

Sanders, Charles Richard. "William Strachey, the Virginia Colony, and Shakespeare." Virginia Magazine 57 (1949): 115-32.

Sarwoto, Paulus. The Figuration of Caliban in the Constellation of Postcolonial Theory. Louisiana: Louisiana State U, 2004.



http://etd.lsu.edu/docs/available/etd-04122004-144735/unrestricted/Sarwoto_thesis.pdf

2014


Sastre Colino, Concha. "The Romance in Shakespeare: Romeo and Juliet and The Tempest." SEDERI IV (1993): 217-28.

Sebek, Barbara Ann. "Peopling, Profiting, and Pleasure in The Tempest." In The Tempest: Critical Essays. Ed. Patrick M. Murphy. New York; Routledge, 2001. 463-81.*



Shakespeare: The Tempest. (Brodie's Notes). Houndmills: Macmillan.

Shakespeare: The Tempest. (Macmillan Master Guides). Houndmills: Macmillan.

Sibony, Daniel. "5. La Tempête." In Sibony, Avec Shakespeare. 1988. Paris: Seuil, 2003. 363-90.*

Skura, Meredith Anne. "Discourse and the Individual: The Case of Colonialism in The Tempest." In Shakespeare: An Anthology of Criticism and Theory 1945-2000. Ed. Russ McDonald. Oxford: Blackwell, 2003.*

Smith, Gavin. "Food for Thought." Film Comment 26 (1990). (Greenaway).

Smith, James. "The Tempest." In Smith, Shakespearean and Other Essays. Cambridge: Cambridge UP, 1974. 156-261.

Stanco, Michele. "La tempesta, o del viaggio." Trento e il teatro: Stagione di prosa 1997-98. (I quaderni dello spettacolo). Trento: Centro Servizi Culturali S. Chiara, 1997. 32-34.

_____. "The Tempest e il genere commedia." In Tra Shakespeare e Milton. Ed. Mario Melchionda. (Carte d'occasione). Padova, Unipress, 1997. 3-60.

_____. "Prospero's 'airy charm'. Neoplatonic Magic and Colonial Technology in The Tempest." In Shakespeare Studies in Italy. Ed. Michael Hattaway e Clara Mucci. Special issue of Merope 17.46-47 (2005/06): 137-60.

Stephens, James. "Drama's 'Inward Pinches'." In The Tempest: Critical Essays. Ed. Patrick M. Murphy. New York; Routledge, 2001. 532-42.*

Tazón, J. E., and Urbano Viñuela. "Caliban's Choice in The Tempest." In SEDERI II. Ed. S. G. Fernández-Corugedo. Oviedo: Servicio de Publicaciones de la Universidad de Oviedo, 1992. 321-9.

Thompson, Ann. "'Miranda, Where's Your Sister?': Reading Shakespeare's The Tempest." In Shakespeare and Gender. Ed. Deborah Barker and Ivo Kamps. London: Verso, 1995. 168-77.*

Tiffany, Grace. "Eden and the New World in Shakespeare's The Tempest." In Critical Essays on the Myth of the American Adam. Ed. Viorica Patea and Maria Eugenia Díaz. Salamanca: Ediciones U de Salamanca, 2001. 45-52.*

Traister, Barbara Howard. Heavenly Necromancers: The Magician in English Renaissance Drama. Columbia (MO): Missouri UP, 1984.

_____. From Heavenly Necromancers. In El teatro de Christopher Marlowe. Ed. J. M. González Fernández de Sevilla. Zaragoza: Sederi, 1998.

Vaughan, Alden T. "Shakespeare's Indian: The Americanization of Caliban." Shakespeare Quarterly 39 (1988): 137-53.

_____. "Shakespeare's Indian: The Americanization of Caliban." In Political Shakespeare. Ed. Stephen Orgel and Sean Keilen. New York: Garland, 1999. 131-48.*

Vaughan, Alden T., and Virginia Mason Vaughan. Shakespeare's Caliban: A Cultural History. Cambridge: Cambridge UP, 1991.

