BUSBY BERKELY DREAMS]
I should have forgotten you long ago
but you're in every song I know
Wining and pining is wrong and so
on and so forth, of course, of course,
but no you can't have a divorce
[BILLIE enters unseen wearing only the slip JEAN gave her in ACT I. She Sings Harmony]
(C): I haven't seen you in ages
but it's not as bleak as it seems
We still dance on whirling stages
in my Busby Berkeley dreams
The tears have stained all the pages
of my True Romance magazines
We still dance in my outrageously beautiful
Busby Berkeley dreams
And now you want to leave me for good
I refuse to believe you could
You forget we're not made of wood
Well, darling you may do your worst
because you'll have to kill me first...
(C)
Do you think it's dangerous to have Busy Berkeley
dreams?
[lights fade up slowly.]
BILLIE[holding book behind back]
I finished the book.
MIKE
Oh. Um…
BILLIE[presents book to him]
“Il libro di amore”
MIKE [takes book, attempts Italian.]
“Il libro di amore”
BILLIE
an ancient civilization in a way,
the old world.
MIKE
Greece and Rome?
[MC slowly enters unseen in the background.]
BILLIE
Right.
And still in touch with the deeper ways of life and love
the things that are deep in human nature and eternal
MIKE
close to the dreamtime of civilization
BILLIE
Right.
MIKE
The time of mythology.
BILLIE
Right.
Deeper than Freud, even.
MIKE
Deeper than Freud.
[BILLIE turns to leave, hesitates, and turns back]
BILLIE
Oh, I think it was written by a woman.
[MIKE smiles. After a long moment BILLIE turns and exits through audience.
MIKE slowly opens book to read. A gunshot is heard behind audience.
JEAN runs in from the wings.
MIKE’S cell phone immediately rings and rings for a long time before he answers.]
MIKE
Uh huh.
Yes.
Ok. [MC slowly leaves unseen. MIKE hangs up phone, speaks to audience.]
It's not entirely clear to me
what I'm doing here.
As it started out
what I thought was
it was a perfectly straightforward life plan
as clear as the plot of a novel
I was setting out in life
to find a woman I could love
and who loved me
and then one thing led to another
I found a book
the next thing I knew I was at a cabaret in a city
where there were many people
there was a party, or a show,
I couldn't find the woman I had come with
you know
[he shrugs]
I became disoriented.
But as I think about it
I think
is this not how life is?
You think you are doing one thing
it turns out you have been doing something else entirely
[MIKE slowly begins to exit through audience. As he goes & his voice is becoming faint it is fading in on the radio center stage. Until finally he is gone and we hear his voice on the radio.]
life has no plot
you only think it does
while all the time something without a plot is happening to you
over and over until you reach the end of your life
and you think you've had a beginning and a middle and an end
but all you've had is a start and a stop
and a lot of disorientation in between
trying to get a grip
hoping for true love
maybe you have a chance and you lose it
you don't know where it went
you're not sure if you had it
or who it was with
maybe the time you least thought it was meaningful at all
that was your one chance
you walked right past it
while you were pursuing another woman
and then you kick the bucket....
[RADIO MC’s speaks through a microphone off stage, sound comes through radio on stage and as in Act I MC plays all the voices.]
RADIO TALK SHOW VOICE
Usually, in life,
we're so busy doing things,
we don't stop to look at each other any more.
2ND VOICE
That's so true.
TALK SHOW VOICE
But you won't be here forever.
2ND VOICE
No.
Right.
TALK SHOW VOICE
You won't even be the same person tomorrow.
Things go by so fast,
and then they're gone.
friends grow up
and get married
and you never took the time to look at them.
2ND VOICE
Like that couple in New York.
TALK SHOW VOICE
Who's that?
[KERI enters goes to bag she brought at beginning of show, walks to MC, and tosses a handful of rose petals high in the air above him, she goes to JEAN repeats the same, to VIVA repeats the same, and finally, down right, does the same for herself. This sequence lasts till the last throw is on the band’s first chord of Nothing Matters when We’re dancing.]
2ND VOICE
You heard that:
this man found this book
claimed it fell from the sky
a sign from God,
“Il libro di amore”
He asked a woman to translate it
And fell madly in love with her.
TALK SHOW VOICE
Oh. Oh. Right.
They worked on the book
Their whole lives together.
2ND VOICE
That's it.
Then when she finished
She was going to leave him.
He shot her
and then he shot himself.
TALK SHOW VOICE
Right.
2ND VOICE
He died. But she lived.
TALK SHOW VOICE
I understood he lived, too.
2ND VOICE
He lived? I didn't know that.
TALK SHOW VOICE
Yeah, he lived.
I guess, you know, he sort of lobotomized himself
but he was still able to read from the book.
and I guess he does okay.
They say he sits around all day
Dreams of the stories and songs in the book.
2ND VOICE
I didn't know that.
But I did know that she
even though he shot her a couple of times--
once in the head--
she lived;
and she recovered,
well not completely, I guess--
she had a little trouble with her memory,
but otherwise she was okay.
TALK SHOW VOICE
And she moved back in with him
2ND VOICE
Right.
In an apartment above that cabaret on 1st Avenue & Spring Street.
And they lived there together
Dreaming of love.
I guess you could say
they lived happily ever after.
[MC enters carrying cordless microphone dressed as he was in the beginning of play.]
TALK SHOW VOICE
Right. Well.
That's a love story.
2ND VOICE
Yeah. That really is.
[silence]
TALK SHOW VOICE
Okay! Well,
here's some more music a familiar old song.
This is Stephen Merritt singing
"NOTHING MATTERS WHEN WE’RE DANCING."
2ND VOICE
I like this song.
TALK SHOW VOICE
I've got to say,
I love this song.
[The band picks up the song and drowns out the radio KERI goes to JEAN and romantically asks him to dance. Lights fade to a disco ball reflecting light throughout the space.]
VIVA with MC backing up [sings NOTHING MATTERS WHEN WE’RE DANCING]
Dance with me my old friend
once before we go
Let's pretend this song won't end
and we never have to go home
and we'll dance among the chandeliers
And nothing matters when we're dancing
In tat or tatters you're entrancing
Be we in Paris or in Lansing
nothing matters when we're dancing
[MIKE enters carrying BILLIE like a baby to center, sets her down, they dance.]
You've never been more beautiful
your eyes like two full moons
than here in this poor old dancehall
among the dreadful tunes
the awful songs we don't even hear...
And nothing matters when we're dancing
In tat or tatters you're entrancing
Be we in Paris or in Lansing
nothing matters when we're dancing
[Light on disco ball slowly fades as VIDEO fades in “THE END”]
END
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