Vaughan, Virginia Mason, and Alden T. Vaughan. "Tampering with The Tempest." Shakespeare Bulletin: A Journal of Performance Criticism and Scholarship 101 (Winter 1992): 16-17. In The Tempest: Critical Essays. Ed. Patrick M. Murphy. New York; Routledge, 2001. 398-403.* (Greenaway, Césaire, Return to the Forbidden Planet).

Warton, Joseph. 5 papers on The Tempest and King Lear. The Adventurer 1753-54.

_____. "The Tempest" The Adventurer no. 93, 25 sept. 1753; no. 97, 9 Oct. 1753. Select. in Shakespeare Criticism 1623-1840. Ed. D. N. Smith. London: Oxford UP, 1964. 52-59.*

_____. (On The Tempest). The Adventurer no. 93 (Tuesday, Sept. 25, 1753). In The Tempest: Critical Essays. Ed. Patrick M. Murphy. New York; Routledge, 2001. 79-83.*

Watson, Roderick. "The Rage of Caliban." In Scotland to Slovenia: European Identities and Transcultural Communication. Ed. H. W. Drescher and S. Hagemann. Frankfurt: Peter Lang, 1996. 53-69.

Wheeler, Richard P. "Fantasy and History in The Tempest." In The Tempest. Ed. Nigel Wood. (Theory in Practice Series). Buckingham and Philadelphia: Open UP, 1995. 128-60. In The Tempest: Critical Essays. Ed. Patrick M. Murphy. New York; Routledge, 2001. 293-324.*

Wilkes, G. A. "The Tempest and the Discourse of Colonialism." Sydney Studies in English 21 (1995-1996): 42-55.



http://ojs-prod.library.usyd.edu.au/index.php/SSE/article/view/504

2014


Wilson, Daniel. "The Monster Caliban." Ch. 5 of Caliban: The Missing Link. London: Macmillan, 1873. 67-91. In The Tempest: Critical Essays. Ed. Patrick M. Murphy. New York; Routledge, 2001. 123-39.*

Wilson, Richard. "Voyage to Tunis: New History and the Old World of The Tempest." ELH 64.2: 333-359.*

Wood, Nigel, ed. The Tempest. (Theory in Practice Series). Buckingham and Philadelphia: Open UP, 1995.

Zabus, Chantal. Tempests After Shakespeare. Basingstoke: Palgrave Macmillan, 2003.

Zschirnt, Christiane. "9. Shakespeare. Vida. Obras: Hamlet, Enrique IV, El rey Lear, Otelo, Sueño de una noche de verano. Noche de Reyes o lo que queráis, El mercader de Venecia, Macbeth, La tempestad." In Zschirnt, Libros: Todo lo que hay que leer. Madrid: Santillana-Taurus, 2004. 201-14.*

Anthologies

Murphy, Patrick M., ed. The Tempest: Critical Essays. (Garland Reference Library of the Humanities, 2014; Shakespeare criticism, 22). New York and London Routledge, 2001.

Palmer, David John, ed. Shakespeare: The Tempest. (Casebooks series). Houndmills: Macmillan, 1968. Rev. ed. 1991.*

White, R. S., ed. The Tempest. (New Casebooks). Houndmills: Macmillan, 1999.

Films


The Tempest. Dir. Edwin Thanhouser. Based on William Shakespeare's play. USA, 1911.

La Tempête. Based on William Shakespeare's play. France: Éclair, 1912.

The Tempest. Dir. Sam Taylor. Based on William Shakespeare's play. USA, 1927.

The Tempest. Dir. John Gorrie. Cast: Michael Hordern, Warren Clarke, Pippa Guard. Prod. Cedric Messina. BBC TV / Time-Life Television, broadcast 27 Feb. 1980. DVD. (The Shakespeare Collection). UK: BBC Worldwide, 2005.*

The Tempest. Dir. Derek Jarman. Cast: Heathcote Williams, Toyah Wilcox. UK, 1980.

The Tempest. (Bard series).

Tempest. Dir. and prod. John Mazursky. Cast: John Cassavetes, Gena Rowlands, Susan Sarandon, Vittorio Gassman, Raul Julia, Molly Ringwald. Music by Stomy Yamashta. Ed. Donn Cambern. Photog. Donald McAlpine. Screenplay by Paul Mazursky and Leon Capetanos, inspired by Shakespeare's play. Co-prod. Steven Bernhardt, and Pato Guzman. USA: Columbia Pictures, 1982. (Spanish VHS Tempestad. Tristar Columbia / Planeta DeAgostini, 2000.*).

The Tempest. Dir. Julie Taymor, based on Shakespeare's play. Helen Mirren as Prospera. Premiere at Venice Festival, 2010. Online at YouTube (MotionPicturez) 25 Sept. 2013.*

http://youtu.be/jXoNHs3WOgM

2013


Literature. See Related works below.

Internet resources


"The Tempest." Wikipedia: The Free Encyclopedia.*



http://en.wikipedia.org/wiki/The_Tempest

2014


Music

Adès, Thomas. The Tempest. Opera in 3 cts. Libretto by Meredith Oakes, after William Shakespeare. Simon Keenlyside, Cyndia Sieden, Ian Bostridge, Kate Royal, Toby Spence, Philip Langridge, Donald Kaasch, Stephen Richardson, David Cordier, Jonathan Summers, Graeme Danby. The Royal Opera Chorus (Renato Baldasonna). The Orchestra of the Royal Opera House, Covent Garden / Thomas Adès. 2 Cds. EMI Records, 2009.*

Aracil, Alfredo. "Memoria de Próspero." On texts by Shakespeare and Sanchis Sinisterra's Mísero Próspero. For voices and instruments. In Aracil, Paradiso: Obra coral. CD. Valencia: Columna Música / Institut Valenciá de la Música, 2004.*

Arne, Thomas. The Tempest. (Established music for the play mixed Purcell/Weldon's music with Thomas Arne's 1746 music).

Linley, Thomas (the younger). Music for The Tempest 1777. In Linley, Music for The Tempest. Overture to The Duenna. Three Cantatas. Julia Gooding, soprano. Paul Goodwin, oboe. The Parley of Instruments Orchestra and Choir (Peter Holman) / Paul Nicholson, dir. and harpsichord. CD. London: Hyperion, 1995.* (Includes an adaptation from Arne).

_____. "Arise! Ye Spirits of the Storm." From Music for The Tempest. Vocal ensemble Intrada. Pratum Integrum / Ekaterina Antonenko. Live at Moscow 2011. YouTube (Yuri Antonenko) 24 Jan. 2012.*



https://youtu.be/2Uk9sNQAt4s

2015


Locke, Matthew. The Tempest. Music for a semi-operatic version of Shakespeare's play, by Dryden and Davenant, rev. by Thomas Shadwell. 1674.

_____. The Tempest, or the Enchanted Island. YouTube list:



http://youtu.be/NWOmwH_dGf8?list=RDNWOmwH_dGf8

2014 DISCONTINUED 2015

_____. The Tempest. Judith Nelson (1st Devil, Ariel, Amphitrite, Dorinda); Emma Kirkby (2nd Devil, Milcha); Prudence Lloyd (3rd Devil); Martyn Hill (Ferdinand, Murder, Oceanus); Rogers Covey-Crump (Fraud, Aeolus); Richard Morton (Pride); Alan Byers (Rapine); David Thomas (Neptune). The Academy of Ancient Music / Christopher Hogwood. YouTube (Dramma per musica) 11 April 2014.*

https://youtu.be/kQH0h5ju_s8

2015


Nyman, Michael. Prospero's Books: Music from the Film by Peter Greenaway. CD. Michael Nyman Band. CD. Decca-Argo.

_____. Prospero's Books. Soundtrack for Peter Greenaway's film. Select. in The World of Michel Nyman. (The World of…). CD. London: Decca, 2001.

_____. Ariel Songs. By Shakespeare. In Michael Nyman Songbook: Songs to Texts by Celan, Shakespeare, Mozart, Rimbaud. Sung by Ute Lemper. Michael Nyman Band / Michael Nyman. CD. London: Decca, 1991.* ("Come and Go," "While you here do snoring lie," "Full fathom five").

Purcell, Henry. (attr.? John Weldon?). The Tempest. Arr. Peter Holman. D. Thomas, R. Earle, C. Hall, R. Hardy, J. Smith. Monteverdi Choir / John Eliot Gardiner. (Gardiner Purcell Collection). Erato Disques, 1980. CD.*

Paintings
Hamilton, William (attr). Prospero and Miranda. Royal Shakespeare Company Collection, Royal Shakespeare Theatre.

Related works

Browning, Robert. "Caliban upon Setebos: Or Natural Theology in the Island." Poem. c. 1860, pub. 1864. In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, with Stephen Greenblatt et al. New York: Norton, 1999. 2.1402-9.*

Carter, Angela. Come unto These Yellow Sands. Radio play. In Carter, The Curious Room: Plays, Film Scripts and an Opera. London: Chatto and Windus, 1996. 33-60.*

Césaire, Aimé. Une Tempête. Drama. (Rewriting of Shakespeare's The Tempest ). Paris: Seuil, 1969.

Davenant, William, and John Dryden. The Tempest or The Enchanted Island. Operatic adaptation of Shakespeare's work. 1667.

_____. The Tempest, or the Enchanted Island. A comedy. 1670. In Literature Online: Editions and Adaptations of Shakespeare. Cambridge: Chadwyck-Healey.

Duffet, Thomas. The Mock-Tempest. London: n. pub., 1675.

Mazursky, Paul, dir and prod. Tempest. Film. Screenplay by Paul Mazursky and Leon Capetanos, inspired by Shakespeare's play. Cast: John Cassavetes, Gena Rowlands, Susan Sarandon, Vittorio Gassman, Raul Julia, Molly Ringwald. Music by Stomy Yamashta. Ed. Donn Cambern. Photog. Donald McAlpine. Co-prod. Steven Bernhardt, and Pato Guzman. Columbia Pictures, 1982.

_____. Tempestad. Spanish VHS. (Colección William Shakespeare). USA: Tristar Columbia / Planeta DeAgostini, 2000.*).

Osment, Philip. The Island's Mine. In Adaptations of Shakespeare: An Anthology of Plays from the 17th Century to the Present. Daniel Fischlin and Mark Fortier. London: Routledge, 2000.

Philip, Marlene Nourbese. (Miranda stories).

Tippett, Michael (Sir). The Knot Garden. Opera. Libretto by Sir Michael Tippett. 1st performed Covent Garden, London, 2/12/1970. (On psychotherapy, inspired by The Tempest).

_____. The Knot Garden. Opera score. Schott & Co., Ltd.

_____. The Knot Garden. Raimund Herincx, Yvonne Minton, Jill Gomez, Josephine Barstow, Thomas Carey, Robert Tear, Thomas Hemsley. Orchestra of the Royal Opera House, Covent Garden / Sir Colin Davis. Rec. 1973. Prod. Philips, 1974. 2 CDs (with A Child of Our Time). With librettos and notes by Tippett and Meirion Bowen. Germany: Philips Classics Productions, 1995.*

Warner, Marina. Indigo: Or, Mapping the Waters. Novel. London: Chatto, 1992.

Greenaway, Peter, dir. Prospero's Books. Film. UK, 1991.

_____. Prospero's Books: A film of Shakespeare's The Tempest. Screenplay. London, 1991.

Wilcox, Fred McLeod, dir. Forbidden Planet. Cast: Walter Pidgeon, Anne Francis, Leslie Nielsen, Warren Stevens, Jack Kelly, Richard Anderson, Earl Holliman, George Wallace, James Drury. CinemaScope. USA, 1956.*

Theatrical productions


Pasqual, Lluís, adapt. and dir. La Tempestad. By William Shakespeare. Trans. Patricia Zángaro.. Music by Josep María Arrizabalaga. Cast: Francesc Orella, Helio Pedregal, Iván Hermes, Lander Iglesias, Joseba Apaolaza, Antonio Rupérez, Rebeca Valls, Alberto Berzal, Pablo Viar, Javier Ruiz de Alegría, Aitor Mazo, Jorge Santos, Jesús Castejón, Eduard Fernández, David Pinilla, Anna Lizaran, Itxaso Corral, Alberto Berzal, Luis Rallo. Teatro Arriaga; coprod. Teatro Español / Teatre Lliure. Zaragoza: Teatro Principal, 22 April 2006.

Punchdrunk Theatre. Tempest. By Shakespeare. 2003.


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